BBC television program exploring Visconti’s mastery of cinema, theater, and opera direction.

Profiles Father James Martin, an outspoken New York-based priest and author who works to connect the Catholic Church with the LGBTQ+ community through compassion, inclusion, love, and acceptance.

It’s Not Over tells the inspiring story of three courageous millennials who are living with or affected by HIV/AIDS.

For the first time on film desert hermits, monks and nuns share their practices and invite us into their private cells, caves and sanctuaries in the Middle East, Mediterranean, Eastern Europe and Russia.

A temporary house for abandoned children near the front line in eastern Ukraine is run by a small group of social workers determined to provide comfort and safety. It may be humble and somewhat run-down, but this house is filled with love and offers up to nine months of refuge to kids whose fate will be determined by the system. During this short time, the caretakers try to nurture within them a sense of stability and normalcy.

The Crash Reel tells the story of a sport and the risks that athletes face in reaching the pinnacle of their profession. This is Kevin Pearce’s story, a celebrated snowboarder who sustained a brain injury in a trick gone wrong and who now aims, against all the odds, to get back on the snow.

Marlene Cummins breaks a forty-year silence to tell the story of her abuse in the Australian Black protest movement, to overcome her demons of today.

Jacques Peretti goes back to Jackson’s beginnings, charting his rise and fall and seeking a fuller picture of this complex, contradictory character by exploring the clues that were missed.

Two decades of exclusive access, plus a lifetime of archival footage, depict Shannon from his early years, to his rise as an award-winning dancer and cutting-edge performance artist whose work finds outlet at prestigious venues worldwide. CRUTCH examines Shannon’s controversial street performances as he exposes the hidden world of assumptions disabled people encounter in public, on a daily basis. While the film questions his early exploitation of strangers’ good Samaritan impulses, it also marvels at Shannon’s ability to create solutions and empower others to navigate similar challenges. From childhood “cripple” to international provocateur, CRUTCH is an emotional story of an artist’s struggle to be understood.

Every year since 2011, a unique beauty contest has been taking place in Haifa. The contestants are female survivors of the Holocaust. In the midst of this flashy spectacle, their personal traumas remain as deep as ever. There are many things about this contest that are controversial: it is organized by the right Zionist organization, the International Christian Embassy Jerusalem, and the dubious contest itself rises the public indignation of various speakers, including other survivors.

The wild Seventies. A quest for higher consciousness, spirituality and sexual freedom. In England, young Hugh Milne hears the voice of spiritual teacher Bhagwan Shree Rajneesh on an audiotape and travels to India in search of his own self. Sheela Patel, a young Indian woman, is brought to the charismatic guru by her father. At 21, she knows: all she wants is to be with this man. In his Ashram in Poona, Bhagwan urges his disciples to meditate and practise tantric sex in order to reach a higher plane of consciousness. Hugh watches the guru’s ascent as his bodyguard. Sheela becomes his secretary and the powerful boss of Bhagwan’s model community born in the mountains of Oregon…

Planetary presents a stunning visual portrait of our Earth, taking us on a journey across continents: from the African savannah to the Himalayas, and from the heart of Tokyo to the view of our fragile planet from orbit. Through intimate interviews with a diversity of people, from NASA astronauts and environmentalists to philosophers and Tibetan lamas, the film explores our shared future. It suggests that the key to transforming our civilisation lies in an understanding that all life is inseparably interconnected, and that we cannot change the world unless we change the way we see ourselves, our planet, and the wider cosmos we are embedded within.