Mexico
Alejandra and her dad Roberto have just moved to town. She is new at school, he has a new job. Starting over is sometimes complicated when you have left so much behind.
When four women move into an old house left by one woman’s aunt, strange things begin to happen. Bizarre voices, visions of ghosts, and mysterious noises lead them to discover the darkest powers of evil and a horror and agony beyond terror.
Juan and his urban family live in the Mexican countryside, where they enjoy and suffer a world apart. And nobody knows if these two worlds are complementary or if they strive to eliminate one another.
The deterioration of a small community in Fogo Island is forcing its inhabitants to leave and resettle. Places once occupied by humans are now becoming part of the tundra landscape. In spite of a condemn future, there are some residents who decide to remain, holding on to their memories and grieving for the past, when life in Fogo was different.
Former Club de Cuervos player Potro returns home to Argentina to crash the wedding of his famous soccer-star brother and confront his estranged family.
In 1970s Mexico City, two domestic workers help a mother of four while her husband is away for an extended period of time.
Anabel Bolio is a beautiful and young workingwoman; Oskar Pratz is a brilliant and handsome entrepreneur. A spark of mutual attraction is inevitable and a torrid romance ensues. But what seams to be the prefect love story quickly decay and spiral downward into dangerous sexual games that lead to tragedy.
Mexican horror film about an American painter named Mary (Cristina Ferrare) who is living in Mexico where she sells her works and also kills people for their blood. It turns out Mary is a vampire but not the traditional one with fangs. Since she has no fangs she must stab or slash the throats of her victims but soon she has a new man (David Young) in her life as well as a mysterious man (John Carradine) in black who appears to be doing the same type of murders.
Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80’s she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn’t want to leave without getting her daughter back.
Ricardo and Andres are brothers who decide to break with routine and take a trip that will change the way they view and live their lives. A mixture of good and bad decisions bring them face to face with death; to survive, they will have to decide what is more important: love among brothers or the love of a woman; honor and justice, or the easy life.
Ray and Ramona is a young couple in their 30s. They hate the injustice of the social context they are part of. Each from their own niche Ramona as a musician, Ray as an activist tries to fight for a more just world. Devoted to self-sabotage, Ray fails in his rebellion and drags Ramona into a downward spiral that culminates in an act of poetic terrorism.
Mike Todd is a Broadway producer struggling to produce the film. Around the World in 80 Days. In Mexico, Mario Moreno, a young entertainer is struggling to get some respect, and he manages to become a star. A twist of faith makes them partners. Together they won the Oscar for Best Picture.
Mexico, 1985. Juan and Wilson, two perennial Veterinary students, perpetrate an audacious heist in the National Museum of Anthropology, running away with a loot of more than hundred invaluable pieces of Mayan art, unaware of the consequences of their outrageous act.
Mexico City. 2002, 2006, 2010. A cop. A hostage. A wife. Corruption, violence, vengeance. Three destinies, during 30 days, during three Soccer World Cups. Three ways to fight in order to survive.
Twisted, apocalyptic satire, THIS IS NOT A MOVIE envisions the end of the world through the bi-polar mind of a strung-out pop-culture addict. Starring Edward Furlong and Peter Coyote, with a jagged, atmospheric score from Slash.
The story of a young woman clinging on to her dream to become a beauty contest queen in a Mexico dominated by organized crime.
In this poetic, richly allegorical debut by Colombian director William Vega, a teenage girl flees to a rundown inn after being driven from her home in the Andean highlands by civil war, as the violence engulfing the country creeps ever closer to her remote refuge. (TIFF)
Locked up and isolated, constantly exposed and threatened to be killed, for the first time in his life Lazaro understood that he was a free man.
Poncho is a student at a prestigious college in northern Mexico who is immersed along a single day on a whirlwind adventure through the various levels of the narc world after accepting the help of “Greñas”, a guy working in the parking lot of his college, who will explain him how to buy marijuana on the campus for the first time.
Ana, a nine year old girl, arrives with her mother to an isolated beach with the intention to rest and to know the sea. There, she discovers that they are under a terrible threat, therefore she is obligated to look for help with her father in order to save her mother.
FEDERICO, a man who has lost everything in life, creates a new religious cult kidnaps FERNANDO, a former business partner, whom trying to leave as heir of worship amid a slaughter justified by their own past tragedies.
As the Sun burns out, an American family gathers at the end of the world, their hopes for rescue slowly crumbling as they also confront long lasting divides amongst each other.
Heist movie: bank teller develops an elaborate game plan to lift money from the vault where she works.
Sofia, 14 years old, is in love with Ulises. Because of him, in spite of him, she is forced into a prostitution network in Mexico. To set her free, Ulises will have to find another girl to replace her. Adapted from Jorge Volpi’s novel, set in the world of juvenile prostitution.
2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.
Brijes are magical animal spirits that have been in contact with human beings since the beginning of time. Every human had his brije: The human cared for his brije and vice versa. When the human turned 13 the old shamans performed the ritual a synchronizing ritual trough which the human and the brije were able to transform into the warrior form: a physical state in which the human acquired the powers of his brije and extraordinary strength needed to perform acts of heroism. Unfortunately hundreds of years ago, with the birth of modern science and technology, this union was severed and humans stopped believing in magic.
Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it’s “taking a sweat.” In England, it’s “having a kick-about.” In Brazil, the word is “pelada,” which literally means “naked”—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.
An astonishing fictional account of the unending series of murders of young women in Ciudad Juarez, Mexico, which began in 1996. Most of the victims are low-paid laborers who have been drawn to the town by the possibility of work at American-owned factories. In the film Mexican police officer Blanca Bravo is sent to Cuidad Juarez to investigate and comes to learn realities of these women’s lives, as well as the truth about a police force and local power structure embodied by entrepreneur Mickey Santos that has ceased to care.
A group of Central-American teen-agers depart from the slums of Guatemala City escaping poverty and violence, towards the promised land of California.
At a rundown bus station in rural Cuba, the line of passengers waiting just keeps getting longer. The problem is that every bus that passes by is already full. Their only hope is to wait for the station’s bus to be fixed. As the disparate group settles in, relationships start forming between the passengers: Emilio, a young engineer, becomes smitten with a beautiful young woman who is en route to meet her Spanish fiancé, a blind man gets support from the others to go to the head of the line. Frustration and disorder reign when the one bus brakes down and no one can leave. Resigned to working together, the group magically transforms the station into a beautiful place where no one wants to leave.
When her brother disappears during a brief travel layover in Mexico, Mitch begins a desperate search that will eventually lead the young divorcee into the capital city’s most notorious neighborhood. But even with the aid of the American Ambassador, her plight is only met with indifference and inaction from the authorities. As the story unfolds, Mitch is forced to look for help in the least likely places as she races against time in a dangerous quest to find answers and locate her brother.
A beautiful Puerto Rican girl and her family in Spanish harlem devise a novel plan to attract business to their restaurant, causing a wildly comic sequence of events ending in near disaster.
Beauty Bites Beast aims to ‘normalize’ the idea of women’s self-defense – and by extension, kids’ self-defense – as a human need and right.
An android fighting-machine (Mario Van Peebles) is charged with destroying a small brigade of rebels in a Latin American war who are fighting to maintain their freedom and protect their village. Contrary to his programming, Peebles decides to stay and assist the rebels in their plight. Having gained this information, his “creators” develop a more powerful android to try and defeat him.
Based on real events, 17-year-old Johnny García becomes involved with four older thugs who are planning to rob a money-laundering business masquerading as a video store. As they try to escape, a swarm of exploitative media attention awaits.
An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for identity leads us back across a continent to seek out the people left behind and the meaning of a mysterious tattoo.
After five failed attempts to go to the United States, 18-year-old Ramón decides to look for a friend’s aunt in Germany, but never finds her. With no papers or money, and without knowing the language, he barely survives living on the street until he meets Ruth, an old retired nurse who doesn’t speak Spanish. Beyond language barriers and prejudices, they discover that solidarity and humanity make life bearable.
