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Cattleman Flint cuts off farmer Sims’ water supply. When Sims’ son Ted goes for water, one of Flint’s men kills him. Cheyenne is sent to finish off Sims, but finding the family at the newly dug grave, he changes sides.
The Last Supper is a cinematographic experiment carried out in a single day by a group of technicians and actors who come together to shoot a dinner with friends in real time.
The Shootout is an early-nineties action comedy that brings together many stars of past and present Hong Kong films. Popstar Aaron Kwok is Fai, a relatively young, inexperienced cop who accidentally nabs a member of a thievery gang. However, Fai loses his collar when the gang’s vicious boss (Elvis Tsui) infiltrates Police HQ to take down his own comrade! Luckily, the cops bring in two “expert” policemen, Lau (Sean Lau Ching Wan) and Ma (Leung Ka Yan) to help nab the bad guys. Helping their investigation is Min (Fennie Yuen), the club singer to whom Fai is attracted AND the girlfriend to the head bad guy. With topnotch police work – and maybe a little luck – the cops regroup in time for a violent finish. Gritty violence and entertaining, over-the-top action highlight The Shootout, but it’s the charismatic stars and quick-footed comedy which keep things amusing.
Czech Photographer Josef Koudelka grew up behind the Iron Curtain and always wanted to know “what was on the other side”. Forty years after capturing the iconic images of the Soviet invasion of Prague in 1968, the legendary Magnum photographer arrives in Israel and Palestine. On first seeing the nine-meter-high wall built by Israel in the West Bank, Koudelka is deeply shaken and embarks on a four-year project in the region which will confront him once again with the harsh reality of violence and conflict. Director Gilad Baram, Koudelka’s assistant at the time, follows him on his journey through the Holy Land from one enigmatic and visually spectacular location to another.
Chris, a young, independent filmmaker from Kerala gets inspired by Louis Malle’s 1969 documentary Calcutta and aspires to recreate the modern version of the documentary himself. He moves to Kolkata with his wife Anita, who is also a movie actress, to work on his documentary. While the shoot of the documentary is already progressing, Corona virus outbreak starts in India and his producer withholds the funds that he had agreed to release earlier. As the government imposed lock-down starts, Chris is stuck inside the rented apartment in Kolkata with Anita. To overcome the pent up frustrations, Chris decides to make a film about his own marriage without the knowledge of Anita.
Two petty gangsters get ransomed by a group of Yakuza members, fortunately they are rescued by a kindly Kindergarten teacher.
The testimony of the men who unwittingly became war photographers on the streets of their own towns in Northern Ireland, when violence erupted around them. Instead of photographing weddings and celebrities, as they expected, they produced the images that crudely show the suffering of ordinary people between 1968 and 1998, the worst years of the conflict.
During four years of shooting in the icy waters that surround the volcanic archipelago of the Crozet Islands, we have followed the trial and tribulations of Delphine, a young female adolescent killer whale. Living and growing within her family group she gradually learns how to find her bearings, how to hunt king penguins or Minke rorquals and how to get stranded in order to catch sea elephants. Directed by Bertrand Loyer.
What does a lifetime of service get you? That’s what Inès (Jasmina Douieb) wants to find out. As the long-time office manager for EcoCleanPro Cleaning Supplies, she’s the only woman on staff in this very sexist office. She does whatever it takes to keep things running – even if it means replacing toilet paper her male coworkers can’t seem to do themselves. After the regional manager’s visit reveals abysmal numbers in gender pay equity at EcoCleanPro, Inès wants her dedication to pay off with a raise. Unfortunately, her request is rejected by her incompetent boss Patrick (Peter Van den Begin) and, fueled by the unfairness and under the watchful eye of Melody (Laetitia Mampaka), the new intern, Inès redoubles her efforts for compensation. When her history with Patrick rears its ugly head and leads to an accident, all hell breaks loose, and the two women must combine troubleshooting skills for possibly the biggest mess of their lives.
A marksman living in exile is coaxed back into action after learning of a plot to kill the president. Ultimately double-crossed and framed for the attempt, he goes on the run to track the real killer and find out who exactly set him up, and why??
When a group of elite online gamers each receive a mysterious invitation to trial a state-of-the-art virtual reality video game, it’s a dream come true and impossible to resist. Arriving at the test site, the group step into hi-tech gear and prepare for a revolutionary, next-level gaming experience that brings modern warfare to life with frightening realism. At first it’s a unique and exhilarating experience. But what starts out like a dream encounter with cutting edge technology quickly takes a turn for the sinister. Once the group are attacked by enemy combatants, they soon realize this is no game after all. Make a mistake here and you pay with your life. Now these masters of the shoot ‘em up will have to fight for survival within a game gone bad, but this time it’s for real.
The sun is setting and we see Dave, an artist, at the Laundromat. Fretting over his wife’s ticking clock, Dave happens upon Ruby, a tempestuous beauty on the run with a mean-looking baby on her arm while toting a gun. Thus begins a series of capers that revolve around the helpless, yet, testy baby, a strapping town sheriff, a gun-loving bounty hunter and a snitching clown. All are involved in an ever-twisting plot in a quest for ownership of the baby Lloyd. The all night journey ultimately provides all characters their unsought solutions towards the lives they’ve been wanting.
After a massive shootout, a mysterious stranger (Van Damme) arrives at a local hospital on the brink of death. Then, a foreign gang brazenly comes to the hospital to hunt him down. His nurse, the sole surviving witness to the follow-up shootout, must face an FBI interrogation that unlocks a plot of international intrigue and revenge. With enough twists and turns, KILL’EM ALL will keep you guessing until the final bullet is fired.
Two powerful, yet deeply troubled women — refugees from political and personal trauma — flee a past that haunts them. The daughter of a murdered Black Panther revolutionary, Tess, (Hamilton) lives off the grid on a Sonoma vineyard, fiercely detached from all connections. Her hermetic life cracks when she gives reluctant shelter to a desperate young woman, Anna (Rabe) who has attempted suicide in a nearby forest. An unlikely alliance forms between the two, where other close relationships have failed — David, Anna’s husband, (Linklater) and John, Tess’ employer (Weber), cannot break through their walls. But the very difference between the two women opens them up to a new vision of themselves, as not only survivors, but as heroes capable even of a thrilling shoot-out in the name of outlaw justice. Reclaiming freedom, and life, they plunge forward, towards an unknown, transformative horizon.
Vastly different lives and perspectives become intertwined after a police officer suffering from reoccurring PTSD mistakenly shoots a deaf African-American kid, exposing layers of racial tension and corruption within the political, judicial and prison system.
At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for “a crash course in manhood,” a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months. Academy Awa
Ex-gangster Charlie Thompson returns to London after the tragic death of his young nephew Danny which he believes to have been caused by the same callous hands that killed his brother George many years ago. Taking the law into his own hands Charlie meets up with former acquaintances ready to settle old scores and save his last remaining nephew Frankie the last of the Thompson bloodline. However, Charlie has been out the game for a while and he soon realizes that a lot has changed.
Buster is thrown off a train near an amusement park. There he gets a job in a shooting gallery run by the Blinking Buzzards mob. Ordered to kill a businessman, he winds up protecting the man and his daughter by outfitting their home with trick devices.
In this shoot-’em-up from Down Under, two ex-con assassins take down the wrong target and all hell ensues. With their covers about to be blown — and their target alive and kicking — the guys need to make things right fast or more heads will roll.
Zeus, a Labrador Retriever and a former police dog, has lost his bark after his barking ended up blowing off a five-year investigation and his partner can’t shoot straight again and ends up at the pound. He is adopted by a father as both an early Christmas present and as a guard dog for the house, but the mom remains hesitant.
In May 1978, the mining town of Kolwezi in Katanga, Zaire (now Democratic Republic of Congo, the former Belgian Congo) is under attack from a group of communist guerillas coming from nearby Angola. The Europeans who work for the Belgian mining company and the Blacks who live in the town are taken as hostages by the invaders, who start a blood bath, shooting Europeans as well as Africans. Many of the Europeans being French, the French decide to organize a counter-attack, and to send a Regiment of Paratroopers from the Foreign Legion. The movie follows the stories of Delbart, a former non-commissioned officer, who was about to go back to France with his African wife and his child, Damrémont, who was Delbart’s replacement, Bia, a Zairian doctor, and Annie, an American married to a Belgian engineer as well as Non com Legion officer Federico and the French Ambassador and the Military Attaché.
In Dade County, Florida, disgruntled taxpayer Harry Kee angrily protests a huge IRS bill by wiring up a box of explosives and hijacking a school bus full of special-needs children. Although the kids are terrified, Marta Caldwell, the bus’ Cuban-born driver, remains calm and collected throughout the ordeal, not only helping her charges survive the crisis, but also providing comfort and support to a teacher’s aide on the verge of a diabetic seizure. But while Marta keeps her head about her, the kidnapper grows more and more unhinged, and the police surround the hijacked bus, ready to shoot to kill if necessary.
A dysfunctional family of adult film stars reunites for a memorial porn shoot following the death of legendary producer Mo Saltzman. Along the way, the film’s hapless director must contend with dueling divas, bickering couples, emotionally-scarred tag-team brothers, and a dominatrix with low self-esteem. Given its all-star cast and lofty pedigree, the film should be the greatest porno of all time
Zia, a young girl from Djarot, a thug nicknamed Gali, married his daughter Danang who is actually the leader of PETRUS (MYSTERIOUS SHOOTER). When Danang no longer needs Djarot and the Gali that he has been using, Danang decides to kill and slaughter them all. Since then, the restless spirits of the dead Gali have appeared, becoming a group of ghosts carrying coffins that scare the villagers called ‘KROMOLEO”, anyone who witnesses the Kromoleo will die because of the terror of the Kromoleo. Zia is trapped between 2 choices, choosing Danang, her grandfather or Djarot, her father.
The gun epidemic has become so intense in the USA, that schools and community groups are now looking away from prevention and towards preparation – tolerating mass killing as part of the fabric of American life. Measures like active shooter drills and arming teachers seem an unsavoury but necessary response to keep our loved ones safe. What impact do these militarised approaches have on children’s mental wellbeing? What kind of society will they build in the future? Told through the perspective of a European new mother, who is deciding to make a life for her young family in America, this candid and urgent documentary asks what is at stake during these frightening times.
Lonigan and his partner Tony, two drug dealers, shoot two cops who attempt to set them up, and run away with a million bucks and the drugs, which they stash in a red Corvette Stingray in a used car lot. When they attempt to recover their stash with their leader, Abigail, they find out that two happy-go-lucky dudes, Elmo and Al, have bought the car. They quickly pursue the two along with the police who think that the car’s new owners are the criminals.
Young police officers are supposed to enforce the law and suppress their personal opinions. After their training, protected by bullet proof vests, shields and a gun, they are sent out on the streets. This documentary accompanies students at a German police academy over the course of their first year. A remote location in Saxony-Anhalt. Real-life simulations and practice at the shooting range are the preparation for the second phase of their training – going out on the streets and facing the real world. It’s their first year at the academy and on the beat, and these young men and women are often confronted with realities that take them to their limits. This documantary takes an uncensored look at the German police for the very first time.
Buenos Aires, 1985. It’s the first anniversary of the death of Alexis Carpenter, the unstable supermodel who died tragically when she was set on fire while closing a runaway show. Lucia L’uccello – Editor-in-Chief of the most important magazine in Buenos Aires – chooses supermodels Eva Lantier and Irene del Lago to honor Alexis on the cover of the anniversary issues dedicated to the famous model. The night before the photo shoot, Alexis’s original dresses that were going to be used by the models are stolen. From that moment, members of the important fashion magazine and the agency begin to disappear, one by one, at the hands of a stealthy, sinister female silhouette in a long black leather raincoat. Is someone seeking revenge? Or has Alexis returned from the grave?
portrays the Bruder working class family, whom she met during her time as a social worker in the Märkisches Viertel. Equipped with a Super-8 camera by Helga Reidemeister, the family had already begun filming their everyday life independently in the fall of 1969. However, when, together with Reidemeister, they looked through the four-hour material at the editing table in the summer of 1974, they realized that it depicted the family’s problems only superficially and left the social context out of the picture. Reidemeister, who had not yet intervened in the film shooting, then spent a lot of time with the family and documented everyday life together with them. The result was a multi-layered mixture of family self-testimony and reflection on social relationships.
An abandoned seaside resort. The shooting for a fantasy film about the end of an era wraps up. Two women, both members of the film crew, one an actrice, the other a director, Apocalypse and Joy, are on the verge of concluding their love affair.
Marshall McClary, one of the most violent, racist, foul- mouthed Marshalls in Texas, is in the middle of resolving a hostage situation (by shooting everyone he sees) when the FBI agents show up, interfering with his negotiation, and ending the event with McClary being wounded and two of the criminals escaping. After hearing that the two fugitives has fled to Miami, McClary follows behind them, working with the local police and offending every single person he encounters.
A Finnish-Norwegian love story with an unexpected shape and development. Shot in Oslo, Helsinki, Istanbul and Berlin. The film focuses on showing the actual moments that lead to getting to know one another, building a relationship and to breaking up. The film takes part in Kaisa’s attempt of getting involved with two different men that look almost exactly the same, questioning where the thin line is between someone potentially being the love of your life or not. Shooting the film with the approach of a workshop and closely involving the actors allows the film to take shape as a unique, unpredictable cinematic expression touching the basis and complexity of human behavior.
Today, the art world and beyond is obsessed with shooting analog. Whether it’s a fashion house seeking to bring a new edge to their creative work, an amateur perusing eBay for the perfect vintage Polaroid, or an influencer attempting to capture a comforting retro aesthetic on social media, analog photography has piqued the interest of people everywhere. Is this resurgence a backlash against digital photography? Is it just a trend perpetuated by our desire for authenticity in an increasingly superficial world? Or is it something else entirely?
Grain: Analog Renaissance is a documentary by Alex Contell and Tommaso Sacconi that explores the stories of those committed to using film in modern day photography.
The Chandon team is hired by Lucyandapos;s father to shoot a video to help sell the greyhound farm where she grew up. A day in a semi-rural farmland is a fine backdrop for the team to re-discover their passions for the simple life.
Jacquot Demy is a little boy at the end of the thirties. His father owns a garage and his mother is a hairdresser. The whole family lives happily and likes to sing and to go to the movies. Jacquot is fascinated by every kind of show (theatre, cinema, puppets). He buys a camera to shoot his first amateur film… An evocation of French cineast Jacques Demy’s childhood and vocation for the cinema and the musicals.
A New York City oil company troubleshooter is brought to a remote B.C. lake to look for some lost machinery. Cancelling a trip to Disney World with his son, he decides to bring the boy along. They both end up experiencing more excitement than Mickey could ever conjure in Orlando, when they meet up with bad guys and a legendary creature
For years Nicky has been drinking to try and forget. The problem is, every time he hits the bottle old memories come pouring in along with the booze and it’s suddenly Friday night all over again. And in Nicky’s past, Friday night meant just one thing–after-hours at Lucky’s Tavern for a night of drinking and shooting pool with Doug and the boys. Drinks were free, Nine Ball was the game, and everyone knew the rules up front . Or did they? Guided by his conscience, Nicky is forced to relive what began as a casual night out with the guys and ended with an event so tragic that he has never been able to put it behind him.
After the killing of Vishnu in his house, Sarah (Dominique Diyose) his wife, trying to teach martial arts to their daughter, Regis (Belinda Comesi), which is actually really do not like martial arts. Until one day, Paquita (Sarah Carter) and his group hunt them. Sarah is asking for help Captain Roy (Nino Fernandez), a friend of Vishnu in the police, knowing later it turns out they are also hunted by men Oscar (Tio Pakusadewo). Scenes adrenaline rush ensued. Of racing on the main streets of Jakarta, shooting, until the fierce battle between Sarah and Regis with his pursuers.
The hero is the reality of loser, work was suppressed by superiors, resulting in abnormal psychology. The use of means of the three sisters held in the chamber of secrets, regular on-site lovemaking and provide food and drink, The name 58 days is their 58 day experience, according to the timeline to tell what happened to Day1, what happened to Day2. The three sisters are different in character and react differently to the abnormal male, The rebellion and obedience, but, in 58 days, have become completely XING slave even Former friends become enemies with each other. This movie is very tangled, though they are popping pictures, but very deliberately depicting human psychology. In addition to clap calls when the movie music is also gloomy, growled when shooting. The rest of the plot is different, but the type is similar, providing only “58 days” to eat Jet Li, and the rest of the self search
