One of the last great German Expressionist films of the silent era, Joe May’s Asphalt is a love story set in the traffic-strewn Berlin of the late 1920s. Starring the delectable Betty Amann in her most famous leading role, Asphalt is a luxuriously produced UFA classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of traffic.
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As the country explodes under racial tensions after the assassination of Martin Luther King, writer Romain Gary, humanist and animal lover, and his wife, star Jean Seberg, civil rights activist, welcome an abandoned dog into their home, trained to jump at the mouths of blacks: a White Dog.
Three beautiful women (Electra, Dash, and Fox) who have had their share of men trouble enter into a game of fun in which they choose a random guy and film each other seducing him so as to use the footage later to humiliate him. But problems arise when the random man is in on the joke.
Anthony ‘Blest’ (Mark Webber) is one of the most talented and notorious graffiti artists in New York City. Despite the tragic loss of his older brother during a nightly ‘bombing’ foray with a graffiti crew, Anthony has the same insatiable addiction. With the other members of his ‘crew,’ Anthony parties, shoplifts spray-paint and ‘tags’ virgin walls with his signature ‘Blest.’ He does his best to avoid run-ins with the cops and hostile rival crews, but he can’t avoid the pressure from his mother to attend college, and from his girlfriend to leave New York with her. As tensions rise, a physical threat from the cops causes the crew to intensify their bombing excursions, calling an all out war on the city. When the inevitable confrontation happens, a tragedy results that pushes Anthony to make a decision that has even darker consequences.
A boy (Billy Mauch) and his gang catch bank robbers using their clubhouse as a hide-out.
A ronin desperately seeks a way out of financial straits; he allies with the Tosa clan under the ruthless leader Takechi, who quickly takes advantage.
Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.
Izumi (Kento Hayashi) was abandoned by his parents. He now commits burglary, targeting women and the elderly. He is chased by the cops. While on the run, in the mountains of Miyazaki Prefecture, he helps an injured elderly woman, Suma (Etsuko Ichihara). Izumi then stays at Suma’s home. At first, Izumi keeps an eye for money that he can steal. The people though in the village think Izumi is Suma’s grandson and take care of him. A change takes place in Izumi.
The new owner of a roadside diner stuck in a town built around an always leaking nuclear power plant plans to torch the place to collect insurance. However, an assortment of bizarre characters and weird events (such as spaceships flying around) gets in his way.
Set during the 1930s after the Japanese invasion of Manchuria, high school kids separate the area and fight day after day. When a beautiful teacher starts her new post at an all-boys high school Cheonghwa, things start to change.
Antoine, a history teacher in his early 50s, learns that he has become very hard of hearing. Unable to own up to his handicap, he resigns himself to living in his bubble, even though his entourage finds his behavior increasingly odd. His encounter with Claire, widow and mother of a young girl who has stopped speaking, will lead him to open up to the world.
Based on the true story of the notorious 1957 ‘mob summit’ in upstate New York. Spearheaded by Vito Genovese, more than 50 leaders of the organized crime syndicates from around the country converged on the sleepy town to discuss upcoming expansion plans. Their plans are foiled when local police trooper Ed Croswell discovers their activities and, consequently, exposes the mob to the American public. Croswell’s actions shed light on the massive web of corruption and changed the face of law enforcement forever.
