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Isabella, the daughter of the noble York family, is enrolled in an all-girls academy to be groomed into a dame worthy of nobility. However, she has given up on her future, seeing the prestigious school as nothing more than a prison from the outside world. Her family notices her struggling in her lessons and decides to hire Violet Evergarden to personally tutor her under the guise of a handmaiden. At first, Isabella treats Violet coldly. Violet seems to be able to do everything perfectly, leading Isabella to assume that she was born with a silver spoon. After some time, Isabella begins to realize that Violet has had her own struggles and starts to open up to her. Isabella soon reveals that she has lost contact with her beloved younger sister, whom she yearns to see again. Having experienced the power of words through her past clientele, Violet asks if Isabella wishes to write a letter to Taylor. Will Violet be able to help Isabella convey her feelings to her long-lost sister?
Sara deals with her grief by trying to complete her late husband’s bucket list. Injuring herself on one of the tasks leads her to meet Dr. Ryan. A widower himself, Ryan begins to help Sara complete the bucket list. The two get close and Sara doesn’t want to betray her husband’s memory, so she stops seeing Ryan. However, Ryan doesn’t give up and helps Sara realize that everyone deserves a second chance at love
A young woman named Izumi suffers the loss of her boyfriend Junichi, who died from a fatal motorcycle accident. The shock from her boyfriend’s sudden death causes Izumi to lose her memory from the time of the accident. A lawyer named Makiko then helps Izumi to remember the final moments of her boyfriend’s life.
A messed-up astronaut runs from the deadly black fog that slowly covers everything. He seems to have only a short memory but he needs to find a way out. We repeatedly follow him through different strange scenes where he seems to meet the same people on an on again, but each time they are different and the stories they tell seem to differ as well. The film focuses on a universal problem solving situation rather than on classic linear storytelling.
Marcela is a young woman who lives in Mexico City, where she makes her living teaching ballroom dancing. Everything seems to be fine in her little world: she is hoping to start her own dance academy and has romantic plans. However, one day she finds out that something strange is happening at her parents house: an underground and latent discomfort grows week by week. Gloria, her mother, seems absent, talking about strange events far from her daily routine and experiencing memory lapses. Almost at the same time, Nacho, Marcela’s father, loses his job and, with it, his self esteem. Marcela forgets about her own needs choosing instead to concentrate on her parents troubles and reestablishing family harmony.
69-year-old Jola puts on elaborate make-up, while her husband spouts casual abuse in the background, how she never had much in her head and is basically worthless when it comes down to it. So Jola leaves Italy on a train bound for her native Poland. There, on the beach, she takes a trip down memory lane with her girlfriends: how she married the young man who got her pregnant, swore to care for him “in good times and in bad”, raised her six children and put up with punches, put-downs and her husband’s drinking problem. And now? Now she dresses elegantly, and takes singing and dance lessons. In the process, she meets a gentleman her age, Wojtek, and the two strike up a friendship. But divorce, at her age? What will her family, her friends or the church say? Of course, one can just leave, everyone is free to choose, but is it the right move?
The Belgian filmmaker Manu Bonmariage, known as the spiritual father of the Striptease show, now has Alzheimer’s at 76. Although his memory plays tricks on him, his daughter Emmanuelle goes back in time to portray a direct cinema filmmaker who was always close to the characters he so loved to film.
Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.
A strikingly beautiful and wealthy woman is hit by a truck and is all smashed up and nearly killed. At nearly the same time, a very plain looking lower middle class woman simply faints and suffers brain death. The beautiful womans brain is fine, so, doctors merely transplant her brain into plain Jane. Problems ensue when plain Janes husband continues to believe she is still his wife. She has no memory of him, and goes to live with the beautiful womans husband. She doesn’t mix well with her new socialite friends and family. Mirrors are emotional battlefields as well.
Carol Morley’s debut short uses the iconography of the genre of melodrama – the staircase, the father – to explore the story of a girl’s relationship with her father, and the impossibility of recreating a time, a place, and a memory. Cross-cutting between the girl protagonist and her father, the film creates a sense of crisis and conflict. As the girl invests her feelings in her surroundings and describes events connected to her father, we are drawn into a world of pain and pathos. Morley’s first directorial credit was her graduation film from Central St. Martin’s School of Art.
Ciro Galindo was born on August 29th, 1952 in Colombia. Wherever he’s gone, war has found him. After twenty years of friendship, I understood Ciro ‘s life sums up Colombia’s history. As so many Colombians he is a survivor, who has run away from war for more than sixty years, and now dreams of living in peace. “Ciro and Me” is a journey to memory, seeking to give sorrow words; a journey, similar to that of Colombia in times of peace, in search to recover its dignity.
The wastelands and crowded streets of an African country are traversed by a woman bearing a wooden cross on her back. She is followed by sellers, beggars and passersby, outraged voices, pity and curious glances. Parallel to her, among a herd of sheep, a lamb toddles its way from the far away mountains into the heart of the city, only to find itself dangling, skinned and headless, on a butcher’s shoulder. In the meantime, under the scorching sun, in a roofless house, a woman is persistently knitting a garment, unwinding a thread coiled over her son’s face. ‘Mother, I Am Suffocating. This is My Last Film About You’ is a symbolic social-political voyage of a society, spiralling between religion, identity and collective memory. “I saw in you what they saw, mother. You deserve your war”.
Therese, a café owner, mourns the mysterious disappearance of her husband sixteen years earlier. A tramp arrives in the town and she believes him to be her husband. But he is suffering from amnesia and she tries to bring back his memory of earlier times.
A group of friends travels to the beach to encourage Jason, recently diagnosed with terminal cancer. The journey is rooted in nostalgia and desire for a meaningful farewell, although the friends avoid the subject of Jason’s illness. Some time later, as Mark and Karen plan to have a child, the beach trip lingers as a haunting memory in their new phase of life… Inspired by the poetry of Gerald Stern.
Melchior’s bride Keterlyn happens to witness an attack on a young man. The victim, who has lost his memory, does not know who he is and how he ended up in a Tallinn. A ring found at the scene leads Melchior to the trail of the nocturnal brotherhood, questions are also raised by the troupe of freaks who performed on fair day. Ominous signs suggest that not only is the stranger recovering from a murder attempt at risk, but Melchior and Keterlyn as well. At the same time, an inquisitor known as a ruthless witch hunter arrives in town. Melchior’s ability to “speak to the dead” and to notice invisible traces of murder have raised the suspicion that he may be a dangerous heretic. And the place of the enemy of the church is at the stake…
An odyssey through time and memory, centered around a place in New England where—from wilderness, and then, later, from a home—love, loss, struggle, hope and legacy play out between couples and families over generations.
Do you look back on the optimism of the 1997-2001 era as a lost golden age, or do you see it as a period of naïvety, delusion and folly? There’s a lot of nostalgia for the nineties at the moment, especially from people too young to remember it who see the decade as a simpler, pre-internet time. Modern nostalgia often draws on corporate American-90s mall culture, but what about British culture? With I’ve Been Trying To Tell You – made to accompany the Saint Etienne album of the same name – director Alasdair McLellan evokes the era through the fog of memory. The resulting film, shot in locations from Grangemouth to Portmeirion to Southampton, is both beautiful and enveloping.
Business trips are trapped by multiple temptations, such as a well stocked hotel bar. But this time salesman Pastor might have overdone it a bit. He wakes up in the middle of a field without any memory at all of how he got there. Even stranger is the ugly scar on his back. But what really drives him out of his mind is that the stitches from the operation are still fresh. Has he become the victim of on organ theft? Is he missing a kidney? Pastor starts to put everything in Question; being a father, a husband, a salesman… The only thing he wants is to find out what has happened to him and nothing and nobody will stop him.
3 horror shorts from Malaysia I Miss You Two: School life is one of the most interesting moments in a lifetime. Some people, some things, will forever be carved in one’s memory. Floating Sun: The novelist, Fiona Lim, is writing a true story of a teenage girl who drowned in a river many years ago. Horror Mission: A local film crew is shooting a horror film in the suburb when the actress playing the ghost is suddenly possessed by a spirit.
The past collides with the present in this excavation of the Nazi occupation of Amsterdam: a journey from World War II to recent years of pandemic and protest and a provocative, life-affirming reflection on memory, time and what’s to come.
Inspired to make an original, intimate family portrait, Gracie Otto directs a feature length documentary on her father, Barry Otto, whose career in Australian theatre, film and television has spanned more than 50 years. Baz as he is affectionately known is one of a kind – a truly creative, endearing and extremely eccentric personality who embraces the serious and the silly. This story is about Gracie’s relationship with her father, in the twilight of his career and his life, as she tries to capture his memories, before his memory disappears. This is not a traditional biopic, but a deeply personal, artistic and cinematic reflection. Sometimes poignant in its exploration of deteriorating health, the film looks at the world through Baz’s eyes, an ode to living a passionate life, that both honours him and preserves his memory.
The real fate of Jiří Arvéd Smíchovský, a prominent hermeticist, occultist, believer in black magic and an exceptionally well-educated person with a brilliant memory. This avid book lover had doctorates in law, theology and philosophy and was fluent in five languages. He was interested in occult teachings, practiced magical ceremonies, was in contact with the Freemasons, but at the same time he was a member of the National Fascist Community while being homosexual. During the war he cooperated with the Nazis, after the war with the communist StB.
Small town artist Charley is a tortured man whose drinking binges blur with his sneaking suspicion that he might be a werewolf. He distances himself from those he loves and sinks deeper into solitude, as his flashes of memory of his grisly nighttime acts manifest themselves through his artwork.
Harriet finds art imitating life when she discovers certain songs can transport her back in time – literally. While she relives the past through romantic memories of her former boyfriend, her time travelling collides with a burgeoning new love interest in the present. As she takes her journey through the hypnotic connection between music and memory, she wonders – even if she could change the past, should she?
Roy Freeman, an ex-homicide detective with a fractured memory, is forced to revisit a case he can’t remember. As a man’s life hangs in the balance on death row, Freeman must piece together the brutal evidence from a decade-old murder investigation, uncovering a sinister web of buried secrets and betrayals linking to his past. With only instincts to trust, he faces a chilling truth – sometimes, it’s best to let sleeping dogs lie.
In this adorable sequel to “Christmas Thieves,” Frank and Tony are babysitting for Liam and Olivia, while their parents Emma and Peter are out shopping for last-minute Christmas presents. Emma and Peter get into an accident with Santa Claus, and have scared off all of his reindeer. Santa needs to call for back-up and the only person left to save the day is the Christmas Witch. Unbeknownst to Santa, the Christmas Witch has accidentally landed in front of Olivia and Liam’s house, and she has completely lost her memory. Liam, Olivia, Frank and Tony try to find answers for the Witch in the book “Puffins”. Will the Puffins help the Witch remember that she needs to go help Santa in enough time to save Christmas? This heartwarming live-action and animated Christmas film is filled with lots of holiday magic, and is something the whole family will enjoy together.
Strangers awaken in individual holding cells with no memory of how they arrived. They realize if they don’t acquire enough online “likes” in a timely manner, they’ll die horribly at the hands of a sinister executioner.
Filmed in various places over the globe, Ghost Strata explores the differing scales of impact that humanity’s presence has on the earth in the past, present and into the future. Found sound and text create a meditation on time, memory, leftovers and extinction.
Jane wakes up in a strange attic, in a parallel world, with seemingly no way out. She is stuck in a time-loop, destined to relive the same day over and over with little memory of her doing it before. But with each ‘reset’ she starts to remember more and more and begins to piece together what may be happening to her, with clues pointing to a Professor Aaron Ostergaard. She makes her way to the mysterious Wytness Quantum Research Centre, run by Charles Marland-White, to try to find a way out.
The memory of a particular moment in early 20th century history when, in 1913, Helen Keller (1880-1968), a deaf-blind writer, lecturer and political activist, spoke, for the first time and in public, about socialism and progressive causes.
The hero of the popular Czech animated series Pat and Mat, have come to us with their more or less successful, always comedy house repairs. In memory of the times of true cartoons, which marked the youth of many generations, the legendary home-based master comes to large screens with brand new adventures. Czechoslovakia’s cartoon A je to (also known as Pat & Mat) is the work of Lubomír Beneš and Vladimír Jiránek, first reproduced in 1976. This year Pat and Mat celebrate their 40th birthday. However, this is nothing like that for such a large caliber. In the attic store boxes of full movies (and a projector under the stairs) and share stories with their fans. However, as often happens, they face many traps. This time you will meet a sneaky cactus and a dry tree. Meanwhile, they will naturally “improve” their home with some creative ideas. Just how?
Bound by a shared destiny, a bright, optimistic teen bursting with scientific curiosity and a former boy-genius inventor jaded by disillusionment embark on a danger-filled mission to unearth the secrets of an enigmatic place somewhere in time and space that exists in their collective memory as “Tomorrowland.”
Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB’s untarnished mission statement – protecting Earth from the scum of the universe. It’s been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it’s a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.
When a college student starts having a reoccurring nightmare, she begins to believe that it’s a suppressed memory. Her search to find the answers forces her to confront her past traumas, while at the same time, helps her unlock a mystery that may bring a killer to justice.
Tony is a notorious gangster with a big problem. He has woken up in an abandoned farmhouse, with blood on his shirt, and no memory of how he got there. He stumbles into a small town and discovers he’s in an Italian village that seems to be lost in time.
A lifetime of taking shots has ended Rocky’s career, and a crooked accountant has left him broke. Inspired by the memory of his trainer, however, Rocky finds glory in training and takes on an up-and-coming boxer.
Ava is recovering from demonic possession. With no memory of the past month, she must attend a Spirit Possessions Anonymous support group to figure out what happened. Ava’s life was hijacked by a demon, now it’s time to get it back.
Led by Major John Cafferty, a squad of US soldiers are sent on a mission,deep into the mountainous regions of Afghanistan with orders to extract a mysterious top secret package. Now they are back home in a military hospital because they have no memory of what happened to them, or even who they are. In time, they start to recall the strange events that occurred: apparitions that appeared, luring some of them to their deaths and readings of a powerful electromagnetic energy from a strange unearthly power source. But there is no time to dwell on the past, they need to face the bitter truth about how they ended up in Afghanistan to begin with and the betrayals that wiped out their minds and nearly destroyed their lives.
