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The corruption in the Sung Dynasty of 11th century China is so rampant that it inspires a band of Oriental Robin Hoods – the Honorable 108. Mountain bandits who nevertheless live by a scrupulous code of conduct, the Honorable 108 pledge to end the repression of the brutal overlords.
Michèle, in her fifties, is homeless and lives at Orly airport where she leads a hard and lonely life. Theo, a mentally handicapped young man, works at the airport and lives with his “Auntie” who has been overprotecting him since he was abandoned by his mother. When Michèle decides to find her son in Lisbon, Theo naively agrees to drive her there, but what she doesn’t know is that he only has a car without a license… They then embark on an adventure on the country roads, making us follow people we don’t look at, on roads we never take.
A thriller that revolves around the key people at an investment bank over a 24-hour period during the early stages of the financial crisis.
A Los Angeles District Attorney (Gene Hackman) is attempting to take an unwilling murder witness (Anne Archer) back to the United States from Canada to testify against a top-level mob boss. Frantically attempting to escape two deadly hit men sent to silence her, they board a Vancouver-bound train only to find the killers are on board with them. For the next 20 hours, as the train hurls through the beautiful but isolated Canadian wilderness, a deadly game of cat and mouse ensues in which their ability to tell friend from foe is a matter of life and death.
As sexy as it is smart, Naughty Books examines the steamy world of erotic romance, following three self-published authors who go from living at the margins to making millions by transforming their fantasies into best-selling fiction—and wrestling with the stark realities of what comes after sudden success.
An action-crime movie about two women from the margins who take down kingpins and take back their lives. Marni is a bartender, single mom, and occasional pool hustler in the grimy town of Extraction. Her son Jason gets bullied at school, her boss Daryl creeps on her, and she’s not making ends meet. One night a stranger named Steph strides into the bar and challenges Marni to a game of pool. Marni falls for Steph, wowed by her pool skill and tough-girl persona. They hatch schemes to win money, but when they get the chance, they grab the cash and run. Will they take what they need and extract themselves for good?
April is released from prison after having been busted as an illegal sex worker. In the basement of a luxury hotel in Tbilisi where she works, she meets Dije, a young man who has left his native country Nigeria behind. Believing he is on his way to Georgia in the United States, he finds himself in a country that offers him no future. April herself is hiding and coming to terms with a lost love that is better not spoken of in Georgian society. Between longing and survival, in the searing heat of the capital, an extraordinary relationship develops between these two people who live on the margins of society.
Beginning with the suicide of a film director, this work represents the Korean New Wave Cinema movement that focused on criticizing the Korean society in the 1980s through satire and humor. The journey taken by the characters, who lead low lives at the margins of the society, award them with a sense of liberation, however brief.
Dhruv, a goodhearted but complacent wildlife researcher from the city, is faced with the task of conducting a ‘mammal survey’ of the 600-square-kilometre Kodaikanal Wildlife Sanctuary in Tamil Nadu. Armed with 40-year-old maps of the area and a GPS device, he must navigate the park on foot and he recruits a local tribesman from the area – Dorai, to serve as his guide. The severity of the task immediately becomes apparent to Dhruv. Aside from the physical challenge posed, he struggles with his wayward assistant. Not only is Dorai addicted to alcohol, but he also appears to be terrified of officials and uniforms. Through the course of their journey, however, the two forge an unlikely friendship and a relationship between equals. When an accident takes him to Dorai’s village, the wool of ‘civilisation’ is lifted from Dhruv’s eyes and his attitudes towards the marginalised are transformed.
Born to an esteemed family, Inu-oh is afflicted with an ancient curse that has left him on the margins of society. When he meets the blind musician Tomona, a young biwa priest haunted by his past, Inu-oh discovers a captivating ability to dance. The pair quickly become business partners and inseparable friends as crowds flock to their electric, larger-than-life concerts. But when those in power threaten to break up the band, Inu-oh and Tomona must dance and sing to uncover the truth behind their creative gifts.
The Martins family are optimistic dreamers, quietly leading their lives in the margins of a major Brazilian city following the disappointing inauguration of a far-right extremist president. A lower-middle-class Black family, they feel the strain of their new reality as the political dust settles. Tércia, the mother, reinterprets her world after an unexpected encounter leaves her wondering if she’s cursed. Her husband, Wellington, puts all of his hopes into the soccer career of their son, Deivinho, who reluctantly follows his father’s ambitions despite secretly aspiring to study astrophysics and colonize Mars. Meanwhile, their older daughter, Eunice, falls in love with a free-spirited young woman and ponders whether it’s time to leave home.
Professional musician turned intrepid economist Arthur Brooks travels around the globe in search of an answer to the question: How can we lift up the world together, starting with those at the margins of society? His journey takes him through the chaotic streets of Mumbai, a town in Kentucky left behind by the global economy, a homeless shelter in New York, a street protest in Barcelona, and a Himalayan Buddhist monastery. Along the way, he discovers the secrets not only to material progress for the least fortunate, but also true and lasting happiness for all.
Two private bankers, Alistair and Jamie, who have the world at their feet get their kicks from playing a 12 hour game of hunt, hide and seek with people from the margins of society. Their next target is Sean Macdonald a parentless teenager who lives with his sister on a housing estate on the outskirts of Edinburgh. She’s in debt, he’s going nowhere fast. Sean agrees to play for cash.
A father and his two children wander the margins of modern day Taipei, from the woods and rivers of the outskirts to the rain streaked streets of the city. By day the father scrapes out a meager income as a human billboard for luxury apartments, while his young son and daughter roam the supermarkets and malls surviving off free food samples. Each night the family takes shelter in an abandoned building. The father is strangely affected by a hypnotic mural adorning the wall of this makeshift home. On the day of the father’s birthday the family is joined by a woman – might she be the key to unlocking the buried emotions that linger from the past?
In an invisible territory at the margins of society, at the border between anarchy and illegality, lives a wounded community that is trying to respond to a threat: of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love, ex-special forces soldiers still at war with the world, floundering young women and future mothers, and old people who have not lost their desire to live. Through this hidden pocket of humanity, the door opens to the abyss of today’s America.
Dr. Steven Murphy is a renowned cardiovascular surgeon who presides over a spotless household with his wife and two children. Lurking at the margins of his idyllic suburban existence is Martin, a fatherless teen who insinuates himself into the doctor’s life in gradually unsettling ways. Soon, the full scope of Martin’s intent becomes menacingly clear when he confronts Steven with a long-forgotten transgression that will shatter his domestic bliss forever.
Davide is different from the other teenagers. Something makes him look like a girl. Davide is fourteen when he runs away from home. His intuition leads him to choose Villa Bellini, a park in Catania, as a refuge. The park is a world in itself, a world of the marginalized, to which the rest of the city turns a blind eye. But one day the past catches up and Davide has to face the most difficult choice, this time alone.
Orange Witness documents the marginalized voices of people who have been exposed to, and affected by Agent Orange. The film paints a bleak picture of the damage caused by the use of herbicides 2,4-D, 2,4,5-T and TCCD internationally. Historically, Agent Orange has been associated with war, but the industrial and domestic of use of the chemical is a story that has yet to reach the masses, until now.
The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.
Often regarded as a marginal society, the recycling underworld of São Paulo – Brazil’s largest metropolis – is the backdrop to the touching story of Claudines and his family. ‘Hauling’ reveals the day-to-day life of this man, a father to over 27 children, and of many others who make their living out of collecting and recycling material that others have thrown out. In order to do this, Claudinei routinely visits the downtown neighborhood of Santa Efigênia in his lime-green VW bus. This film shows us the intimate workings of that universe in an effort to stimulate recycling and to expose these individuals as followers of a noble and respectable way of life.
Marta’s case is particularly significant because it breaks many stereotypes about gender violence. For one she never suffered physical abuse before the attempted murder and she does not come from modest or marginal family. As she says: ‘There is no profile for battered women and it can touch anyone.’ She also is a strong woman and a fighter who is not afraid to criticize the ineffectiveness of institutions. For me as a man was also very important to approach the male and try to find out what happens inside a violent man and what leads him to violence. In this sense i found the work of the therapist Harald Burgauner, who is one of the most prestigious specialists in Austria, of particular interest.
Young dynamic executive, married and father of two children, Jérôme Ozendron dreams of writing and escaping a life he considers mediocre. The meeting with a former comrade, who had become an actor, brought him into contact with the world of cinema. He meets, Natacha, a cover girl, for whom he is ready to give up, wife and children. Then he becomes the lover of Lilianne, a marginal who persecutes and pursues him. He quit his job to devote himself to writing a novel. But nothing goes as he wants.
Zizo, a radical and anarchist poet living in a marginal quarter of Recife in the north eastern state of Pernambuco, distributes his social angst-filled thoughts through a publication named Febre do Rato, and spews poetry to anyone who’d listen. Our character always revolves within the universe that he has created around himself. A very particular world, in which satisfying the unfortunate is a mixture of a kind of benefit with high dose of malice.
Jairo is a teenager living in a marginal world, in a neighborhood full of drugs and assaults. Tired of poverty and his family hell, he is forced to resort to violence. He thinks his only way out of misery through the world of crime, so he decides to participate in an assault to get money with which to regain their dignity.
More of a film essay – of the type pioneered by Orson Welles and Chris Marker – than a standard documentary, German filmmaker Lutz Dammbeck’s The Net: The Unabomber, the LSD and the Internet begins with the typical format and structure of a nonfiction film, and a single subject (the life and times of mail bomber Ted Kaczynski). From that thematic springboard, Dammbeck branches out omnidirectionally, segueing into a series of thematic riffs and variants on such marginally-related subjects as: the history of cyberspace, terrorism, utopian ideals, LSD, the Central Intelligence Agency, and Cuckoo’s Nest author Ken Kesey and his Merry Pranksters.
Follow a small group of elderly “Peeping Toms” through the shadows and margins of an unfamiliar world. Crudely documented by the participants themselves, we follow the debased and shocking actions of a group of true sociopaths the likes of which have never been seen before. Inhabiting a world of broken dreams and beyond the limits of morality, they crash against a torn and frayed America.
An unflinching, fragmentary look at a handful of self-destructive, marginalized people, but taking as main focus the heroin-addicted Vanda Duarte.
Eager to find a better life abroad, a Senegalese woman becomes a mere governess to a family in southern France, suffering from discrimination and marginalization.
Growing up marginalized in the hood, several women desperate to change their financial dynamic engage in seedy career choices that sends their lives and those around them into a downward spiral.
Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits – mostly working class, mostly self-educated – adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.
The film tackles the life journey of Toni Ligabue, visionary naïf painter who used to draw tigers, lions and jaguars while living among the poplar trees of the boundless Po valley. A harsh life that is a fairy tale too, as a lonely and marginalized kid finds redemption in his art, and a way to express himself and be admired by the world.
Gallura, the mid-1800s. The feud between the Vasa and Mamia families – historically documented – is causing bloodshed in the region. Bastiano Tansu, a deaf-mute since birth, is one of its protagonists. Mistreated and marginalized since his childhood, after his brother Michele was murdered he joined forces with one of the two leaders of the factions, Pietro Vasa, and put at his service his fury and his amazing aim, becoming a highly feared assassin. The State and the Church try to stem the wave of terror and only after more than 70 deaths, the peace of Aggius arrives. At first, Bastiano finds peace in his love for a pastor’s daughter, but in a violent and superstitious world that already labeled him the devil’s son when he was just a boy, someone like him cannot be found innocent. Thus, he chooses to confront his own destiny.
A whip-smart doctor comes to the U.S. for a medical treatment to save her ailing son. But when the system fails and pushes her into hiding, she refuses to be beaten down and marginalized. Instead, she becomes a cleaning lady for the mob and starts playing the game by her own rules.
The meeting of two lonely, marginal souls. There is Henri, a man in his 50s, limp, resigned, somewhat alcoholic. And Rosette, a (slightly) retarded woman who dreams of love, sexuality, normality
As Rio de Janeiro took to the world stage with preparations for the 2014 FIFA World Cup and 2016 Summer Olympics, a community of self-described “urban Indians” organized to fight back against their forced evictions, joining forces with other marginalized groups. A familiar narrative has emerged as these roaming corporate sporting events descend upon metropolises, causing major disruption and corruption to local democracies while displacing the most vulnerable. The resistance continues to grow from country to country, diminishing the power of these conglomerates with activism, independent media coverage and the determination of locals to hold their ground. Spending six years following their plight, Jason O’Hara embedded himself within these communities, steadfastly committed to highlighting the injustices that abound. Now that the spotlight moves on to Russia and Japan for these events, it’s increasingly necessary to witness the battles fought so they don’t end in vain
The film revolves around the relationship between two high school students, Yoo Shi-Eun and Min Hyo-Shin. As the two girls become romantically involved, their taboo friendship causes them to be marginalized by the other students. Unable to cope with the social pressures of having a lover of the same gender, Shi-Eun tries to distance herself from the increasingly dependent Hyo-Shin.
Tripper is the head counselor at a budget summer camp called Camp Northstar. In truth, he’s young at heart and only marginally more mature than the campers themselves. Tripper befriends Rudy, a loner camper who has trouble fitting in. As Tripper inspires his young charges to defeat rival Camp Mohawk in the annual Olympiad competition, Rudy plays matchmaker between Tripper and Roxanne, a female counselor at Northstar.