Considered an immigrant, common and plain, Catherine de Medici is married into the 16th century French court as an orphaned teenager expected to bring a fortune in dowry and produce many heirs, only to discover that her husband is in love with an older woman, her dowry is unpaid and she’s unable to concieve. Yet, only with her intelligence and determination, she manages to keep her marriage alive and masters the bloodsport that is the monarchy better than anyone else, ruling France for 50 years.

Film censor Enid takes pride in her meticulous work, guarding unsuspecting audiences from the deleterious effects of watching the gore-filled decapitations and eye gougings she pores over. Her sense of duty to protect is amplified by guilt over her inability to recall details of the long-ago disappearance of her sister, recently declared dead in absentia. When Enid is assigned to review a disturbing film from the archive that echoes her hazy childhood memories, she begins to unravel how this eerie work might be tied to her past.

A couple’s visit with their son takes a dramatic turn when the father tells him he plans on leaving his mother.

Set in 411 AD, Pendragon tells the story of young Artos who is raised to believe that God has a purpose for each day. When his family killed and he is taken into slavery by the Saxons, Artos questions his God. Advancing through the military ranks, Artos begins to understand that his father’s vision was not based on the strength of man, but on the plan of God. Further betrayal by his friends forces Artos to decide between following God’s plan unto certain death or abandoning God to save his own life.

Arch sceptic Professor Phillip Goodman embarks upon a terror filled quest when he stumbles across a long-lost file containing details of three cases of inexplicable ‘hauntings’.