When his best friend is murdered inside a London dancehall, a cab driver and his girlfriend involve themselves in the investigation and discover a major criminal operation hiding behind the club’s friendly facade.
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Two Russian soldiers, one battle-seasoned and the other barely into his boots and uniform, are taken prisoner by an anxious Islamic father from a remote village hoping to trade them for his captured son.
In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
Arthur is a grumpy pensioner who can’t understand why his wife Marion would want to embarrass herself singing silly songs with her unconventional local choir. But choir director Elizabeth sees something special in the reluctant Arthur and refuses to give up on him. As she coaxes him out of his shell, Arthur realizes that it is never too late to change.
A young singer turns his back on God and his father’s church when tragedy strikes. He returns years later to find the once powerful congregation in disarray. With his childhood nemesis creating a “new vision” for the church, he is forced to deal with family turmoil, career suicide, and relationship issues that send him on a collision course with redemption or destruction
To provide a better life for his family in the country, 18-year-old Mateus accepts a job in a junkyard in São Paulo for his new boss Luca. But when he and a few other boys become trapped in the dangerous world of contemporary slavery, Mateus will be forced to decide between working for the very man who enslaved him or risk his and his family’s future.
Corey (Fred Savage) refuses to let his emotionally disturbed younger brother Jimmy (Luke Edwards) be institutionalized, and the two run away together. They soon join forces with a resourceful girl (Jenny Lewis), who notices that Jimmy has a special talent: he is a “wizard” at video games and can achieve the high score on absolutely everything he plays. Evading their parents and a sinister bounty hunter, the trio head for a climactic showdown at the national video game championships in California.
An autobiographical film taken from the experiences of writer-director Rob Moretti, CRUTCH is a coming-of-age tale about a young man’s struggle with family problems and substance abuse. Behind a facade of suburban middle class perfection, David’s home life is falling apart. As he tries to cope with the impossible situation, the troubled and impressionable teenager falls under the spell of Kenny, a georgous, thirty-something, has-been actor turned theatre coach. When Kenny’s “support” escalates into seduction, David slowly decends into an abyss of drinking and drug addition from which he must escape if he is to survive. CRUTCH is a dramatic tale of the confusion of youth and the difficulties in finding oneself.
Timo has lived the last ten years alone on a dilapidated farm. He gets a visit from his childhood friends Jussi and Maiju, who have moved to the city without ever looking back. Gradually they realize how the years have changed their old friend… and how his presence seems to change everything around them.
A former fighter reluctantly returns to the life she abandoned in order to help her sister survive the sadistic world of illegal fighting and the maniac who runs it.
Slice-of-life look at a sweet working-class couple in London, Shirley and Cyril, his mother, who’s aging quickly and becoming forgetful, mum’s ghastly upper-middle-class neighbors, and Cyril’s pretentious sister and philandering husband. Shirley wants a baby, but Cyril, who reads Marx and wants the world to be perfect, is reluctant. Cyril’s mum locks herself out and must ask her snooty neighbors for help. Then Cyril’s sister Valerie stages a surprise party for mum’s 70th birthday, a disaster from start to finish. Shirley holds things together, and she and Cyril may put aside her Dutch cap after all.
