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A shared love of fish leads to a variety of romantic predicaments in this offbeat comedy from writer and director Doris Dörrie. Otto (Christian Ulmen) and Leo (Simon Verhoeven) are two men from Germany who have launched a successful business in which they import koi, the beautiful Japanese fish, for collectors in their native land. While on a business trip to Japan, Otto and Leo meet Ida (Alexandra Maria Lara), a German tourist who is studying fashion design. Ida begins traveling with the two men, and surprisingly develops an infatuation with the rumpled Otto instead of the handsome Leo. When Ida discovers she’s pregnant with Otto’s child, the two marry, and upon their return to Germany, Ida attempts to join in the business by creating a line of scarves decorated with koi patterns. However, the honeymoon proves short-lived, and Ida’s presence creates a rift between Otto and Leo, as the latter sets up his own concern, raising koi with his new bride, Yoko (Young-Shin Kim).
Beyond the Light Barrier is the autobiographical true story of Elizabeth Klarer, a South African woman, and Akon, an astrophysicist from Meton, a planet of Proxima Centauri. Elizabeth was taken in his spaceship to Meton where she lived with his family for four months and bore his son. She came back to Earth with very detailed technical information of how the light propulsion system used in the spaceship operated and other information that greatly impressed earth scientists.
Peggy Newman, a woman with a checkered past, makes the life-changing decision to become a private investigator following the death of her beloved mother, who she lived with in the small desert town of Yucca Valley, California.
Summoned by an unexpected phone call, an elderly woman visits the country cottage she lived in as a child. Memories of an orphan boy she knew 47 years ago come flooding back to her.
Norman Bates is still running his little motel, and he has kept the dressed skeleton he calls mother. One of his guests is a young girl who has left the convent where she lived. To get some help he employs a young man. One day a nosey journalist comes to see him to ask questions about his past.
Nine-year-old Molly Brown lived and breathed “that river.” After her mother died it was just her and her dad, Paul, and of course “cappy” her ailing grandfather, but with all cappy’s medical bills, Paul’s only choice is to sell everything, including the family home, and move away. But Molly can’t leave her friends and the river, especially the river… it’s been her whole life! She has to make a plan!
Michiko lost her dad in a car accident when she was 10 years old. After the car accident, Michiko has lived with her mother Kyoko. Michiko, now in her 2nd year of high school, gets a cell phone from her mother as a birthday present. Michiko is so excited to have her very first cell phone. Soon afterwards, she is forced into joining social networking site “AvaQ” by classmate, and queen of the classroom, Taeko.
30-year old Kertu has lived under her father’s power her whole life. Because of her gentle nature, she is thought by locals to be a little simple-minded. The young woman makes her first timid attempt to change something in her life – she send a postcard to Villu, a handsome but degenerate village drunk.
Dolores lived the life of a higher-class student until her best friend was found brutally murdered. Two years later, she’s the only indicted suspect for a crime that attracts a lot of media attention and has placed her in the center of the public eye. Dolores spends her days preparing for the trial, secluded in her house as her parents work as a team ready to do anything to defend their daughter. The best lawyer is not enough, they obsessively control around her: how she looks, what she does, eats and who she sees. But as the trial moves forward and pressure grows, suspicion and secrets emerge within the family. Cornered, increasingly isolated and just when any mistake could prove disastrous, Dolores puts the entire strategy at risk.
For more than 25 years, Marc Côté, street chaplain and parish priest, has lived with the poor and the homeless. Today, Marc is a worn-out man. Exhausted from running his church, which serves as a shelter, and overwhelmed by the bills they can no longer pay, Marc must face the facts: he will have to shut down his church. Like a call from Providence, he inherits a property in the Bas-du-Fleuve region and decides to take a group of homeless people with him, who, like himself, need a vacation.
Formidable grandmother Isla Roberts is adamant. She insists that although she’s not a lesbian, her girlfriend Susan is. In this tender, richly humorous portrait of an 87-year-old horse carriage driving champion, we learn what makes an ordinary life extraordinary. Straight-shooting Isla’s lived experience of rural Australia, raising a family in severe economic hardship, and finally coming out later in life, all make for a poignant documentary of a woman who’s well ahead of her time and refuses to be put in a box. Director Marion Pilowsky tracks Isla for an eventful, cathartic year with empathy and incisiveness.
Set during the Edo Period, a young man from a noble family meets a young woman under a special tree called “Raiou” (the tree was struck by lightning at one time with the broken part eventually sprouting out cherry blossoms). The young woman lived freely in the mountains after she was abducted as a young child. The couple soon fall in love under the Raiou tree, but become acutely aware of their different social positions & the ramifications it has on their relationship.
Best friends Ely and Lila share everything together, including their dream of a life beyond the Paris suburb they’ve lived in since childhood. One night they venture into the capital and meet a pair of wealthy young friends at a night club. Ashamed of their working-class background, and seeing an opportunity to escape, Ely and Lila begin to lie their way into this glamorous new world. Falling deeper into their web of lies, the young women begin to lose sight of themselves as their friendship is pushed to the limit.
Kyoko, who couldn’t believe anything in the world and lived a desolate life, meets Katsuya Honda, who has been assigned as an educational trainee. She is at the mercy of Katsuya, who is rude and has a strong habit, and she is gradually attracted to her. However, she is disowned by her parents in the wake of an incident with her bad fellow. It’s a punishment that I’ve been doing as much as I like. Katsuya appears in front of Kyoko who thinks so…
Johann Christoph Haizmann, who lived in the 1650s, was a painter and a deeply disturbed individual. His intricate paintings of the devil and his elaborate journal entries depicting encounters with him led Sigmund Freud to diagnose him as one of the first known schizophrenics. Legend has it that Haizmann made a pact with the devil in 1650 to be his son here on earth, and therefore gained immortality. Now, in present day, washed-up child actor Julian, the free-spirited Hannah, and former teacher Grace, along with a documentary film crew, go on a search for this man, who may be the embodiment of all evil. Along the way, they get tips from various experts, which include performances from George Kennedy, Tippi Hedren, Erick Avari, and Stephen Furst. The journey takes them from the inner city to a satanic black mass ceremony, and into the depths of their own souls, as they search for Johann Christoph Haizmann, the Antichrist.
A road movie that shows the simple things in life in a poetic light through the eyes of three young people with Down syndrome, who love movies and work at the video library of the institution where they have always lived in. One day, inspired by the movie “Thelma & Louise”, they decide to run away using the gardener’s old car to have a freedom experience. They travel to uncommon places in search for three simple wishes: Stalone wants to see the sea, Aninha looks for a husband and Marcio needs to fly. During this search, they embark on several adventures as if life was just a children’s play
Jane Bell has lived on an old barge moored in the Thames with her feckless father and sister ever since their mother died, but she would prefer her life to be more like the movies
The culturally isolated, nomadic Seburi people of western Japan are the subject of this tragedy about a few of the community’s members who especially experience difficulties as modern Japan encroaches on their world. The setting is World War II, and conflicts have already arisen when the military police come to take Seburi men away into the army. Still following their own customs that can be harsh at times, and are particularly cruel to women (women must give birth alone and unaided, a woman’s adultery is punished by burying her up to her neck in the earth and then leaving her for days), the Seburi are mainly treated with fear and animosity by the non-Seburi townspeople of the region. Along with the hardships arising from cultural clashes, nature’s own vagaries present other challenges to the Seburi — who still lived in tents until the 1950s. Winter avalanches and snowstorms cause as much havoc as the tensions engendered by the slow encroachment of the modern world.
An atypical family portrait, directed by 34-year old Stéphanie Argerich, the daughter of pianists Martha Argerich and Stephen Kovacevich. The filmmaker follows her mother in particular, during concerts and in moments of greater intimacy, searching for answers that might shed light on the private spaces of a family that has always lived in the limelight of the international stage, where gaiety and madness rub shoulders with an absolute and overwhelming passion: music.
She started as a fashion model, and lived in Paris, Milan & New York. Her beauty has been captured by the world’s top photographers for Vogue, Elle, Harpers Bazaar, and others. She appeared in commercials and now walks regularly the catwalk of the world’s most prestigious fashion shows. She immediately identified with the character of Emmanuelle. The beautiful, gracious and sensual woman who projects peace and love on everyone that she encounters. She takes on the role of a confidant and uses her knowledge of love and sensuality to bring peace and understanding to others. With the help of Emmanuelle, a late night radio talk show host opens herself up to the sexual possibilities with a secret admirer.
What Nina saw in that building, in that basement, was too horrible to mention. Yet the people of the building really seemed to need to know what she saw – That’s how she disappeared. After 13 months her body is still missing and the general opinion is that she is dead. But when her sister Anna arrives in the city where Nina lived – with the hope and belief that her sister is still alive – the search for the truth behind the disappearance begins. That is when Anna’s nightmares start to get more and more meaningful, as if they want to tell her something about her sister’s mystery. And the more things are unraveled, the more it becomes clear that there are very dangerous forces involved. Forces that will do anything to keep the secrets concealed.
Eun Gye-hoon, a famous chef, opens a restaurant in a town he lived when he was a little kid. In the past, he had a twin sister. But after a traumatic incident tat the hometown, the family lost her. He used to have a strong emotional link to his sister, able to synchronize with any kinds of feelings she was having. When Noh Da-hyun, a young woman in need of help, visits him one day, Gye-hoon starts to feel that strong link again.
Charlotte is an American, who has lived in Vienna since inheriting a chocolate shop from her grandparents two years ago. Since then, she has worked tirelessly to grow the business into a successful enterprise. Christmas is one of the busiest times of the year and Charlotte has been selected as one of the finalists for Vienna’s chocolatier of the year. Taking home the prize could provide some much-needed money to fend off a large developer from taking over her grandparents’ shop. Charlotte soon meets and befriends Henry, and they bond over their shared affinity for quality chocolate. But a surprising twist of fate just might end their newfound relationship on a bittersweet note.
Public Prosecutor Mathur names an accused, Sandeep Mishra, and three other suspects who had arranged the homicide of Lucknow-based journalist Monica. The trio are Aseem Ray – a wealthy publisher; Pamela Grewal – a businesswoman; and Chandrakant Pandit – the former Telecom Minister and soon-to-be Chief Minister of Uttar Pradesh. With odds stacked heavily against him, Mathur presents, what is an apparent circumstantial case before a female judge, and must prove beyond a reasonable shadow of doubt, that Sandeep was directly involved – even though direct evidence indicates that the murder was committed by two unknown males, and that the deceased victim lived a dual life.
An ex-cop turned bounty hunter shows up in a small town looking for a man who’s jumped bail. However, the real reason he’s there is to avenge his old friend, an Indian who lived in the area and was murdered by the local sheriff, who is trying to get the Indians to sell their land cheaply so an oil company can move in and take over the land, which they believe sits on top of large reserves of oil.
Summer in Closed Eyes is the journey of the girl named Ha (Summer), played by Phuong Anh Dao. The story begins when Ha is coming to the town of Higashikawa, Hokkaido, Japan to find her father (Cong Ninh). She explored the snow-capped region in summer, where her father lived for a long time and here she met the Japanese guy – Akira (Takafumi Akutsu)
Ray (Philip Broadbent) is a washed-up musician with nearly nothing left to live for. Only the broken-down relationship with his daughter Joanna (Lydia Lakemoore) keeps him going. Plagued by insomnia Ray drinks to numb the flashbacks of another life; a life that had a future, where a daughter loved her father, where his wife lived on. Determined to change before he loses Joanna too, Ray takes Pandora, a mysterious sleeping pill from the dark web. It works. Then Ray wakes to a nightmare he could never have imagined. From the shadows of Ray’s tormented life now come new demons. Demons that are not in his head. Demons that want revenge.
Dan Cruickshank returns to his childhood home of Warsaw for the first time in almost 60 years. In a personal and moving film, he recalls his boyhood memories to explore the memories of the city and the memories of its people. No city in Europe suffered so much destruction in the Second World War, no city rose up so heroically from the ashes. The Nazis had razed Warsaw to the ground, but after the war the people fought hard to bring their city back from the dead in one of the greatest reconstruction jobs in history. As a boy, Cruickshank lived in the rebuilt old town and it inspired his love of architecture and made him the man he is today.
When Andreas arrives in the remote valley in the Austrian Alps, he is only about four years old – nobody knows for sure. He grows up to become a skilled farmhand and, as a young man, joins a work crew that builds one of the first mountain railroads, bringing light and noise to the valley along with electricity. He also finds the love of his life in Marie, but their happiness is short-lived. Only many years later, when Andreas embarks on his final journey, she is with him once again. And in amazement Andreas looks back at all the years that lie behind him.
Lady L is an elegant 80-year-old woman who recalls her amorous life story, including past loves and lusty, scandalous adventures she has lived through.
Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits – mostly working class, mostly self-educated – adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.
When Lolly’s aunt gives her three magical lemon drops, she gets to experience what her life would have been like if she had made different choices and lived those unfulfilled dreams.
Europe 1990, the Berlin wall has just crumbled: Katrine, raised in East Germany, but now living in Norway for the last 20 years, is a “war child”; the result of a love relationship between a Norwegian woman and a German occupation soldier during World War II. She enjoys a happy family life with her mother, her husband, daughter and granddaughter. But when a lawyer asks her and her mother to witness in a trial against the Norwegian state on behalf of the war children, she resists. Gradually, a web of concealments and secrets is unveiled, until Katrine is finally stripped of everything, and her loved ones are forced to take a stand: What carries more weight, the life they have lived together, or the lie it is based on?
This French-German-Dutch biopic on the life of 17th century Dutch master Rembrandt van Rijn is told in flashbacks from the point-of-view of the aged artist. Soon after establishing his career as a painter in Amsterdam, he marries the radiant Saskia. As he makes a name for himself, he can soon afford to buy a large house by teaching wealthy aristocrats how to paint. However, the couple’s happiness is short-lived; Saskia dies soon after bearing their son, Titus. Crushed, van Rijn seeks comfort first in the arms of his maid Geertje and then with his second wife, Hendrickje, who gives birth to a daughter. In spite of his genius, van Rijn’s determinedly eccentric behavior alienates the very members of the elite who were paying his bills. At one point, the artist’s home and belongings, including many of his paintings, are seized and sold for humiliatingly low prices in a rigged auction.
For twenty years, Bruno and Malik have lived in a different world—the world of autistic children and teens. In charge of two separate nonprofit organizations (The Hatch & The Shelter), they train young people from underprivileged areas to be caregivers for extreme cases that have been refused by all other institutions. It’s an exceptional partnership, outside of traditional settings, for some quite extraordinary characters.
After the death of her mother, Anne makes a shocking discovery: an old photograph casts doubt on her origins and leads her to discover a mysterious uncle who lived with her parents after the war. As she lifts the lid on a long forgotten family secret, the young woman learns that her mother once succumbed to an amorous passion that was as intense as it was short-lived…
Rosa is about to turn 45 and realises that she’s always lived her life to serve everyone else. So she decides to leave it all behind, take charge of her life and fulfil her dream of starting her own business.
Marco and Anita discover they are expecting a child. Finally a ray of light in Marco’s life after his heartbreak following the loss of Leo, his first born with his former wife Clara. Suddenly, however Perla, the new owner where the couple lived until the tragic accident, bursts into Marco’s and his ex-wife’s lives. The mysterious woman claims she keeps feeling a strange presence and hearing the voice of a child that is tormenting her and her son. Marco therefore finds himself torn between the ties of the past and an unwritten future.
A couple of youngish adventurers go into the wilderness of British Columbia in search of a lost colleague. Their plane crashes and they find themselves at the mercy of a crazed old Scottish miner, who has lived in isolation for many decades searching the mountain caves for a chamber of long lost gold. He is prepared to do anything – including murder – to keep his gold for himself.
At 82 years old, Lula is every inch the rebel. An openly gay man in communist Poland, he organized underground parties and after-curfew salons of men inside private apartments. He enthusiastically took up drag, despite a fiercely homophobic culture, to free himself from the stifling correctness of the 80s. But now, he’s an old, single man in a youth-obsessed world. His friend was crushed by depression and killed himself, but somehow Lula, now Poland’s oldest drag queen, remains buoyant. Is he escaping loneliness with his constant clubbing, looking for love yet again to insulate himself against what he knows is coming? Lula isn’t waiting for approval. Filmmaker Bogna Kowalczyk’s energetic portrait pairs with her subject’s kinetic drive, right down to the stellar soundtrack and nimble camerawork. Whether it’s meeting fans at Pride or selecting an artist to sculpt his specialty crematorium urn, try to keep up with a man who knows life is to be lived out loud.