Bruno Aleixo has an accident the week before Christmas, leaving him in a coma. However, doctors are unanimous: they do not give a physiological reason for this comatose state, so they conclude that it is of a psychological nature. Bruno Aleixo, an assumed hater of the Christmas spirit, simply refuses to wake up. Using the recognized archetype of Charles Dickens’ Christmas Tale, sleeping Bruno Aleixo relives, in dreams, several traumatic Christmases of the past, present and future.

A man named Kengo Kosaka is germaphobe, Due to his disorder, he is also a lonely young man. Meanwhile, high school student Hijiri Sanagi has Ommatophobia. Both Kengo Kosaka and Hijiri Sanagi do not expect to find love with another person.

The Safdie brothers repurpose reality television’s vocabulary of confrontation and cramped cinematography for a miniature study of urban maladies.

Phoebe Phaidon works as a climatologist at an institute of cybernetics which is about to be shut down. So there has to be a solution in the form of a successful evaluation. The strategy consultants now work against the student movement in a virtual reality. Turmoils start.

Who was Joe D’Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.

The three not-so-lucky guys are having the most difficult, weirdest and funniest day of their lives. Meanwhile, in Moscow, a gang of Kyrgyz conspirators begins to wield, a sexist gynecologist and a feminist traumatologist come to work, a film producer is cheating on the Motherland, and clay policemen are uncovering their batons. The only question is which of these meetings will become fatal for our friends.

Hanna teams up with her sister and counterculture friends to create a parody romance on Instagram between herself and young actor Ekku. Hanna starts living a crowd-pleasing love story for the public, only to find herself tangled up in the unresolved past with her “you were never my boyfriend” friend Lasse, who also happens to be the real-life co-writer and cinematographer of Fucking with Nobody. Fiction and auto-fiction crash and melt into each other, as writer-director Hannaleena Hauru plays the lead role of an ever-single film director Hanna.

Takeo Goda (Ryohei Suzuki) is a high school student 2 m tall and weighting more than 100 kg. He has a righteous character. The male students adore him, but female students do not like him. All of the girls Takeo likes prefer his handsome friend Makoto Sunakawa (Kentaro Sakaguchi). One day, Takeo saves female high school student Rinko Yamato (Mei Nagano) from a pervert on train. Takeo falls in love with her at first sight. He feels Rinko likes Makoto, but Makoto isn’t the one she likes. Takeo struggles to liaise between Rinko and Makoto.

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

Three teens find themselves in a town over run with zombies. Deciding to fight back, they go on a punch you in the throat, action packed, non stop ride through the city, woods, and schools.

Delves into the career of the notorious Italian filmmaker, Aristide Massaccesi aka Joe D’Amato, the infamous director behind the legendary Video Nasties Anthropophagus: The Beast and Absurd.

The film follows Finnish army machine gun company in Continuation War against Soviet Union, 1941–1944. Based on Väinö Linna’s best selling novel Tuntematon Sotilas (The Unknown Soldier) and the novel’s uncensored version, Sotaromaani (A War Novel).

A re-adaptation of the classic HP Lovecraft novel after the cult 1985 film.

Cameramen and women discuss the craft and art of cinematography and of the “DP” (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

José Henrique Fonseca crafts an ambitious and long overdue homage to a central icon in Brazil’s 20th century history. Reminiscent of film noir classics, the biopic tells the glorious and tragic story of the legendary football striker Heleno de Freitas. The sumptuous black and white cinematography reflects the chic life of Rio de Janeiro in the 1940s as it fell under the spell of sports royalty. Heleno was no doubt one of the most popular players of his time for his bravura in the field and magnificent goal-scoring that lead the Botafogo team to the top and himself into a vicious downward spiral.

Duke is a modern day telling of a classic western film. Dare and Roost are brothers who have been raised in a reformatory, taught to survive and conditioned to trust no one. They have moved to West Los Angeles, where Dare moonlights himself as a Detective and Roost blankets himself in old John Wayne films and reclusive habit. Cleaning the streets and ridding the neighborhoods of scum, this contemporary study finds Dare obsessed with a phantom like criminal (Winky) who seems to be terrorizing the community. Simultaneously, the same exact investigation is being led by official and likely engrossed Detective Robert Morrison. As Dare closes in on Winky and the entire department closes in on them both, these brothers must make the ultimate commitment and pay the extraordinary consequences therein.

Matt Burns is many things — loser, dork, pizza delivery boy — but a hero isn’t one of them. That is, until he is forced to eat a genetically-engineered tomato that was designed to create super soldiers. A routine pizza delivery turns into a fight for his life, when he accidentally stumbles into the middle of a heated corporate takeover that plans on using this science for world domination. Now, equipped with an indestructible body, advanced strength and a pizza parlor mascot costume, Matt must use his new power to fight evil, rescue the girl and save the day as the unlikeliest of super-heroes: Pizza Man!

Ancient Caves brings science and adventure together as it follows paleoclimatologist Dr. Gina Moseley on a mission to unlock the secrets of the Earth’s climate in the most unlikely of places: caves. Moseley and her team of cave explorers travel the world exploring vast underground worlds in search of stalagmite samples – geologic “fingerprints” – that reveal clues about the planet’s climate history. Their quest leads them to some of the world’s most remote caves, both above and below the water, in France, Iceland, the Bahamas, the U.S. and Mexico’s Yucatan Peninsula. Together, they go where very few humans will ever go, revealing the incredible lengths scientists will go to study the unknown.

Chloe is a college student studying Anthropology. Aurelius is studying Hematology. They seemingly have nothing in common, except both have a secret. When brought together in a Literature Class, Chloe and Aurelius seem like the most unlikely of friends. Chloe is a pastor’s daughter. Aurelius is a pale loner. When Chloe reaches out to try and befriend him surprising things happen. This is a story of humanity, love, and blind superstition. It’s amazing what can happen when you reach out to a stranger. Your whole world might get turned upside down.

AMERICAN COUP tells the story of the first coup ever carried out by the CIA – Iran, 1953. Explores the blowback from this seminal event, as well as the coup’s lingering effects on the present US-Iranian relationship. Includes a segment on the 1979 Iranian Hostage Crisis and its relation to the 1953 coup. Concludes with a section on the recent Iranian presidential election. Contains interviews with noted Middle East experts and historians and prominent public figures such as Stephen Kinzer (author, All The Shah’s Men), Prof. Ervand Abrahamian, Trita Parsi, Col. Lawrence Wilkerson, Ted Koppel and Rep. Ron Paul of Texas. With Iranian cinematography by James Longley.

Filmed over the course of four years, Grabsky and his Seventh Art team followed leading concert pianist Leif Ove Andsnes’s attempt to understand and interpret one of the greatest sets of works for piano ever written: Beethoven’s five piano concertos.The end result is a beautifully-crafted film with lavish cinematography, a signature of Grabsky and Seventh Art’s style. Considered one of the top pianists of the age, Leif Ove Andsnes offers rare insights into the mind of a world-class pianist and access to his personal and professional life. Against the wonderful background of Leif Ove Andsnes playing these five pieces, we also peel back the many myths of Beethoven’s life. Perhaps above all it is the fresh new biography of Beethoven that is most revealing.

The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil, struggle to maintain their indigenous way of life amidst the region’s massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.

Moto 3: The Movie is the next chapter in the most progressive motocross/off-road film series of all time. The Assignment Moving Picture Co. spared no expense during the film’s production, and worked with only the biggest and baddest riders on the planet to capture what critics are calling “next level moto cinematography”. Like in the first two Moto The Movie features, The Assignment traveled the globe to search for the source of what pushes our beloveed sport into the future, and the result is a film that will leave you aching to ride!

France, 1890. Inventor Louis Le Prince vanishes under mysterious circumstances right after he created a device that, five years later, the Lumière Brothers will call The Cinematographer. What if they had stolen Le Prince’s idea and wacked him afterwards? The mystery remains for more than a century, until Luigi Cozzi picks up a strange book called “The Roaming Universe” in the horror museum of his pal Dario Argento. The origin of this enigmatic book troubles him. This particular science-fiction novel would have materialized during a spiritual session in modern day Rome. At the session, an old woman revealed that the key to all these mysteries comes from 1895, a time during which the Lumière Brothers had denied lending their camera to Georges Méliès for an obscure movie called “A Trip to the moon”. Not only does this film actually exist, but it raises a more intriguing question. Is our world the only one, or are there parallel universes ?

Don McAlpine, legendary cinematographer. World renowned Australian. A documentary of his life journey from teaching physical education in Temora, NSW, Australia to Hollywood, making the visual imagery of an outstanding movies.

The Outer Edges is a unique feature length film collaboration between Karl Hyde (Underworld, Tomato) and director Kieran Evans (Finisterre, Kelly + Victor). Keeping London at arms length at all times, the film charts a course along the capital’s invisible edges from North Essex to the river Thames. En route, the film celebrates a vibrant untold history as well as the dramatic locations and endearing attitudes of the people living and working along the same unmapped boundaries that Hyde crossed each day to record ‘Edgeland’, his first solo album.

Hayri, the youngest person who went to space, became quite famous and was accepted to the Science and Technology School. He now spends very little time in the neighborhood and spends most of his time on the giant robot Hayrimatör, the “Invention of the Century” as he calls it. Even though he designed and called it as an engineering marvel, Hayri could not manage to obtain the power source to run the Hayrimatör. With the support of our alien hero Zobi, Hayri manages to make the Hayrimatör work, but the villains go after the invention. This time, Rafadan Tayfa will team up to rescue Hayrimatör, who has been driven out of control by the Agent and his men.

The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou’s interactions with a different animals. It is however unique among Michel Ocelot’s films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).

Beth, a volunteer watch person of an isolated northern city batles a plague that transforms the few remaining residents into empty, zombie-like automatons. She discovers that by entering an alternatve dimension through her own dreams, she’s able to stave of the illness during the long, possibly endless winter. But will her power be enough to sustain her?

Horny Teenagers Must Die is an over-the-top homage to ’80s slasher fare with a difference, pitting a tale of sexual intrigue and weekend hedonism against a violent and bloody dead-teens-in-the-woods backdrop. A group of recent high school graduates head out into the woods for a weekend of sex, drugs and booze-drenched debauchery…only to meet their maker at the hands of a demented killer who uses anything from farm tools to sex toys in a non-stop orgy of eye-popping slaughter. Part pitch black comedy, part body count horror, Horny Teenagers Must Die. fuses the narrative structure of the Friday the 13th movies with the caustic wit of Heathers and the gory, anarchic insanity of cult classics like Re-Animator, Street Trash, Cabin Fever and The Evil Dead.

A young student decides to have no more interaction with the world than is needed to minimally sustain life. His increasingly automaton-like behavior is coupled with a strange clarity of insight about the world around him.

Meat-based or vegetarian, with or without beans, potatoes in or out, tomato sauce or real tomatoes added, dried mushrooms or smoked pears, or maybe just mom’s borsch? Which variant should be considered “the real thing”? The battles have been lasting for years. That is why Yevhen Klopotenko, a well-known chef, sets out on a journey across Ukraine to uncover the most fascinating borsch recipes and to find the secret ingredients which make this dish unique.

At 82 years old, Lula is every inch the rebel. An openly gay man in communist Poland, he organized underground parties and after-curfew salons of men inside private apartments. He enthusiastically took up drag, despite a fiercely homophobic culture, to free himself from the stifling correctness of the 80s. But now, he’s an old, single man in a youth-obsessed world. His friend was crushed by depression and killed himself, but somehow Lula, now Poland’s oldest drag queen, remains buoyant. Is he escaping loneliness with his constant clubbing, looking for love yet again to insulate himself against what he knows is coming? Lula isn’t waiting for approval. Filmmaker Bogna Kowalczyk’s energetic portrait pairs with her subject’s kinetic drive, right down to the stellar soundtrack and nimble camerawork. Whether it’s meeting fans at Pride or selecting an artist to sculpt his specialty crematorium urn, try to keep up with a man who knows life is to be lived out loud.

SACRED PLANET is a journey away from the hectic “world” we live in. Through stunning cinematography, it transports you to some of the most fascinating, exotic, and remote sites on Earth, giving you new insights into her diverse landscapes, peoples, and animals. You’ll be mesmerized by the beauty of these all-but-forgotten faraway places, the majesty of the creatures who live there, and the wisdom of the elders who hold the knowledge of the past. This magical around-the-world odyssey is an awe-inspiring wonder the entire family will enjoy.

This Great War drama opens in the trenches during an artillery bombardment. Receiving bayonet wounds, young Simon (Guillaume Depardieu) drops out of the action, joining other injured soldiers at a Brittany hospital. One day he meets schoolteacher Marthe (Clotilde Courau), who lives in the household of the hospital’s head doctor (Bernard Giraudeau). Soon a romance begins to develop. Cinematography by Kevin Jewison, son of director Norman Jewison.

A young filmmaker Ihor finds a hidden and unpublished photo archive of his grandfather Leonid Burlaka, a famous Soviet cinematographer. Discovering a man that he never knew well enough through the damaged pictures, he gets closer to his dementing grandpa, facing the tension between memory and forgetting.

When Liza gets mysteriously struck by a hit and run driver, her teenage daughter Jessica finds herself alone and with no one to look after her. When wealthy Eva offers to take care of her, Jessica can’t help but be seduced by Eva’s world. However, nothing is what it seems, and Jessica now must come up with a plan to save herself…and her comatose mother.

Brash and opinionated, Christine Choy is a documentarian, cinematographer, professor, and quintessential New Yorker whose films and teaching have influenced a generation of artists. In 1989 she started to film the leaders of the Tiananmen Square pro-democracy protests who escaped to political exile following the June 4 massacre. Though Choy never finished that project, she now travels with the old footage to Taiwan, Maryland, and Paris in order to share it with the dissidents who have never been able to return home.

South African enfant terrible filmmaker and artiste-cineaste Manus Oosthuizen meets with Rotten Tomatoes-approved indie film critic Babette Cruickshank in an Echo Park sound studio. With key members of Manus’s crew joining, they record an audio commentary track for his new elegiac feature documentary Razzennest. But the session goes down a different path… cazzart! The ultimate elevation of arthouse horror, just not as you might expect.

A cinematic and musical odyssey that explores the remarkable relationship between humans and rivers. Throughout history, rivers have shaped our landscapes and our journeys; flowed through our cultures and dreams. RIVER takes its audience on a journey through space and time; spanning six continents, and drawing on extraordinary contemporary cinematography, including satellite filming, the film shows rivers on scales and from perspectives never seen before. Its union of image, music and sparse, the poetic script will create a film that is both dream-like and powerful, honouring the wildness of rivers but also recognizes their vulnerability.