The third and final instalment in the Burnout trilogy. This time, the road leads through Norway, to Sweden, Denmark and finally Germany to race on the famous racing track, Nürburgring.

A desperate husband chases a bus full of beautiful women headed for Paris, France.

One of the last great German Expressionist films of the silent era, Joe May’s Asphalt is a love story set in the traffic-strewn Berlin of the late 1920s. Starring the delectable Betty Amann in her most famous leading role, Asphalt is a luxuriously produced UFA classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of traffic.

Young paramedic Ollie Cross is partnered with experienced medic Rutkovsky, who thrusts him into the harsh realities of New York’s inner-city streets. Amidst high crime rates, homelessness, and widespread drug use, Ollie finds his perspective on life and death beginning to shift.

An all-girl gang tangles with rival gangs and an evil prison guard but their biggest challenge is sticking together.

Recently paroled from prison, legendary burglar “Doc” Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.

A drama about several lonely inhabitants of the same council estate, adapted by Benchetrit from his novel.

A young man in Berlin is fed up with being the stooge of his criminal boss. New film by Detlev Buck based on a short story by Ferdinand von Schirach.

Film version of the musical by the same name: Sunnie, a girl from the province, comes to Berlin to meet rock star Johnnie who had given her his address after a concert. On the subway to Kreuzberg, Sunnie becomes acquainted with a couple of strange people, among them “asphalt cowboy” Bambi. Bambi tells Sunnie that Johnnie’s address in Kreuzberg does not exist. Together, Sunnie and Bambi try to find the rock star in bustling metropolitan Berlin.

A group of friends come of age in the asphalt desert of the San Fernando Valley, as set to a blazing soundtrack and endless drinking, drugs and sex.

Unrest breaks out in eastern Helsinki as a Finnish family man gets hospitalized in the summer of 2015. Gangs of young people are burning down cars and public buildings, confronting the security guards and the riot police. The narrative goes backwards, towards the riots which mark the end of our movie. As the story begins, the unrest is still bubbling under, ready to explode any time. Vandalism and robbery are not uncommon in the suburbs; neither is violence towards the police and the security guards. Frustration, alienation, isolation and poverty corrode the asphalt surface of the multicultured society, otherwise relatively harmonious.

The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.

Tells the story of an American social culture embedded with racism, war, oppression, and poverty where these asphalt warriors escaped and rose above it all with a mutual love and respect.