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Filmmaker Catherine Sweeney is determined to make her zombie horror romantic comedy. However in order to get the funding she need to put a talking dog in it…
Set during World War II, an upper-class family begins to fall apart due to the conservative nature of the patriarch and the progressive values of his children.
The Bettoun clan: Raymond (the patriarch), Maurice (the son), Jacky (the nephew), Roland (the nephew), Albert (Raymond’s cousin), Pépé (Raymond’s friend), Samy (the bodyguard) are a family clan of Jewish Blackfoot kingpins of French organized crime. Their activities include running casinos, organizing underground boxing matches, illegal gambling, pimping, racketeering and bloody settlements of scores against other Arab and French clans. But in the shadows, Pascal Villars has sworn the loss of the Bettoun. He will succeed in setting the Arab clan against the Jewish clan, for the great benefit of the police commissioner Duché, who has been trying in vain for ten years to bring down the Bettouns.
Carving through the heart of the Promised Land is the Biblical spine of Israel, sometimes referred to as the “Path of the Patriarchs” and officially designated as “Route 60.” This trek is far more than a two-lane highway; it is a historic, sacred link to the roots of Judaism and Christianity and the stories of the Old and New Testaments. Follow world-changing diplomats David Friedman and Mike Pompeo as they venture down this sacred road, treading the very ground Abraham, Moses, Jacob, King David, and Jesus once walked. Discover the history, witness the healing, and realize the hope along Route 60, the Biblical Highway.
Greece, in the 1920s, is occupied by the Turks. The country is in turmoil with entire villages uprooted. The site of the movie is a Greek village that conducts a passion play each year. The leading citizens of the town, under the auspices of the Patriarch, choose those that will play the parts in the Passion. A stuttering shepherd is chosen to play Jesus. The town butcher (who wanted to be Jesus) is chosen as Judas. The town prostitute is chosen as Mary Magdalene. The rest of the disciples are also chosen. As the movie unfolds, the Passion Play becomes a reality. A group of villagers, uprooted by the war and impoverished, arrive at the village led by their priest. The wealthier citizens of the town want nothing with these people and manipulate a massacre. In the context of the 1920s, each of the characters plays out their biblical role in actuality.
In an Argentina divided between a deep conservatism and an unprecedented momentum in feminism, the film delves into the political journey and intimate lives of Claudia and Violeta. Trans women who identify as transvestites, the fight they lead with their comrades against the patriarchal violence is visceral and embodied. Convinced of their roles at the center of an ongoing revolution that intersects with so many struggles, in defiance of the old world they redouble their energy to invent a new present, to love and stay alive.
Sallah Shabati, the patriarch of the big family recently arrived to Israel from Yemen, tries to make money and get better housing, in a country that can barely provide for its own and is in the midst of absorbing hundreds of thousands of Jewish refugees from Arab countries.
The film tells about the tragedy of the Vuong Dinh family, where the head of the family often uses magic charms to control the members. The mother, because of the patriarchal habit, respects men and despises women, and is ready for her son without any tricks. Even though I have to pay the price for my actions, tormented by my sins, but deep inside is still a mother’s sacred maternal love, unconditional love of a mother.
Ilana Glazer: The Planet is Burning features Ilana’s thoughts on homophobes and Nazis, how crappy women’s razors are, and what a joke the patriarchy is.
Don Poli, the patriarch of a family embedded in politics, faces the change of party in his state – after a hundred years in power – losing all his privileges. Humiliated and angry, he threatens to disinherit his family and leave to rebuild his life. This forces his children (Kippy, Ramses and Belén) to take extreme measures to ensure their future, causing everything that could go wrong to turn out worse.
A Bedouin village in Northern Israel. When Jalila’s husband marries a second woman, Jalila and her daughter’s world is shattered, and the women are torn between their commitment to the patriarchal rules and being true to themselves.
Mitch Wayne is a geologist working for the Hadleys, an oil-rich Texas family. While the patriarch, Jasper, works hard to establish the family business, his irresponsible son, Kyle, is an alcoholic playboy, and his daughter, Marylee, is the town tramp. Mitch harbors a secret love for Kyle’s unsatisfied wife, Lucy — a fact that leaves him exposed when the jealous Marylee accuses him of murder.
António is a farmer who leaves his land to go to the city where his son Jorge lives. However, unlike a perfect portrait, the patriarch finds a life of lies, a broken marriage and Pedro, a grandson with dangerous attitudes. It all translates into a life of broken dreams.
When a large Iranian-American family gathers in New York City for the patriarch’s heart transplant, a family secret is uncovered and catapults the estranged mother and daughter into an exploration of the past.
Tessa is a young, brilliant barrister. From working class origins, she has reached the top of her game. An unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge.
To avenge her mother’s death, Pixie masterminds a heist but must flee across Ireland from gangsters, take on the patriarchy, and choose her own destiny.
The wine business has brought the King’s family success and acclaim, but following the patriarch’s sudden exit from the company, his three children must grapple for the reigns to the kingdom, to their own power, wealth and legacy.
A self-styled messiah initiates a teenage runaway into his cult of sister-wives. Her rebellious nature upends the community, triggering a bloody uprising against the patriarch.
An adaptation of William Shakespeare’s Titus Andronicus set in contemporary New Delhi. The Hungry is a contemporary retelling of Shakespearian tragedy Titus Andronicus, set in the extravagant surroundings of an Indian wedding whilst exploring the role of the patriarch and corruption in Indian politics and big business.
Quinn Forte had it all: power, money, a brother who idolized him, and a woman who loved him. He also had enemies. In the course of one night, he loses everything. Betrayed by someone in his inner circle, Quinn is set up and arrested. His father, the patriarch of the criminal empire is killed and his brother suspects that Quinn is behind it all. When he’s released from jail he tries to escape the demons from his past, but that becomes an impossible task. Campbell, the ruthless new leader of “The Company” won’t let him leave in peace. So instead of escaping them, Quinn fights back. He joins forces with his former henchman and friend, The Swede, and takes on his enemies head on.
The Rizzos, a family who doesn’t share their habits, aspirations, and careers with one another, find their delicate web of lies disturbed by the arrival of a young ex-con brought home by Vince, the patriarch of the family, who is a corrections officer in real life, and a hopeful actor in private.
A corporate raider threatens a hostile take-over of a “mom and pop” company. The patriarch of the company enlists the help of his wife’s daughter, who is a lawyer, to try and protect the company. The raider is enamoured of her, and enjoys the thrust and parry of legal manoeuvring as he tries to win her heart. Written by Ed Sutton.
The film follows a Jewish family living in Hungary through three generations, rising from humble beginnings to positions of wealth and power in the crumbling Austro-Hungarian Empire. The patriarch becomes a prominent judge but is torn when his government sanctions anti-Jewish persecutions. His son converts to Christianity to advance his career as a champion fencer and Olympic hero, but is caught up in the Holocaust. Finally, the grandson, after surviving war, revolution, loss and betrayal, realizes that his ultimate allegiance must be to himself and his heritage.
A sweet-natured Italian waiter named Pistachio Disguisey at his father Fabbrizio’s restaurant, who happens to be a member of a family with supernatural skills of disguise. But moments later the patriarch of the Disguisey family is kidnapped Fabbrizio’s former arch-enemy, Devlin Bowman, a criminal mastermind in an attempt to steal the world’s most precious treasures from around the world. And it’s up to Pistachio to track down Bowman and save his family before Bowman kills them!
Subhash Nagre or Sarkar, the patriarch of the most powerful family of Maharashtra, continues to hold centre-stage because of his immense clout with the masses. In this outing, the Godfather is joined by his grandson Shivaji Nagre who loves and hates his grandfather with equal intensity. Will Shivaji betray Subhash? Or will he become a prey to his grandfather’s machinations?
A DJ encounters a beautiful woman at a club, goes back to her home, and finds himself thrust into a nightmare odyssey of ritual magic, patriarchal death customs, and family conflict most unusual.
Ruthless patriarch Loren hires racecar driver Angelo to build a more efficient vehicle against the wishes of his grandson. But things get even messier when Angelo romances two women in Loren’s life — his great-granddaughter and his grandson’s mistress.
A dark and disturbing adaptation of Charlotte Perkins Gilman’s controversial gothic feminist horror story about patriarchy and hysteria. Jane, a writer and young mother, is prescribed a rest treatment by her physician husband John, who takes her to a remote country estate for the summer. She becomes obsessed with the peculiar yellow wallpaper in the bedroom he has chosen for her. In her isolation, she secretly writes about a woman trapped in the wallpaper—that she must free.
In a military family, an illegitimate son is brutalized by his brothers. A patriarchal, feudalistic household where dissent is forbidden is used to reveal the whole imperialist system that afflicted Japan between 1921 and 1946. Winner of the Crystal Globe at the Karlovy Vary Film Festival.
Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.
A murder happens when greedy relatives gather to await the demise of their wealthy and very ill family patriarch.
Edouard is patriarch of a large family: his second wife, Jeanne, has just had a baby and finally had enough of his philandering. As the marriage between them unravels, Edouard’s daughters experience their own emotional shock waves. Dina, in a relationship with playwright Paul, wants more from her daily life, while Sidone is married to a fellow musician but is terrified of performing in public. Fast-forward seven years: Edouard is gravely ill, and the family shares their issues, hopes and fears.
Ending the Silence explores patriarchal and hierarchal structures in the church that foster the devaluing and demonizing of sex, women, and the LGBTQ community.
A non-confrontational Jayesh decides to defy his patriarchal family and flee with his pregnant wife Mudra to save their unborn daughter from foeticide. A screwball, hilarious chase begins as Jayesh’s father assembles all his might to nab them. Will this unlikely hero manage to create a safe and equal haven for his daughter?
A mother and daughter hatch a scheme to murder their family’s domineering and sadistic patriarch.
A powerless superhero and family patriarch in an Australian suburb lives a not-so-secret identity as Koala Man while possessing a burning passion to snuff out petty crime and bring order the community.
A thirty-year old woman, wanting a child, decides to apply for a husband through a marriage agency. She finds one in Andrei, a boastful and patriarchal veteran of the Afghan war. They struggle financially, and after meeting up with an old war buddy, Andrei disappears. Galina is bereft, pregnant, lost. What will become of her as the country is torn apart by civil war?
An old man living with his only daughter tries to keep her close to him by any means, although she is married. With longing for what was, the daughter becomes attached to the one thing she has left of her deceased mother, a horse. Jealous of her affections, the old and stubborn patriarch sets the horse free, leading to his daughter’s despair… This evocative and at times frightening power game is about isolation, vulnerability and how we can become too dependent on those we love.
