Set during the early Joseon Dynasty, the film begins with the queen mother and former concubine (Park Ji-young) in a precarious position of having no blood ties to the childless king (Jung Chan). She schemes to replace him on the throne with his stepbrother and her submissive young son Seong-won (Kim Dong-wook). Indifferent to his mother’s plans, the timid prince falls in love at first sight with Hwa-yeon (Jo Yeo-jeong), an aristocrat’s daughter, who has already found love with Kwon-yoo (Kim Min-joon), a commoner. The king is eventually poisoned to death by the queen mother, who is desperate to be in power. Hwa-yeon is moved to a closely watched humble residence, with the queen mother planning to assassinate Hwa-yeon and her son to secure her position in the palace.
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The once beautiful, now down-and-out Dragon Tiger martial artist Lao Luo lives with his beloved horse, Red Rabbit. Due to a debt dispute involving Red Rabbit, he is faced with the crisis of “father-son separation”. In desperation, Lao Luo asks his daughter Bao and her boyfriend Naihua, who have misunderstood him for years, for help. On the road of self-help of three people and one horse, they make a lot of jokes and gradually get closer to each other.
The year was 1973 . . . Justin Thomas Wilson was hunting the fallen with an ax and a shotgun. Sam, his young disciple, documented their adventures with the first 8mm camera ever to record sound. The story begins but the battle rages on.
An adaptation of Shakespeare’s tragedy set in modern-day Italy where two young lovers strive to transcend a violent world where Catholic and secular values clash.
Legendary lawman Frank Hamer and Manny Gault, two former Rangers by the time Bonnie & Clyde started their robbery reign, are commissioned as special investigators, coaxed by a consortium of banks to assemble a posse and end the robbery spree of the notorious duo reputed to have killed 13 cops and others.
With Christmas approaching, life appears to be good for Tom, an ex-Olympic hockey star, and his girlfriend, Jenny, a firefighter — at least until Mary, a former Olympic figure skater, Tom’s soon-to-be ex-wife and the author of a book of tips on relationships, is convinced that appearing to be still happy with Tom will help sell her book. Tom’s strong desire to spend the holidays with his and Mary’s daughter provides a test of true love and, ultimately, reveals who the true heroes are.
The film follows 24 hours in the life of father and daughter Leo and Molly as she grapples with the challenges of dealing with her father’s chaotic mental state. But as they weave their way around New York City, their ordinary but stressful day takes on a hallucinatory and epic quality, for Leo is seamlessly flowing in and out of several parallel lives; a passionate marriage with his childhood sweetheart Dolores in Mexico; a struggling career as a drummer in Manhattan with his more successful lover, Adam; and a life of solitude on a remote Greek island, where a chance encounter with two young tourists unmasks the uncomfortable truths of a family life left behind…
Mark (a journalist from Xice Magazine) is sent to do a premier article on Steve and John (co-creators of XBus & owners of Bang-on Entertainment). They decide to take Mark on a ride that, unbeknownst to them, turns into a vicious nightmare. Caught in a revenge plot that’s been brewing for years, Mark tries to escape with his life as our mysterious Beth reigns down punishment for Steve and John’s past dirty deeds. What is a “just” consequence for a couple of scum-bag’s?… And how far will one go to get even?
As a war rages on in the province of Bougainville in Papua New Guinea, a young girl becomes transfixed by the Charles Dickens novel Great Expectations, which is being read at school by the only white man in the village. In 1991, a war over a copper mine in the South Pacific tore the island of Bougainville apart. The reclusive “Popeye” (Hugh Laurie) offers the children in fourteen-year-old Matilda’s tiny village an escape with Charles Dickens’ Great Expectations. But on an island at war, fiction can have dangerous consequences.