Film censor Enid takes pride in her meticulous work, guarding unsuspecting audiences from the deleterious effects of watching the gore-filled decapitations and eye gougings she pores over. Her sense of duty to protect is amplified by guilt over her inability to recall details of the long-ago disappearance of her sister, recently declared dead in absentia. When Enid is assigned to review a disturbing film from the archive that echoes her hazy childhood memories, she begins to unravel how this eerie work might be tied to her past.
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Henry likes to kill people, in different ways each time. Henry shares an apartment with Otis. When Otis’ sister comes to stay, we see both sides of Henry: “the guy next door” and the serial killer.
Lucas suspects his wife is losing her mind when she claims demons are waging a war in their urban home. Eerie evidence is mounting that she may not actually be crazy after all, but what she’s about to tell him next is that he must do the unthinkable.
After returning from a wedding reception, a couple staying in an isolated vacation house receive a knock on the door in the mid-hours of the night. What ensues is a violent invasion by three strangers, their faces hidden behind masks. The couple find themselves in a violent struggle, in which they go beyond what either of them thought capable in order to survive.
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