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Paris 1942. François Mercier is an ordinary man who only aspires to start a family with the woman he loves, Blanche. He is also the employee of a talented jeweler, Mr. Haffmann. But faced with the German occupation, the two men will have no other choice but to conclude an agreement whose consequences, over the months, will upset the fate of our three characters.
In order to wipe out the Gaulish village by any means necessary, Caesar plans to absorb the villagers into Roman culture by having an estate built next to the village to start a new Roman colony.
About a man who’s angry at his wife because she’s met another man on a park bench and they no longer even speak the same language.
The film follows two brothers over the course of a decade. While they begin as kids in search of thrills in the sprawling slums of Morocco’s Sidi Moumen, we witness their gradual, and ultimately shocking, radicalisation.
The Jewish Cardinal tells the amazing true story of Jean-Marie Lustiger, the son of Polish-Jewish immigrants, who maintained his cultural identity as a Jew even after converting to Catholicism at a young age, and later joining the priesthood. Quickly rising within the ranks of the Church, Lustiger was appointed Archbishop of Paris by Pope John Paul II―and found a new platform to celebrate his dual identity as a Catholic Jew, earning him both friends and enemies from either group. When Carmelite nuns settle down to build a convent within the cursed walls of Auschwitz, Lustiger finds himself a mediator between the two communities―and he may be forced, at last, to choose his side.
A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.
A swirling, impressionistic portrait of an artist who regretted nothing, writer-director Olivier Dahan’s La Vie en Rose stars Marion Cotillard in a blazing performance as the legendary French icon Edith Piaf. From the mean streets of the Belleville district of Paris to the dazzling limelight of New York’s most famous concert halls, Piaf’s life was a constant battle to sing and survive, to live and love. Raised in her grandmother’s brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee (Gerard Depardieu), who persuaded her to sing despite her extreme nervousness. Piaf became one of France’s immortal icons, her voice one of the indelible signatures of the 20th Century.
In this variation on director Vadim’s own, more acclaimed Et Dieu Créa La Femme (1956, the same title in French), the vamp Robin Shea marries charming carpenter Billy Moran, only to get out of prison, but soon decides to seduce James Tiernan, who runs for state governor.
Leo (Peter Lanzani) is the wrong man in the wrong place at the wrong time. After taping a murder and keeping the evidence he runs away to stay alive and, in order to survive, he has to cover up himself. Under a new identity he will become an orthodox Hasidic Jew. A french ruthless killer, Duges (Gerard Depardieu) and his associates López (Santiago Segura) and Harken (Hugo Silva) will hunt Leo. Their nonstop chase has only one exhilarating speed: all- out. Time is running out and his enemies are getting closer. Now Leo a ragtag bunch of misfits will face the biggest challenge of their lives.
Isabelle Adjani and Gerard Depardieu star in director Jean-Paul Rappenau’s amusing farce set on the eve of World War II, which follows the intersecting lives of four Parisians as they cope with the impending invasion of their city by German forces. As the French government braces for impact, the lives of a young writer, a vain movie star, a French politician and a young scientist are examined as they attempt to deal with war and evade German spies.
