Playing Frisbee in North Korea is the first documentary produced and directed by an African-American female filmmaker from inside North Korea. The idea began at a conference on Korean Re-unification organized by General Colin L. Powell and the Colin Powell Center, where director Savanna Washington was a Graduate Fellow. Through verité footage from inside North Korea, interviews with North Korean refugees, long time aid workers, scholars, and experts on the topic, this documentary provides an authentic, on the ground perspective of the lives, struggles, and humanity of the people of North Korea.

John Meehan created a terrifying trap of seduction, deceit and betrayal for countless victims. The illuminating revelations into his backstory showcase a series of events that flipped switches to create a monster wired for psychopathy. Goffard exposes John’s troubled background that built the foundation for his ominous fantasy world of lies and manipulation. In addition to hearing the Newell family’s terrifying tale, John’s first wife Tonia Bales and her daughters Emily and Abigail Meehan speak out, along with other women from his past who were caught in his web of lies.

The Square, a new film by Jehane Noujaim (Control Room; Rafea: Solar Mama), looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Catapulting us into the action spread across 2011 and 2012, the film provides a kaleidoscopic, visceral experience of the struggle. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out.

In a race against time and all odds, the revolutionary F1 racing car Ferrari 312B will get back on the Monaco circuit, 46 years later, under the wing of it’s creator, the genius engineer Mauro Forghieri.

Today, Afghans are one of the largest migrant populations fleeing their country for Europe/the West. Since 2002 the international community has injected more than a trillion dollars into Afghanistan. What went wrong? This film examines the counter insurgency/ culture campaign that the US government [and others] waged. Told through the eyes of Afghan youth, who start the country’s first ever heavy metal band and an adventurous Australian, who created a Western style music scene in the capital – Kabul. Will head banging, disenchanted Afghans win the hearts and minds of their peers or will the Taliban come back from the grave?

A chronicle of the birth and development of one penguin chick, born late and smaller than any of its fellow toddlers.

The chilling story of Abu Zubaydah, the first high-value detainee subjected to the CIA’s program of Enhanced Interrogation Techniques, later identified as torture by those outside the agency. Having never been charged with a crime or allowed to challenge his detention, Zubaydah remains imprisoned at Guantánamo Bay in Kafkaesque limbo, in direct contravention of America’s own ideals of justice and due process.

The documentary reveals the lives of three characters, who come from different social groups, and, at the same time, tells the story of a community that tries to adapt in a country with which has shared a common political past.

American viewers may know him best as the British correspondent on “The Daily Show,” but John Oliver is also an accomplished stand-up comic. In his first Comedy Central special Oliver tackles the topics that perplex him about the United States. He takes well-aimed shots at the American political process and the invasion of Iraq (including how the Brits would have done it differently), and argues for reparations from the Revolutionary War.

In a crime-plagued neighborhood near Miami, brutal, bare-knuckled backyard fights give young men a chance to earn money — and self-respect.

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Do Not Resist is an exploration of the rapid militarization of the police in the United States. Opening on startling on-the-scene footage in Ferguson, Missouri, the film then broadens its scope to present scenes from across the country.