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Emmi would like to cancel her subscription to “Like” magazine via e-mail. But due to a typo, her messages land in Leo Leike’s inbox. When Emmi repeatedly sends mails to the wrong address, Leo decides to inform her of her mistake. This marks the beginning of an extraordinary e-mail exchange, which can only be held between two strangers. Treading the fine line between complete strangeness and noncommittal intimacy, the two are soon sharing their innermost secrets and longings – until they need to face the unavoidable question: Will their feelings, sent and received virtually, survive the test of a real-life encounter? And what will happen if they do?
Marco is a 35 year-old ex-chef who has given up his career and any sense of hope to return to Udine in Northern Italy to nurse his ailing father. Even when offered a job at a restaurant in Melbourne, he declines using his father as the excuse. When tragedy strikes, the only glimmer of joy arrives in the form of Olivia, a spirited Australian chasing her dream of working in design while on a family mission in Udine. Against the stunning vineyards, rugged mountains and blue Adriatic of Friuli-Venezia Giulia, these two very different people find themselves at a crossroads that will change their lives forever.
Micky Adams (Kelsey Grammer), an eccentric has-been rock musician, loses his grip on reality as his record label looks to drop him and his new “unique” albums. In hopes of breaking out of the mailroom, young Charlie Porter (Jackson White) is tasked with traveling to the musician’s bizarre home and forcing Micky out of his contract. Micky realizes Charlie could be the key to an artistic breakthrough and the pair’s unlikely friendship grows. The odd but powerful bond helps both gain perspective on the music industry, life, love… and the space between.
An advanced spaceship called Delta is created to establish dialogue between intergalactic civilizations. Soon after an alien journalist boards the ship, she and the captain realize the AI that controls the ship can act on its own.
When thrill-seeker Cricket tricks his family into taking a “road trip” in space, chaos in the cosmos quickly ensues. Despite growing frustrations between Cricket and his dad, Bill, the two must learn to appreciate each other’s unique perspectives in order to prevent Big City from being destroyed by an interstellar disaster.
“Between Musk and Mars” provides an intimate look at the holdouts who refuse to leave the isolated village and the tactics SpaceX has been using to get them out of their homes. But as the star-gazing magnate moves forward with his vision for a Martian colony, some of the locals won’t cede their slice of Planet Earth without a fight.
The special details the events before, during, and after Shatner’s life-changing flight – which made him the oldest person to ever travel to the cosmos – and the growing friendship between the Star Trek icon and Blue Origin founder Jeff Bezos, whose dreams of space travel, like many, were inspired by the original Star Trek series.
Bruce is a trucker who works the hog fat lines between Earth and the Titan Station. He’s content with his life but a bit lonely. A month away from the Titan Station Bruce picks up Max, an easily bored automation engineer with a broken shuttle. As Max is about to go crazy from space boredom they receive a strange distress call. Bruce’s long range receiver is broken so the signal is close by. Soon they discover a huge dark object on a collision course. Bruce and Max must risk everything to survive their deadly encounter and deliver the hog fat.
The End was only the Beginning.The year is 2509 and not only has Earth lost contact with the Ishimura and Isaac Clarke, but now also the USG O’Bannon, the first responder ship sent to rescue them. Four crew members of the O’Bannon have survived. But what happened to the rest of the crew? What were they doing? What secrets are they keeping? All to be revealed…in the Aftermath! — Dead Space: Aftermath is a fast paced, horrifying thrill ride told through the perspective of the four survivors by several renowned international directors. Dead Space: Aftermath is an animated film that bridges the storyline between the video games Dead Space and Dead Space 2.
Marika Katou, a third year student at Hakuho Girls’ Academy, is a legitimate space pirate with a Letter of Marque. Between her studies, leading her school’s space yacht club, working part time at Cafe Lamp, and being the captain of the space pirate ship Bentenmaru, Marika’s days are very busy. One day, Marika gets a job to rob a high-class passenger ship, and she discovers that on the passenger list is Kanata Mugen, a boy who owns a “galaxy pass”. Thus, an adventure featuring a hyperspace race between pirates and one young boy begins.
There are thin places between this world and the next where dark, ancient, unfathomable beings chew and dig, moving inexorably closer, driven by alien thoughts and desires. What happens when the hunger for knowledge comes up against the insatiable hunger for flesh? Six grad students learn the answer as they explore the depths of the Closet Space A hastily assembled rescue party turns into a movable feast where mere survival becomes a nearly unreachable goal. Can any of them escape or will the Closet Space claim each one, body and soul?
Spaces and Reservations is an intimate and unsparingly realistic relationship drama that tells the story of a young couple being torn apart by malaise and infidelity, and the way the trauma of their breakup brings them back together. Jamie and Kacie have been dating for four years, and are separately beginning to feel the affects of malaise and disconnect. As they drift apart from one another and struggle to bridge the gaps growing between them, Jamie begins to develop feelings for another woman. After precariously flirting with infidelity, Jamie abandons this new pursuit and attempts to salvage his relationship with Kacie, only to discover that she too has fallen for someone else.
In the year Universal Century 0079, humans have colonized the area of space lying in between the Earth and the moon. However, the ambitious Zabi family, rulers of the Duchy of Zeon, the grouping of colonies furthest from the earth, has sparked a war.
The spaceship Altares, with a photon drive capable of accelerating it to the speed of light, leaves an Earth-orbiting space station. The Altares crew, two families of scientific specialists, journey at light speed with time-dilation to Alpha Centauri, where they launch several satellites to transmit information on the Centauri star system back to Earth and guide future manned vessels in exploring. The Day after Tomorrow (also known as Into Infinity in the United Kingdom) is a 1975 British science-fiction television special produced by Gerry Anderson between the two seasons of Space: 1999. It stars Brian Blessed, Nick Tate, Joanna Dunham, Katherine Levy and Martin Lev. It aired in the United States on NBC as part of the network’s Special Treat childrens series in December 1975, and in the UK on BBC1 in December 1976.
Bridgeport, January 17, 2008. A teenage girl is found hanged in her room. While everything points to suicide, the autopsy report reveals something else. Ten years later, the director and cousin of the teenager examine the past causes and future consequences of this unsolved crime. Like an imagined biography, the film will explore the relationship between the security of the living space and the violence that can jeopardize it.
July, 1969. The space race for Moon exploration between the Americans and Soviets gets to its final moments. The first human beeing is going to land shortly on the Moon. But, an incident in…
What does a retired police officer, a dog trainer, the founder of a political party and anti-government protesters have in common? They’ve all met on the streets of Bucharest, 23 years after the Romanian Revolution, determined to reclaim the public space. Vlad Petri is following their stories for one year, from the first days of the anti-government protests to the final days of the Referendum against the President. The film raises questions about the role of the public space, the power of the individual and the understanding of democracy in a society caught between a communist past and an uncertain future.
Bourges documents the daily routine of a typical pharmacy in Vancouver’s Downtown Eastside, where most clients are on a treatment that requires taking daily doses of methadone witnessed by the pharmacist. The architecture of the space is as much a character as the population which passes through it, with borders of glass between the street and the pharmacy and then between the pharmacist and her clients. The tension of the situation and the struggles on both sides of the glass are punctuated with moments of good humour and camaraderie.
Since 2014, France’s restorative justice programmes have offered a safe space for supervised dialogue between offenders and victims. Grégoire, Nawelle, and Sabine, victims of heists and violent robberies, agree to join one of these discussion groups alongside offenders Nassim, Issa, and Thomas, all convicted of violent robberies. Meanwhile Chloé, a victim of childhood sexual abuse, prepares for dialogue with her own agressor after learning he has moved back into town.
A unique relationship between two women that transcends time and space.
We are in 2030, and on vacation we go to Mars! Having made his wife and son Giulio lose his tracks for years, Fabio (Christian De Sica) is about to marry the wealthy Bea on Mars. But what could happen if during an excursion into space, something goes wrong and Giulio suddenly becomes a sprightly old man (Massimo Boldi)? Between hilarious unexpected events and amusing misunderstandings, Fabio will find himself dealing with a seventy-year-old son and a marriage that is in danger of jumping …
Music for Black Pigeons is the first collaboration between Jørgen Leth and Andreas Koefoed. The film poses existential questions to influential jazz players such as Bill Frisell, Lee Konitz, Midori Takada and many others: How does it feel to play, and what does it mean to listen? What is it like to be a human being and spending your whole life trying to express something through sounds? The characters wake up, rehearse, record, perform and talk about music. In some moments they are on the edge, the edge of existence, constantly challenging themselves. They listen. They devote themselves to finding a space to create a connection to something bigger than themselves. Something that will outlast all of us.
A cinematic and musical odyssey that explores the remarkable relationship between humans and rivers. Throughout history, rivers have shaped our landscapes and our journeys; flowed through our cultures and dreams. RIVER takes its audience on a journey through space and time; spanning six continents, and drawing on extraordinary contemporary cinematography, including satellite filming, the film shows rivers on scales and from perspectives never seen before. Its union of image, music and sparse, the poetic script will create a film that is both dream-like and powerful, honouring the wildness of rivers but also recognizes their vulnerability.
Using his personal background, Brazilian Karim Aïnous invites the audience to follow/discover an incredible journey through space and time, with an original and usually unknown prism/aspect : The strong bound between Algeria and Brazil, two countries with political and revolutionary strikes that mould their evolution.
Contact between most towns on Earth has been severed. A small ring-like area in Eastern Europe still has electricity, and maybe even life is being reported from space. What military forces find outside the ring is shocking.
The holiday season has started and Molly Cooper (Laura Vandervoort) is looking for joy. Finally living her childhood dream, Molly swaps her quaint farmhouse for London Financier Patrick Kingston’s posh apartment. Through the ups and downs of her new life in London and searching for romance, Molly begins to look forward to all communication with Patrick. Likewise, Patrick finds Molly’s warm emails and texts charming and compelling. Sparks fly between them as they get to know each other as they live in each other’s spaces.
Kyra’s dreams of being a jeweler have been put on the backburner, as her demanding job at the Sawyer Country Club is her priority. When a vacant shop becomes available in town, Kyra sees an opportunity to put a plan into action, until she learns that there’s another renter interested in the space. Enter Aiden Sawyer, prodigal son, big-city business magnate and Kyra’s childhood nemesis, returning home to the country club his parents own. As they patch up their past, Kyra and Aiden learn that there may be something more between them than just playful flirting. But when Kyra enters a renowned jewelry contest to raise enough money to outbid the mystery renter, Aiden finds himself in a race against time to make everything right. Written by Incendo
A strange disease is plaguing the city. Hoping to escape contamination, Eva and Sam, an estranged married couple, are forced to barricade themselves in their apartment despite the palpable tension between them. Now forced into isolation in their small living space, they struggle with their own frailty in a world that can only offer the worst horrors imaginable.
In this darkly romantic ghost story, a woman travels to an isolated cabin where she is stalked by an apparition who inhabits her space as his own. With the unexpected arrival of the woman’s boyfriend, the dark spirit’s haunting grows obsessive. Soon the woman begins to exhibit weirdly irrational behavior as the thin line between sanity and possession begins to unravel. Is she battling her inner demons, or is a much darker presence threatening them all?
The Seasoning House – where young girls are prostituted to the military. An orphaned deaf mute is enslaved to care for them. She moves between the walls and crawlspaces, planning her escape. Planning her ingenious and brutal revenge.
Sam Witwicky takes his first tenuous steps into adulthood while remaining a reluctant human ally of Autobot-leader Optimus Prime. The film centers around the space race between the USSR and the USA, suggesting there was a hidden Transformers role in it all that remains one of the planet’s most dangerous secrets.
When the renegade crew of Serenity agrees to hide a fugitive on their ship, they find themselves in an action-packed battle between the relentless military might of a totalitarian regime who will destroy anything – or anyone – to get the girl back and the bloodthirsty creatures who roam the uncharted areas of space. But… the greatest danger of all may be on their ship.
A vivid, dynamic Southern coming-of-age drama, takes place in the transitional space between high school and college, when life seems to be all questions and no answers, and the future is scarily wide open. Set in and around a Charleston, SC Baptist church, weaving through this ensemble piece are three main characters – Brea, an introspective pastor’s daughter experiencing debilitating doubt, the hyperactive Laura, Brea’s best friend and a devout believer, and Tim, the open-hearted son of a single father, confronting his homosexuality for the first time. Tensions and buried feelings abound, as colleges are chosen and adults behave badly, as Brea, Laura and Tim attempt to hang onto what they have, all the while yearning to break free.
Not being able to stand his drunken father and stepmother any longer, Tsog runs away from home and hides on the roof of an apartment building in the city. One day, he is mesmerized by Anu, a beautiful woman who lives on the top floor of the apartment building across from him. He buys a remote control to start watching her TV, and it makes the physical space between Tsog and Anu disappear. Well, at least it does in Tsog’s imagination. He comes to think about what the world would be like if he could change it with the touch of a button. The difference between ideals and reality is also seen through Tsog and Anu’s dream of flying and fear of heights. And Anu’s belief that she could overcome her fear if only she had someone to fly with runs an interesting parallel with Tsog’s loneliness from being estranged from his family.
Year 2038: The mineral resources of the earth are drained, in space there are fights for the last deposits on other planets and satellites. This is the situation when one of the bigger mining corporations has lost all but one mineral moons and many of their fully automatic mining robots are disappearing on their flight home. Since nobody else wants the job, they send prisoners to defend the mining station. Among them undercover agent Stone, who shall clear the whereabouts of the expensive robots. In an atmosphere of corruption, fear and hatred he gets between the fronts of rivaling groups.
It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartment’s space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.
Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
