Based on the true story of Ruth Ellis, the last woman hanged in Britain, Mike Newell’s Dance With a Stranger (1985) concentrates on Ellis’s (Richardson) short-lived relationship with motor-racing driver David Blakely (Rupert Everett).

Once the thriving capital of Imperial China, the city of Datong now lies in near ruins. Not only is it the most polluted city in the country, it is also crippled by decrepit infrastructure and even shakier economic prospects. But Mayor Geng Tanbo plans to change all that, announcing a bold, new plan to return Datong to its former glory, the cultural haven it was some 1,600 years ago. Such declarations, however, come at a devastatingly high cost. Thousands of homes are to be bulldozed, and a half-million of its residents (30 percent of Datong’s total population) will be relocated under his watch. Whether he succeeds depends entirely on his ability to calm swarms of furious workers and an increasingly perturbed ruling elite. The Chinese Mayor captures, with remarkable access, a man and, by extension, a country leaping frantically into an increasingly unstable future.

Gordon Welchman was one of the original elite codebreakers crucial to the allies defeating the Nazis in World War II. He is the forgotten genius of Bletchley Park. Filmed extensively at Bletchley Park, the centre for codebreaking operations during World War II, this documentary features the abandoned buildings where thousands of people worked tirelessly to crack the codes. Post-war, Welchman moved to the US to be at the centre of the computer revolution. Recently released top secret documents reveal that the case of Gordon Welchman reached the desk of the British prime minister, Margaret Thatcher, and then led to questions being asked in the House of Commons after Welchman’s untimely death. Welchman’s legacy continues to this day. Welchman’s pioneering work in the field of traffic analysis led directly to the modern secret surveillance state, and particularly the use of metadata – as revealed by whistleblower Edward Snowden.

The new film from Sergei Loznitsa (Maidan, The Event) is a stark yet rich and complex portrait of tourists visiting the grounds of former Nazi extermination camps, and a sometimes sardonic study of the relationship (or the clash) between contemporary culture and the sanctity of the site.

Follow Jeremy Jones and other top freeriders as they travel to the world’s snowboarding meccas and venture past the boundaries of helicopters, snowmobiles, and lifts to explore untouched realms.

The Business of Recovery examines the untold billions that are being made off of families in crisis. With little regulation or science, addiction treatment has become a cash cow business that continues to grow while deaths pile up.

“Dreamin’ Wild” tells the true story of the Emerson family and the tumult that followed the success of their self-recorded pop-funk album of the same name, which went largely unnoticed until critics rediscovered and reappraised it decades later. Now, as an adult, Donnie is forced to confront the ghosts from the past and grapple with the emotional toll his dreams have taken on the family who supported him.

A new documentary that showcases the making of the epic limited series. Features never-before-seen, behind-the-scenes footage, interviews and visits to the creature shop and props department.

Once brushed aside – even deemed criminal – graffiti has since paved the way for many successful, credible artists today. With Duality, these street artists– some for the first time, some maintaining a strict code of anonymity – discuss their journeys from “tagging” to becoming respected icons in the cities they serve with pieces that are awe-inspiring in scope, size and complexity. They have collectively proven that their genre of art is something that can influence culture, evoke emotion, inspire, and cultivate community. Their rise has not been without challenges and criticism but today they are admired by throngs of fans and oftentimes the art they produce brings in revenue for household brands and worldwide corporations. No longer relegated to back alleys, their works can be found on main streets, on the faces of landmark buildings and in fine art galleries.

Good Girl Bad Girl tells the story of Rihanna, and her triumphant journey from poverty and obscurity on the Caribbean island of Barbados, to becoming a worldwide pop sensation.

A feature-length documentary to show why Britain should vote to LEAVE the EU – and would thrive outside of it. Brexit: The Movie spells out the danger of staying part of the EU. Is it safe to give a remote government beyond our control the power to make laws? Is it safe to tie ourselves to countries which are close to financial ruin, drifting towards scary political extremism, and suffering long-term, self-inflicted economic decline?

Midler is the rock-and-roll singer Mary Rose Foster (known as the Rose to her legions of fans), whose romantic relationships and mental health are continuously imperiled by the demands of life on the road.