Caleb, a former government assassin in hiding, who resurfaces when his protégé, the equally deadly killer known as Banshee, discovers a bounty has been placed on Caleb’s head.
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Elliot, a successful gynecologist, works at the same practice as his identical twin, Beverly. Elliot is attracted to many of his patients and has affairs with them. When he inevitably loses interest, he will give the woman over to Beverly, the meeker of the two, without the woman knowing the difference. Beverly falls hard for one of the patients, Claire, but when she inadvertently deceives him, he slips into a state of madness.
After the collapse of their glamorous romance, a famous director and actress are kidnapped by movie-obsessed dictator Kim Jong-il. Forced to make films in the world’s weirdest state, they get a second chance at love, but only one chance at escape.
When a couple buys a scenic mountain retreat from a deceased woman’s estate, her abusive son becomes vengeful about being uprooted from the only home he’s ever known. Now, facing eviction, the son holds a grudge against the new owners and their children.
When young and successful reporter Jamie finds out that her sister has died in mysterious circumstances, she travels to Singapore to uncover the truth. There, she discovers multiple deaths linked to her sister’s and must join forces with her sister’s husband in order to defeat a demonic entity that is using new technology to complete an ancient mission.
When the devil resurfaces with aims to take over the world in human form, Johnny Blaze reluctantly comes out of hiding to transform into the flame-spewing supernatural hero Ghost Rider — and rescue a 10-year-old boy from an unsavory end.
THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.
Orson Welles’s “Mr. Arkadin” tells the story of an elusive billionaire who hires an American smuggler to investigate his past. Welles missed the editing deadline, so the producer handed over the editing to others. Following two Spanish-dubbed versions, released in Madrid in March 1955, the first English-language version was released in London in August 1955 as “Confidential Report” but was never released in the US. The fourth version, called “the Corinth version”, was discovered in 1961 and was released in the US in 1962. Finally, in 2006, “the Criterion edit” was released; likely to remain the one closest to Welles’ intentions.
