In the wake of her mother’s tragic death, French teenager Junie (Léa Seydoux) transfers to a different high school. Though Junie lives mostly inside her own head, her beauty and stoicism win her the attention of the entire male student population. Junie begins dating the gentle Otto Cleves (Grégoire Leprince-Ringuet), but finds herself intensely drawn to her youthful Italian language teacher, Nemours (Louis Garrel). When Nemours begins to reciprocate, serious complications ensue.
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Ellie is a 27-year old whose life is far from where she imagined it to be. Filled with annoying friends, a self-involved boyfriend, and a career that she can’t bring herself to pursue, Ellie feels detached from her life. When she learns that her estranged alcoholic father has died, her world is disrupted and she begins a journey that takes her to a small town in Texas. While dealing with the logistical arrangements of her father’s death Ellie has to confront what happens when the structures and safety nets we build for ourselves come undone.
Straight out of Jersey comes Patricia Dombrowski, a.k.a. Killa P, a.k.a. Patti Cake$, an aspiring rapper fighting through a world of strip malls and strip clubs on an unlikely quest for glory.
In the border town of San Pablo, preparing for an annual ‘Mexican Fiesta,’ the tough, mysterious and laconic Gagin arrives. His mission is to find the equally mysterious Frank Hugo, evidently for revenge, or is it for blackmail? FBI agent Retz is also after the elusive Hugo. Everyone in town is enigmatic, especially Pila, a mystical young woman who follows Gagin around after premonitions of his death. The story includes a classic femme fatale and an antique carousel with a pink horse.
Wilson of the War Crimes Commission is seeking Franz Kindler, mastermind of the Holocaust, who has effectively erased his identity. Wilson releases Kindler’s former comrade Meinike and follows him to Harper, Connecticut, where he is killed before he can identify Kindler. Now Wilson’s only clue is Kindler’s fascination with antique clocks; but, though Kindler seems secure in his new identity, he feels his past closing in.
In the occupied Netherlands during World War II, banker Walraven van Hall (Barry Atsma) is asked to use his financial contacts to help the Dutch resistance. He doesn’t have to think about it for long. With his brother Gijs van Hall (Jacob Derwig), he comes up with a risky plan to take out huge loans and use the money to finance the resistance. When this proves not enough, the brothers set about committing the biggest banking fraud in Dutch history, taking tens of millions of guilders out of the Dutch Central Bank – right under the noses of the Nazis. But the bigger the operation gets, the more people it involves. And every day brings a bigger risk of someone making that one mistake that could put an end to the whole business – and the lives of the resistance bankers.
With the Vietnam War raging in 1969, two young fathers report for duty. A man of great faith and a doubtful cynic. A quarter-century later, their sons, Wayne and John Paul (David A.R. White and Kevin Downes), meet as strangers. Guided by handwritten letters from their fathers from the battlefield, they embark on an unforgettable journey to The Wall-the Vietnam Veterans Memorial in Washington, D.C. Along the way, they discover the devastation of war cannot break the love of a father for his son.
Two couples with the same surnames pursue in-vitro fertilization and wait for their upcoming babies.
Based on the 2013 Academy Award® winning short film ‘Curfew’. At the lowest point of his life, Richie gets a call from his estranged sister, asking him to look after his eleven-year-old niece, Sophia, for a few hours.