Following on from his recent look at alcoholism, the UK’s premier documentarian returns with another sensitive film, this time on living with a brain injury. Earl’s personality and interests have radically altered since he was involved in a car crash, while Dan – who sustained his injury in the late 90s – is desperate to live independently again. Elsewhere, Amanda is struggling to readjust to family life, and Natalie’s carers share her especially affecting story.
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For the first time one of Hollywood’s greatest stars tells his own story, in his own words. From a childhood of poverty to global fame, Cary Grant, the ultimate self-made star, explores his own screen image and what it took to create it.
Filmed at the October 1968 meeting in Hawaii of several hundred police chiefs of the International Association of Chiefs of Police as they watch demonstrations of gruesome anti-riot weapons, sing patriotic songs, and defend their policies in front of the camera. Although filmed with the permission of the chiefs, the view is not sympathetic, sometimes funny, and more often frightening.
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After a lifetime of hiding, Chely Wright becomes the first commercial country music singer to come out as gay, shattering cultural stereotypes within Nashville, per conservative heartland family and, most importantly, within herself. With unprecedented access over a two-year period, including her private video diaries, the film layers Chely’s rise to fame while hiding in the late 90’s with the execution of her coming out plan, culminating in the exciting moment when she steps into the media glare to reveal she is gay. The film shows both the devastation of internalized homophobia and the transformational power of living an authentic life. The film also documents the conflicting responses from Nashville, the heartland and the LGBT community as Chely Wright prepares for an unknown future.
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María Nieves Rego (80) and Juan Carlos Copes (83) met when they were 14 and 17, and they danced together for nearly fifty years. In all those years they loved and hated each other and went through several painful separations. Now, at the end of their lives, the two dancers are willing to open up about their love, their hatred, and their passion. In “Our Last Tango” Juan and María tell their story to a group of young tango dancers and choreographers from Buenos Aires, who transform the most beautiful, moving and dramatic moments of the lives into incredible tango-choreographies. These beautifully-shot performances compliment the soul-searching interviews and documentary moments of the film to make this an unforgettable journey into the heart of the tango.