Coming for the King is a fictional account of the events and the people that surrounded Martin Luther King Jr. from early 1963 until his untimely demise in the Spring of 1968.
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A delightful dramatic comedy, a buddy picture, and, for good measure, a heist film. Curmudgeonly old Frank lives by himself. His routine involves daily visits to his local library, where he has a twinkle in his eye for the librarian. His grown children are concerned about their father’s well-being and buy him a caretaker robot. Initially resistant to the idea, Frank soon appreciates the benefits of robotic support – like nutritious meals and a clean house – and eventually begins to treat his robot like a true companion. With his robot’s assistance, Frank’s passion for his old, unlawful profession is reignited, for better or worse.
Minnie Goetze is a 15-year-old aspiring comic-book artist, coming of age in the haze of the 1970s in San Francisco. Insatiably curious about the world around her, Minnie is a pretty typical teenage girl. Oh, except that she’s sleeping with her mother’s boyfriend.
In a seaside California town, best friends Mac and Nick are on opposite sides of the law. Mac is a former drug dealer trying to clean up his act, while Nick is a high-profile detective trying to take down a Mexican drug lord named Carlos. Soon Nick’s loyalties are put to the test when he begins an affair with restaurateur Jo Ann — a love interest of Mac’s — unwittingly leading his friend into a police-orchestrated trap.
In this modern take on Charles Dickens’ “A Christmas Carol,” Frank Cross (Bill Murray) is a wildly successful television executive whose cold ambition and curmudgeonly nature has driven away the love of his life, Claire Phillips (Karen Allen). But after firing a staff member, Eliot Loudermilk (Bobcat Goldthwait), on Christmas Eve, Frank is visited by a series of ghosts who give him a chance to re-evaluate his actions and right the wrongs of his past.
In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
Ten years after a tsunami destroyed a small-town elementary school with all the children inside, a young man builds a mysterious structure out of the school’s remains, setting the town aflame with passions long forgotten.
CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney’s abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1 …
A young street artist in East Los Angeles is caught between his father’s obsession with lowrider car culture, his ex-felon brother and his need for self-expression.
There’s drama aplenty for the travelling theatre company Chekhov Cabaret. The actors share the good times and the bad as a nomadic tribe where work and private life always mingle. They don’t mince words, these obstreperous actors with a sardonic sense of humour. Theatre always comes first.
When a rookie operative’s mistake costs the lives of his entire team, he’s forced on the run and must piece together the truth by re-creating the events of the ill-fated mission with only the audio recording to guide him.
In this revisionist drama, the film delves into the family lineage of Wyatt Williams, the character made famous by Peter Fonda in the original Easy Rider Movie. Centering around the Williams family, and their internal family struggles throughout the eras of the 40’s to present day, as they struggle to connect with one another through the only way they know how. Their love of motorcycles and the freedom of the ride.