An attention-seeking psychic is kidnapped and tries to use the situation to boost his popularity.
You May Also Like
Jack is a widowed “end-of-the-roader” struggling with his continued depression as he falls for Ruby, a passionate environmental engineering grad student who is embroiled in a poisonous waste controversy that threatens to shut down the biggest industry in her state.
Five young individuals agree to live in an isolated lodge together and have their daily activities filmed. But soon the house is locked down and they each run into the murderous clutches of a faceless serial killer who may not be working alone.
Daughter explores the way women are viewed in society by following three female characters on a Friday night out in St Kilda, who’s lives become entwined and affected by an act of violence this fateful night. The award winning short film and an awareness project was inspired by the tragic murder cases of Jill Meagher in Brunswick and St Kilda’s own Tracy Connelly, whose occupation as a sex worker was highlighted in the media, leading to her murder and personal story being sadly overshadowed. The main themes explored in the film are violence against women and victim blaming, shown through the eyes of three female leads, lead by Katherine Langford (13 Reasons Why) as Scarlett, Aisha Tara (Heartbreak High) as Jemma and Carolyn Rey as Alethea.
Call Time tells a story about an inexperienced film crew and has-been director Ethan Shaw who attempt to film the greatest scary movie of all time. Little do they know, they are the main stars of the show. Some of the characters’ greed for Hollywood fame turns into a series of twisted betrayal. The guilty rises from the ashes as the innocent fall under grotesque bloodshed.
In tiny Colewell, Pennsylvania, the residents gather at the post office for mail and gossip, while the days pass quiet and serene. That is until news comes that the office is to close, and beloved clerk Nora (a marvelous Karen Allen) is left to fight for her job and reflect on the choices she has made that kept her in Colewell for so many years. Touching, with a hint of melancholy, Tom Quinn’s eloquent film is an ode to small-town life and the quiet emotions that come with nostalgia and memories of the past. As fears arise around her future and her past becomes ever more present, Nora states, “I don’t want to be lonely,” but what that means is elusive. Colewell gorgeously captures rural America, while giving space to the beauty of time passing and reflecting on what determines a life well lived.
Freelance reporter Jennifer and her two friends, Karen and Vicki, accept an invitation for cheap room and board in a large farmhouse offered by a friendly, but shady, museum owner named Ernest Keller since all the motels in and around town are booked for a holiday parade fair Jennifer is covering. But unknown to the women, some unseen “thing” has been living in the basement of the house for over 20 years and is looked after by Keller and his shy sister Virginia, in which the “thing” soon gets out and begins harassing and killing the women one by one in various violent, but seemingly accidental, means.
Is there room for principle in Los Angeles? Mike Terry teaches jujitsu and barely makes ends meet. His Brazilian wife, whose family promotes fights, wants to see Mike in the ring making money, but to him competition is degrading. A woman sideswipes Mike’s car and then, after an odd sequence of events, shoots out the studio’s window. Later that evening, Mike rescues an action movie star in a fistfight at a bar. In return, the actor befriends Mike, gives him a gift, offers him work on his newest film, and introduces Mike’s wife to his own – the women initiate business dealings. Then, things go sour all at once, Mike’s debts mount, and going into the ring may be his only option.
