From an exciting Indian wedding comes a relationship from two different times not only showing the modern but also the traditional. Different characters and stories interact with each other in director Mira Nair film where she used an Indian-American production to illustrate these themes modern day Indians are very familiar with.

Two college students fall in love one year before graduation and have bright futures ahead until one of them develops schizophrenia.

A young couple, feeling the pressures of parenting and adulthood, sends their kids to camp for the first time and embark on a series of sexual adventures to reinvigorate their relationship.

Made In China is a thriller set in modern day Zhejiang Province chronicling the story of Bryan Zellerman, an American on the run in Zhejiang province. While working for a shady real-estate company in Shanghai, Bryan is framed by his corrupt employers

In an uncharted future, two hardened souls meet and confront each other with the things they have done and what they have become.

A poor girl falls for a wealthy young man. He invites her to his gala birthday party, but she doesn’t have the right kind of dress to wear, so her family and friends band together to raise money to get her the proper dress.

A pastor and ethnographer visits a remote corner of 19th-century Lithuania where folk customs associated with the area’s pagan past still have a hold on the population.

In this sequel to the 1980 classic, two children are stranded on a beautiful island in the South Pacific. With no adults to guide them, the two make a simple life together and eventually become tanned teenagers in love.

Set during the early Joseon Dynasty, the film begins with the queen mother and former concubine (Park Ji-young) in a precarious position of having no blood ties to the childless king (Jung Chan). She schemes to replace him on the throne with his stepbrother and her submissive young son Seong-won (Kim Dong-wook). Indifferent to his mother’s plans, the timid prince falls in love at first sight with Hwa-yeon (Jo Yeo-jeong), an aristocrat’s daughter, who has already found love with Kwon-yoo (Kim Min-joon), a commoner. The king is eventually poisoned to death by the queen mother, who is desperate to be in power. Hwa-yeon is moved to a closely watched humble residence, with the queen mother planning to assassinate Hwa-yeon and her son to secure her position in the palace.

Kit can’t remember much of his native Vietnam. When he returns to the Land of the Golden Star for the first time in over thirty years, he takes in his local surroundings as any Western tourist would, and the environment is as exotic as the language is incomprehensible. The aim of Kit’s travels – to find a place to scatter his parents’ ashes – thus becomes part of a journey back to his roots and to the discovery of his identity, which external circumstances have rendered ambiguous and complex.

Pia’s life, a girl from a small German town, changes when surprisingly, finds in her garden a huge black monster. She soon discovers that the mysterious creature, which called Yoko, is actually a kind yeti spiritually protecting animals and children worldwide. Yoko is constantly showing his friends Pia and their unique qualities, but children are not the only ones who want the Yeti. Its great value calls attention to two hunters who want to take advantage of the yeti.

Claire, an ambitious pastry chef, is busy running her new restaurant, but her meddling mom is preoccupied with her lack of love life. Without her knowledge, Claire’s mother finds her the perfect man, but when Claire finds out it wasn’t fate that brought them together, it could ruin the relationship.