A woman with amnesia tries to restart her life until the past comes back to haunt her.

Based on the best-selling novel by Alessandro Baricco, this visually stunning film tells the story of a French trader who finds unexpected love far away from home.

The adventures of the Lafayette Escadrille, young Americans who volunteered for the French military before the U.S. entered World War I, and became the country’s first fighter pilots.

Matsugoro is a poor rickshaw driver whose animated spirit and optimistic demeanor make him a favorite of the town. Matsu helps an injured boy, Toshio, and is hired by the boy’s parents.

An unexpected first kiss causes Gabriel to feel the electrifying “jitters” of love and lust with the free-spirited Marcus; a perfect way to end a Summer studying abroad. Realizing he is gay, Gabriel returns home and is immediately scrutinized by his family and friends who notice he’s different. But as the school year launches with Gabriel distracted with parties and his friends’ own dramas, Marcus returns, reigniting the hot, thrilling emotions of one’s first crush. Jitters fires head-first into the topsy-turvy world of first love with an attractive cast and pulsating soundtrack, making it a smartly refreshing journey into the queer, teen experience.

Even though Gennosuke and Oboro are from rival ninja villages, they are secretly in love. At an annual conference with the Lord, it is dictated that a competition–a fight to the death–will take place between the five best shinobi from each village. Gennosuke and Oboro’s love is made even more impossible when they each got picked as the leader of the five to represent their respective villages.

A woman fights to convince the police that she witnessed a murder while looking out her bedroom window.

The incredible story of genius musician Wolfgang Amadeus Mozart, told in flashback by his peer and secret rival Antonio Salieri – now confined to an insane asylum.

The fictional Father Ángel de la Cruz is based on Legion of Christ
founder Marcial Maciel, whose long history of child abuse was not
addressed until 2006 and only publicly acknowledged in 2009.
But director Luis Urquiza chooses to structure his film through the
largely uncomprehending, wondering eyes of 13-year-old Julián, who
travels from the arms of his loving pastoral family into the austere,
hallowed halls of the seminary. Singling out the boy as his intimate
disciple, installing him in his palatial private quarters and redubbing
him “Sacramento Santos,” Father Ángel begins Julian’s instruction
into the mysteries of “perfect obedience,” whose cardinal rule is:
Never question a superior’s actions.

After thirty years in prison, ex-con Ronnie recruits his grandson to exact revenge on Darryl, the cop who put him behind bars. Standing in their way is Ronnie’s son, whom Darryl raised.

After twelve years in prison, Walter returns home. His family has abandoned him, save for his brother-in-law. Few know he’s a sex offender and pedophile. Walter finds an apartment and is regularly visited by his parole officer. He gets a job at a lumber mill and starts seeing a coworker. Then his new world begins to unravel; as his past becomes known, he strikes up a high-risk friendship with a young girl and realizes that a man loitering near a schoolyard is a child molester prowling for his next victim.

A young boy and his sister are drawn into one man’s obsessive pursuit of his former lover.