It’s Senior year at East Great Falls. Annie, Kayla, Michelle, and Stephanie decide to harness their girl power and band together to get what they want their last year of high school.
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Lewis Black goes on tirade after tirade about stupidity in America. He covers everything from corporate greed and Martha Stewart to WMDs and homeland security.
Samantha MacKenzie, the daughter of the president of the United States, arrives at college with a group of Secret Service agents. Samantha, however, resents their presence and decides she wants to attend school just like a normal student. Her father agrees to recall the agents but secretly assigns James, an undercover agent, to pose as a student. They fall in love, but their romance is jeopardized when Samantha learns James’ true identity.
35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.
A curmudgeonly biologist and his stoner graduate students encounter a group of mysterious backpackers who disrupt their lives in surprising ways.
Taped in July before a live audience at the Showbox Theatre in Seattle, Cross pushes his brash humor to new extremes, offering uncensored remarks on the Virgin Mary, trendy advertising, violence in the media, airports and pornography, Dr. Kevorkian, organ donations, High Times magazine and religious fundamentalists.
When the children of the world’s greatest secret agents unwittingly help a powerful game developer unleash a computer virus that gives him control of all technology, they must become spies themselves to save their parents and the world.
Ernest P. Worrell is now in the military as a soldier. Once he begins, him and his team investigates a dictator who was responsible for the wars in the nearly village. Suddenly, Ernest finds a lost boy and has to keep him safe until his father recovers.
In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.
Four actors go to a cabin in the woods to write, direct, and act in a film that will jump-start their careers. Their idea is a horror film about a man with a bag over his head, but what happens when that man mysteriously shows up?
This is the story of a guy who goes too fast and a big guy who is too slow. Foster meets Taupin. All this would be trivial if one of them had a scary scenario, the scenario of their lives and their deaths. Just open the pages and shake.
In DISASTER MOVIE, the filmmaking team behind the hits “Scary Movie,” “Date Movie,” “Epic Movie” and “Meet The Spartans” this time puts its unique, inimitable stamp on one of the biggest and most bloated movie genres of all time — the disaster film.