A young man navigates the bureaucracy of the Catholic Church when he tries to renounce his faith.
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A group of high school students are hunted by a madman in an Abraham Lincoln disguise.
Baratometrajes 2.0 is a feature length documentary on low-budget films made in Spain and dives deep and directly in the guts of most independent films, their characteristics and their reasons for being. More than forty interviews with directors, producers, journalists, cultural managers and distributors are shaping a broad mosaic of opinions and adventures of different creators to get their films and turn them into a reality, allowing the cameras to talk through their methodology work and the secrets that lie behind the making of these productions. Movies like “El mundo es nuestro,” “Mi Loco Erasmus” or “The Cosmonaut” are part of the object of study of this essential documentary that brings us to the reality of New Spanish Cinema Lowcost.
Having portrayed the Cinema Snob for years, Craig Golightly releases his own theatrical film. When it flops, Craig, the film’s drunken director and two other YouTube celebrities set out on a cross country trip to save their careers.
One cold winter’s day, Jacob and his sister Marie are abandoned in a wood by their out of work father. In his jacket Jacob finds a letter from their mother urging them to go to her brother in Spain. Once in Spain, it turns out that their uncle is dead. Marie meets Diego, a wealthy charming Spanish surgeon, and falls in love with him. Diego lives with his sick, domineering sister, Teresa. To Jacob’s astonishment, Marie wants to marry Diego. Even after the wedding has taken place, jealous Jacob tries to get his sister away from Diego. When this doesn’t succeed, Jacob starts to provoke his brother-in-law. It soon transpires that no one will go unpunished for this.
A feature documentary about Jackie “Moms” Mabley, an African-American stand-up comic and show-biz pioneer who emerged from the Chitlin’ Circuit of African-American Vaudeville to become a mainstream star. Once billed as “The Funniest Woman in the World,” Mabley pushed the boundaries of comedy by tackling topics such as gender, sex, and racism and performed up until her death in 1975. A true passion project for first-time director Whoopi Goldberg, the documentary shows Mabley’s historical significance and profound influence as a performer vastly ahead of her time.
American: The Bill Hicks Story is a biographical documentary film on the life of comedian Bill Hicks. The film was produced by Matt Harlock and Paul Thomas, and features archival footage and interviews with family and friends, including Kevin Booth. The filmmakers used a cut-and-paste animation technique to add movement to a large collection of still pictures used to document events in Hicks’ life. The film made its North American premiere at the 2010 South by Southwest Film Festival. The film was nominated for a 2010 Grierson British Documentary Award for the “Most Entertaining Documentary” category. It was also nominated for Best Graphics and Animation category in the 2011 Cinema Eye Awards. Awards won include The Dallas Film Festivals Texas Filmmaker Award, at Little Rock The Oxford American’s Best Southern Film Award, and Best Documentary at the Downtown LA Film Festival. On Rotten Tomatoes, 81% of the first 47 reviews counted were rated positive.
Sex games by students at a junior high school are exposed by the principal and teachers, but the tables are turned in favor of the students.
Isolation Man is a film about super-powered human called ‘the Exquisite Vanishteer’, has caused a catastrophe by making the population of the western hemisphere disappear. The remaining eastern journalistic community interviews and follows up on the superhuman to discover his humanity… before United Nation forces move in to neutralize him.
Richard Martin buys a gift, a new NDR-114 robot. The product is named Andrew by the youngest of the family’s children. “Bicentennial Man” follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don’t have an ordinary robot.
Beethoven is back — and this time, he has a whole brood with him now that he’s met his canine match, Missy, and fathered a family. The only problem is that Missy’s owner, Regina, wants to sell the puppies and tear the clan apart. It’s up to Beethoven and the Newton kids to save the day and keep everyone together.