In Assassin’s Bullet, Slater plays Robert Diggs, a black ops agent who comes to work for Ambassador Ashdown (Hunger Games star Donald Sutherland), tracking down a vigilante assassin in Eastern Europe. The maverick hit(wo)man has been taking out high-profile targets on the U.S. hit list, and Diggs must uncover the killer’s identity before there’s an international incident. The usual game of cat and mouse ensues.

Various individuals think they’re coming together for a party in a private home, but a series of revelations results in a huge crisis that throws their belief systems – and their values – into total disarray.

Laura Chant. 16, lives with her mother and four-year-old brother Jacko in a poor new suburb on the edge of a partially demolished Christchurch, New Zealand. Laura is drawn into a supernatural battle with an ancient spirit who attacks Jacko and slowly drains the life out of him as the spirit becomes ever younger. Laura discovers her true identity and the supernatural ability within her, and must harness it to save her brother’s life.

A lady has her prim and proper life turned upside down after discovering her husband’s affair.

Dug, along with his sidekick Hognob, unite a cavemen tribe to save their hidden valley from being spoiled and, all together as a team, to face the menace of a mysterious and mighty enemy, on the turf of an ancient and sacred sport.

A haunting ghost story spanning two worlds, two centuries apart. When 13 year old Tolly finds he can mysteriously travel between the two, he begins an adventure that unlocks family secrets laid buried for generations.

Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.

The story follows Jamie, a troubled young man with a birthmark on his face, which has left him feeling isolated and fearful, hiding from the world outside. He lives in the East End of London, an area notorious for its violent hooded gangs. According to news reports, the gangs are now wearing demon masks. But, one night, Jamie discovers the terrifying truth.

Penny’s love for her partner, taxi-driver Phil, has run dry. He is a gentle, philosophical guy, and she works on the checkout at a supermarket…

An up-tight lawyer, Lenny Rubins, (Timothy Spall), has to put his dream retirement on hold when his ailing mother (Honor Blackman) emotionally blackmails him into reuniting his estranged children for a Jewish holiday. They may be peas from the same pod, but in Lenny’s eyes, his grown-up children are certainly not even from the same planet: a ruthless control-freak and hard-nosed capitalist, an outspoken, argumentative eco-warrior committed to the cause, an outer-worldly Buddhist Monk; and to cap it all, a bible bashing born-again Rabbi. While they might quarrel, fight, and perhaps even be starting a war in Africa, they are still family. It is going to take a whole lot of soul-searching and sacrifice for everyone to come together in this comic drama. Written by monterey media inc.

A romantic thriller set during the armed robbery of one of London’s most exclusive jewellers. Sometimes funny, often dark, always captivating and never what you expect.

In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the extravagances are to impress the king. In charge of all is the steward, Vatel, a man of honor, talent, and low birth. The prince is craven in his longing for stature: no task is too menial or dishonorable for him to give Vatel. While Vatel tries to sustain dignity, he finds himself attracted to Anne de Montausier, the king’s newest mistress. In Vatel, she finds someone who’s authentic, living out his principles within the casual cruelties of court politics. Can the two of them escape unscathed?