The New Wave of French horror cinema has arrived and at its vanguard is 14 year-old director Nathan Ambrosioni. Meredith Langston always longed to have children. She finally makes this happen when she adopts two young adolescent girls. However, her now idyllic world sours rapidly and dream veers to nightmare when she quickly finds that she is unable to cope with their increasingly strange behaviour. Desperate, she seeks the help of two journalists working for a local TV programme ‘SOS Adoption’. Unfortunately it is all for nothing, especially when the reporters discover that there is another presence in the house.

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

A Los Angeles extreme-sports photographer returns home for the holiday to take care of her grandmother, only to have a neighbor grab her attention as he needs assistance watching his young nephew.

Maxime and Mélanie are a typical teenage couple. Like most lovestruck fifteen-year-olds, they can’t get enough of each other and they think they’ll be together forever. But when Mélanie becomes pregnant, their worlds are rocked.

Longfellow Deeds lives in a small town, leading a small town kind of life. When a relative dies and leaves Deeds a fortune, Longfellow moves to the big city where he becomes an instant target for everyone. Deeds outwits them all until Babe Bennett comes along. When small-town boy meets big-city girl anything can, and does, happen.

When unstable Connie is tragically widowed, she finds it impossible to care for her delinquent adolescent daughter, Niki, forcing her son, Bill, to take his sister in. As the two begin to forge a healthy bond, well-meaning Bill implements his own method of treatment for Niki’s mental troubles, but, when turmoil persists, he must reconcile his beliefs with what actually may be best for his sister.

KILL SPEED is a high-octane, youth oriented, TOP GUN meets FAST & FURIOUS tale about best friends who fly home-built, high-tech planes to deliver Mexican manufactured crystal meth throughout rural California in order to fund their Hollywood, rock-star lifestyle.

Steph is in a happy, long-term relationship, but now she might be pregnant she has no idea what she wants.

Brooklyn teenager Jeffrey Willis, thoroughly unhappy with his modest homestead, embraces the other-world aspects of his summer job at the posh Flamingo Club. He spurns his father in favor of the patronage of smooth-talking Phil Brody and is seduced by the ample bikini charms of club member Carla Samson. But thanks to a couple of late-summer hard lessons, the teen eventually realizes that family should always come first.

An old flame of Bruce Wayne’s strolls into town, re-heating up the romance between the two. At the same time, a mass murderer with an axe for one hand begins systematically eliminating Gotham’s crime bosses. Due to the person’s dark appearance, he is mistaken for Batman. Now on the run, Batman must solve the mystery and deal with the romance between him and Andrea Beaumont.

Set in the 1960s Brooklyn among a conservative Syrian Jewish community, Extra Innings tells the tale of a young baseball enthusiast, David Sabah, and his trials through family dismay and loss.

A universal theme: a story of people trapped in an inhuman network of power. The brutal circle of the Eurogroup meetings, who impose on Greece the dictatorship of austerity, where humanity and compassion are utterly disregarded. A claustrophobic trap with no way out, exerting pressures on the protagonists which finally divide them.