The camera is cast on the competitors in the annual “Worlds Ugliest Dog Contest” which takes place each summer in Petaluma, CA.

This is the remarkable story of an American icon who changed the sport of big wave surfing forever. Transcending the surf genre, this in-depth portrait of a hard-charging athlete explores the fear, courage and ambition that push a man to greatness—and the cost that comes with it.

Following the rise and fall of the new American oil boom, My Country No More paints an intimate portrait of a rural community in crisis, forced to confront the meaning of progress as they fight for a disappearing way of life.

Following on from his recent look at alcoholism, the UK’s premier documentarian returns with another sensitive film, this time on living with a brain injury. Earl’s personality and interests have radically altered since he was involved in a car crash, while Dan – who sustained his injury in the late 90s – is desperate to live independently again. Elsewhere, Amanda is struggling to readjust to family life, and Natalie’s carers share her especially affecting story.

Set entirely inside Folsom Prison, The Work follows three men during four days of intensive group therapy with convicts, revealing an intimate and powerful portrait of authentic human transformation that transcends what we think of as rehabilitation.

The United Kingdom. Soon. Civil war rages. A woman wakes up in a blindingly white cuboid cell. Using its sophisticated functionality, her captor tortures her for information; information she claims not to have – or does she?

A look at the War on Terror and the threat it’s causing to our civil liberties and political discourse. Academy Award nominee James Cromwell presents Janek Ambros’ directorial debut. The feature doc tackles the War on Terror’s impact on civil liberties and the strange coalition it’s creating between the progressive left and libertarian right. The doc examines the NSA, drones, the war on journalism and other encroachments on civil liberties started by the Bush era and expanded by the Democratic establishment.

The final days of Nancy Spungen and Sid Vicious are explored.

The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.

French chef Georges Perrier tries to keep his internationally renowned restaurant relevant in the new culinary world.

Since 1999, 18 of the last 22 winners of the Scripps National Spelling Bee have been Indian-American, making the incredible trend one of the longest in sports history. “Breaking the Bee” is a feature-length documentary that explores and celebrates this new dynasty while following four students, ages 7 to 14, as they vie for the title of spelling bee champion.

Ësáasi Eweera, one of the last kings of the Bubi people of Equatorial Guinea and a threat to Spanish colonial rule, died in suspicious circumstances. A century later, the case is reopened: a formalist detective story and an indictment of colonialism.