“Dreamin’ Wild” tells the true story of the Emerson family and the tumult that followed the success of their self-recorded pop-funk album of the same name, which went largely unnoticed until critics rediscovered and reappraised it decades later. Now, as an adult, Donnie is forced to confront the ghosts from the past and grapple with the emotional toll his dreams have taken on the family who supported him.
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A young man recruits a film student to help him prove the existence of an urban legend.
A budding romance between noble underachiever Lloyd Dobler and high school valedictorian Diane Court is threatened when Diane’s overly possessive, disapproving father interferes with their relationship. With a prized scholarship to study abroad hanging in the balance, Diane must find a way to make both men happy.
Batman raises the stakes in his war on crime. With the help of Lt. Jim Gordon and District Attorney Harvey Dent, Batman sets out to dismantle the remaining criminal organizations that plague the streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as the Joker.
A story about a seemingly unlikely couple who cross paths under life-threatening circumstances as though they are destined not only to meet but to save each other’s lives. Not once, but twice.
Orchestra Rehearsal (Italian: Prova d’orchestra) is a 1978 Italian film directed by Federico Fellini. It follows an Italian orchestra as the members go on strike against the conductor. The film was shown out of competition at the 1979 Cannes Film Festival. Considered by some to be underrated Orchestra Rehearsal was the last collaboration between composer Nino Rota and Fellini, due to Rota’s death in 1979.
A new girl in a quiet town, Tess tries to manage her psychosis while adjusting to her new life with her mom. After stumbling upon the shrine of Lucy, a hit and run victim, Tess finds herself overwhelmed by hallucinations of the dead girl and starts to question her sanity again. When the spirit possesses Tess’s mind and soul, mother and daughter are at a loss for where to turn next for salvation: religion or medicine? Both institutions have failed them to date but faith leads them to the house of Sarah, Lucy’s mother, who has been despondent since the accident. All together with time working against them, Sarah is desperate to believe that Lucy is still alive in Tess but neither parent wants to give up on their daughter. Now that she understands what is happening to her, ultimately Tess must decide whether she wants to keep fighting or succumb to her affliction.
The second film from Aarón Fernández is a Spain-Mexico-France co-production already screened as part of Films in Progress at the 60th edition of the Festival. On the desolate coast of Veracruz, young Sebastián, 17, has to run his uncle’s motel single-handed, renting rooms by the hour. That’s how he meets Miranda, a regular customer who goes there to wait for a lover who often arrives late, sparking a fleeting game of seduction between the two.
A photographer suffering under artist decline begins taking out his aggression on his girlfriend. When she disappears, he enters his subconscious, descending down a spiral of mystery and madness on his search for her, as well as himself.
Gas station in the middle of nowhere: a young man arrives to meet his father he hasn’t seen for 30 years. On the same day, a van with four prostitutes breaks down at the very same gas station, on the way to Switzerland. The three days they spend together in the station change their lives forever.
