Some people called it a suicide, but for the Rangers of the 2nd Battalion, that’s another word for mission. When an elite group of American soldiers are ordered to take out a series of German machine gun nests, they find themselves blindly venturing into hostile territory. Outnumbered and outgunned they must risk life and limb as they cross treacherous terrain, never knowing where the enemy might be hiding.
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Foreign Legion officer Galoup recalls his once glorious life, training troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, until the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup’s mind.
Middle-class housewife Kay Miniver deals with petty problems. She and her husband Clem watch her Oxford-educated son Vin court Carol Beldon, the charming granddaughter of the local nobility as represented by Lady Beldon. Then the war comes and Vin joins the RAF.
An engaging tale that shows the parallels between the treatment of wounded military veterans and ‘last chance’ shelter dogs.
War seen through the eyes of Serra, a university student from Palermo who volunteers in 1942 to fight in Africa. He is assigned to the Pavia Division on the southern line in Egypt. Rommel and the Axis forces are bogged down; it’s October, the British prepare an offensive. At first, boredom, heat, hunger, and thirst bedevil the Italians; then the Brits attack, and there’s no luck or heroism in death. Finally, it’s retreat in confusion. Serra, his sergeant Rizzo, and his lieutenant Fiori take a last walk toward home. It’s said that each soldier gets three miracles; when Serra’s are used up, what then?
With its electrifying flight sequences and high-powered cast, The Hunters is a mesmerizing film based on the best-selling novel by veteran fighter pilot James Salter. Set during the height of the Korean War, the story centers on Major Cleve Saville (Robert Mitchum), a master of the newly operational F-86 Sabre fighter jets. But adept as he is at flying, Saville¹s personal life takes a nosedive when he falls in love with his wingman¹s (Lee Philips) beautiful wife (May Britt). To make matters worse, Saville must cope with a loud-mouthed rookie (Robert Wagner) in a daring rescue mission that threatens all their lives in this well-crafted war drama.
Will Montgomery (Ben Foster), a U.S. Army Staff Sergeant who has returned home from Iraq, is assigned to the Army’s Casualty Notification service. Montgomery is partnered with Captain Tony Stone (Woody Harrelson), to give notice to the families of fallen soldiers. The Sergeant is drawn to Olivia Pitterson (Samantha Morton), to whom he has delivered news of her husband’s death.
The past collides with the present in this excavation of the Nazi occupation of Amsterdam: a journey from World War II to recent years of pandemic and protest and a provocative, life-affirming reflection on memory, time and what’s to come.
Into the White is an anti-war movie. High above the harsh Norwegian wilderness, English and German pilots shoot each other to the ground after a violent chance encounter. Isolated, they must fight to survive the brutal winter. Though war has made them enemies, antagonism is hard to maintain as days go by. Through mutual need, unlikely friendships bloom. Somehow, they become comrades. War, after all, is absurd.
Set during the opening days of World War II on the Eastern Front. Its main cast are a group of Soviet teenagers with extraordinary abilities; the teenagers have been drafted to form a special unit to fight the invading German army. They are opposed by a Schutzstaffel officer who is attempting to raise from the dead a supernatural army of crusaders from the 12th-century Order of the Sacred Cross.
With suicide rates among active military servicemen and veterans currently on the rise, this documentary brings urgent attention to the invisible wounds of war. Drawing on personal stories of American soldiers whose lives and psyches were torn asunder by the horrors of battle and PTSD, the documentary chronicles the lingering effects of combat stress and post-traumatic stress on military personnel and their families throughout American history, from the Civil War through today’s conflicts in Iraq and Afghanistan.
Steven Spielberg, historian Stephen E. Ambrose, and director James Moll bring us a film with firsthand accounts chronicling the unforgettable events in the Pacific Theater of World War II. From the bombing of Pearl Harbor through the American occupation of Japan in 1945, this powerful documentary depicts the strength and courage of America’s youth, while examining how these brave men and women dealt with being thrust into this tremendously brutal chapter of world history.
Filmed over five years, this documentary charts the progress of several veterans dealing with post-traumatic stress disorder at a California clinic.