Twelve-year-old Simone feels painfully disconnected from the world after witnessing the brutal death of her mother. Simone, a solitary multimedia artist in her twenties, is struggling to control her crushing panic attacks and keep her day job in an underground parking lot. And Simone, a sixty-year-old physicist, is giving a conference on the nature of time. The three Simones’ lives are intertwined in a labyrinthine meta-world where timeframes overlap, characters multiply, and storylines repeat and expand. But, for all its shuttling forward and back through time, ENDORPHINE remains grounded in the Simones’ inner lives — it’s an artistic examination of scientific phenomena that also poignantly explores how people deal with trauma.
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This was going to be the first year that Marshal Middle School was not going to have a dance team. All that changes when the new Biology teacher, Ms. Bartlett, agrees to be the coach. Now the girls need to prove that they are ready to compete and are able to win; not only to themselves, but to their parents and coach. Using the chant “si, se puede” or “yes, I can” the Dance team builds their confidence to perform.
An attractive woman detective, expert in cases of conjugal infidelity is hired by a mysterious millionaire, unaware that she will get involved in a feverish love triangle to gather all the evidence she needs to finish the case.
Despite its stand-alone title, this mixture of martial arts and exploitation is a semi-sequel to Shaw Brothers’s Flying Guillotine series. This time, the focus is Rong Qui-yan (Chen Ping), a kung fu student turned dutiful wife whose life falls apart when her husband is murdered by a squad of government operatives led by the duplicitous Jin Gang-Feng (Lo Lieh). Qui-yan is forced to go into hiding as she plots her revenge and finds allies in fellow fugitive Ma Seng (Tsui Siu Keung) and ex-lover Wang-jun (Yueh Hua). Meanwhile, Jin Gang-Feng sends out an array of killers to track them down. Complicating things further is the fact that Qui-yan is pregnant and struggling to keep her unborn child safe while fighting her way to safety.
Mabel, a mother and wife, is on the brink of insanity as her blue-collar husband Nick attempts to understand her plight.
New York City. Melvin Udall, a cranky, bigoted, obsessive-compulsive writer, finds his life turned upside down when neighboring gay artist Simon is hospitalized and his dog is entrusted to Melvin. In addition, Carol, the only waitress who will tolerate him, must leave work to care for her sick son, making it impossible for Melvin to eat breakfast.
When Duke Evans, out of work NSA analyst, is evicted from his home he moves his family to his grandfather’s old cabin. However here they are also threatened when a hellish cyber-attack is unleashed on the US rendering anything with a computer chip useless. He must now keep his family alive, fight off would be thieves and a newly corrupted government and ultimately make the hardest decision of his life- to survive. Written by Patterson, Matt (V)
When Quasi defies the evil Frollo and ventures out to the Festival of Fools, the cruel crowd jeers him. Rescued by fellow outcast the gypsy Esmeralda, Quasi soon finds himself battling to save the people and the city he loves.
A playboy business tycoon, Liu Xuan, purchases the Green Gulf, a wildlife reserve, for a sea reclamation project, and uses sonar technology to get rid of the sea life in the area. Unknown to him, the Green Gulf is the home of merpeople, and the sonar has caused many of them to succumb to illness or die. Xuan’s business ventures in the area are threatened when he crosses paths with the mermaid, Shan, who is sent to avenge her people.
Femi is a British boy of Nigerian heritage who, after a happy childhood in rural Lincolnshire, moves to inner London to live with his mum. Struggling with the unfamiliar culture and values of his new environment, teenage Femi has to figure out which path to adulthood he wants to take.
Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).
