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In 1936, 18 African American athletes dubbed the “black auxiliary” by Hitler defied Nazi Aryan Supremacy and Jim Crow Racism to win hearts and medals at the 1936 Summer Olympic Games in Berlin. The world remembers Jesse Owens. But, Olympic Pride American Prejudice shows how all 18 are a seminal precursor to the modern Civil Rights Movement.
In Pride And Prejudice: Having A Ball, social historian Amanda Vickery leads the action as a team of experts recreate a Regency ball in honour of the 200th anniversary of Jane Austen’s popular novel. Joined by Alastair Sooke and a coterie of professionals – a food historian, a costume expert, music history academics and a choreographer who trains a team of dance students to take to the floor– cameras will follow the recreation inspired by Austen’s Netherfield ball. This intimate country house ball drives the plot of the Pride And Prejudice, and is a key turning point in the romance between Elizabeth Bennett and Mr Darcy.
Mr. and Mrs. Bennet have five unmarried daughters, and Mrs. Bennet is especially eager to find suitable husbands for them. When the rich single gentlemen Mr. Bingley and Mr. Darcy come to live nearby, the Bennets have high hopes. But pride, prejudice and misunderstandings all combine to complicate their relationships and to make happiness difficult.
A Texas Ranger and a ruthless narcotics kingpin – they were childhood friends, now they are adversaries…
In a contemporary adaptation of the Jane Austen classic, “Pride and Prejudice: Atlanta” follows Reverend Bennet (Reginald VelJohnson, “Family Matters”), a pastor of a prominent southern Baptist church and his wife Mrs. Bennet (Jackée Harry, “Sister, Sister”), who is the author of a self-help book on how to find the perfect husband. Needless to say, Mrs. Bennet is less than thrilled that all five of their daughters, Lizzie (Tiffany Hines, “Toni Braxton: Unbreak My Heart”), Jane (Raney Branch, “Being Mary Jane”), Mary (Brittney Level, “The Purge”), Lydia (Reginae Carter, “Growing Up Hip Hop: Atlanta”) and Kitty (“Alexia Bailey”), are still single. When the very eligible Will Darcy (Juan Antonio, “Empire”) arrives in town, Mrs. Bennet sets her sights on the handsome bachelor for daughter Lizzie, leading to a modern-day, comedic take on themes familiar to fans of the novel.
A zombie outbreak has fallen upon the land in this reimagining of Jane Austen’s classic tale of the tangled relationships between lovers from different social classes in 19th century England. Feisty heroine Elizabeth Bennet (Lily James) is a master of martial arts and weaponry and the handsome Mr. Darcy (Sam Riley) is a fierce zombie killer, yet the epitome of upper class prejudice. As the zombie outbreak intensifies, they must swallow their pride and join forces on the blood-soaked battlefield in order to conquer the undead once and for all.
Pride & Prejudice is a humorous story of love and life among English gentility during the Georgian era. Mr. Bennet is an English gentleman living in Hertfordshire with his overbearing wife and five daughters. If Mr. Bennet dies their house will be inherited by a distant cousin whom they have never met, so the family’s future happiness and security is dependent on the daughters making good marriages.
A Bollywood update of Jane Austen’s classic tale, in which Mrs. Bakshi is eager to find suitable husbands for her four unmarried daughters. When the rich single gentlemen Balraj and Darcy come to visit, the Bakshis have high hopes, though circumstance and boorish opinions threaten to get in the way of romance.
Online writer Tang Nan Nan crosses path with Zhu Hou, a second-generation rich boy “sea turtle”, resulting in hilarious situations and face-offs.
Darcy has always worked hard to prove herself and be successful on her own terms, even choosing to start her own company, rather than work with her father. Returning to her hometown for Christmas, Darcy reconnects with an old rival, restaurant owner Luke, and they are forced to plan a charity event together. As Darcy spends time with her family and Luke, she starts to realize what matters most in life and sets out to mend her relationship with her father, and possibly fall in love.
Pride & Prejudice: A Latter-Day Comedy is a 2003 independent film adaptation/updating of Jane Austen’s novel, set in modern-day Provo, Utah, at Brigham Young University. The characters are Latter-day Saints (LDS).
The 45-year old Swedish woman, Kristina Paltén, ran across Iran to challenge her own prejudices against a culture and people she knew little about. She felt the very human need to trust in people.
A small Arizona town is plagued by violence created from the tension between Anglo and Mexican-American youths. Tony (Tom Nardini) is the idealistic new kid in school who tries to alleviate long-time tensions between the rival factions. The Mexican gang is led by Paco (Zooey Hall), a hot-tempered youth with good reason to resent some of his Caucasian counterparts due to past prejudices. Bruce (David Macklin) is the leader of the white gang. Patty McCormack and Joanna Frank are the female interests who become victims of the gang struggles. Tony, formerly from San Diego, attempts to change the attitudes of the polarized and violent groups. Simms (Russ Bender) is a bigoted educator who fans the flames of hate, and Wilson (Arthur Peterson) is the school principal who is helpless to stop the violence between the two factions.
The popular Caucasian-looking son (Richard Barthelmess) of a wealthy Chinese businessman lives away from his widowed father and passes as white, but experiences prejudice, rejection, insult, and heartache when the socialite (Constance Bennett) he loves learns of his heritage.
In 19th-century Louisiana’s Cajun country, Belizaire is the informal spokesman for his citizens, who don’t see eye to eye with local racists who wish to eradicate all Cajuns. Complicating matters is that Belizaire’s former flame is now married to his biggest rival, an affluent landowner’s son. Before he knows it, Belizaire is caught up in a web of murder, lies, and prejudice.
Documentary on Marian Anderson an African American woman, an international singing star in the twentieth century, who succeeded over racial prejudice and became an inspiration for Americaandapos;s civil rights movement.
The fourth film in Alanis Obomsawin’s landmark series on the Oka crisis uses a single, shameful incident as a lens through which to examine the region’s long history of prejudice and injustice against the Mohawk population.
1975. When Seyolo Zantoko, a doctor from the Congo who has managed, along with his family, to flee tyranny, is hired by the mayor of a small town in northern France, he begins a struggle to adapt to a new life and gain the trust of the prejudiced villagers.
A coming-of-age drama that tackles some of today’s most prevalent issues including religious prejudices, sexual orientation and bullying.
Six dancers from the acclaimed Battery Dance company travel the world, working with young people who’ve experienced war, poverty, prejudice, sexual exploitation, and severe trauma as refugees.
The meeting between two young guys, Marcelo —in the future, Marcelo D2— and Skunk , who sold t-shirts and cassette tapes in the center of Rio de Janeiro to survive, resulted in one of the most popular bands in Brazil in the 1990’s, Planet Hemp. Suppressed by a prejudiced society, the two made of their music a cry of alertness and resistance, conquering the hearts and minds of an entire generation.
A dramatic thriller that tells the engaging and touching stories of immigrants and natives during the time leading up to the independence of Singapore. The protagonists were a part of history in the making; they become the pioneer generation who live to see beyond the prejudice and fear of racial hatred and ultimately face the challenge of nation building – a mirror reflecting the fragility of racial harmony in our world today.
Othello is the greatest general of his age. A fearsome warrior, loving husband and revered defender of Venice against its enemies. But he is also an outsider whose victories have created enemies of his own, men driven by prejudice and jealousy to destroy him. As they plot in the shadows, Othello realises too late that the greatest danger lies not in the hatred of others, but his own fragile and destructive pride.
Upon the death of his father, who was the tribal chieftain, Joe Thunder Horse returns to the reservation of his youth, only to discover that his people are dying of various diseases and are being systematically cheated of their possessions and basic rights by crooked Indian agents. He heads to Washington in hopes of righting these wrongs, only to experience prejudice and hatred all along the way.
Two girls begin to chat about another girl, a former lover of both. As they grow closer, the gap between them widens, as one them is looking for answers and love while safely closeted. A try-out for love confined within suffocating prejudices, in today’s Romania.
A wild and punky tale of a mother’s love for her daughter, of deep-rooted and passionate friendships, and of brilliance thwarted by poverty and prejudice.
Love is a bitter history of formation and growth. The discovery of the world. The self-discovery. The restless overcoming fragile shadow line of the first youth marks the path of three boys from different worlds who meet in heaven and ancestral magic of the islands. Romance of André, Camille and Santino end up exploding inside the frame closed the island of Salina, surrounded by a sea that seems to contain the memory of legends, rumors and atavistic prejudices. Stands out in this scenario of green and blue, the figure of Assunta (Angela Molina), mother Mediterranean, passionate, possessive and mysterious.
A proud man’s traumas and prejudice push away his loving partner, opening him to the seduction of an ancient evil.
Helena, is about to give birth and face a rosy future in a modern city, as the pregnant wife of an important factory manager. However, all her illusions soon perish, as the dead body of a newborn intersex baby is found in the middle of their factory. Helena needs to find out what happened here for the safety of her own child, but she runs into her own prejudices.
Harriet, who thinks that no real man compares to Mr. Darcy, is transported into Pride and Prejudice and gets an unexpected chance to find out. Starring Eliza Bennett and Nicholas Bishop.
In a small Saskatchewan town in the 1960s, Yvette Wong, a young girl of Chinese and Cree heritage, struggles with her Indigenous identity amidst family tragedy in this coming-of-age film directed by Mohawk artist and filmmaker Shelley Niro. Yvette’s mother, Katherine, discourages her from embracing her Cree identity, so she explores it in secret. As she learns more about herself and her Indigenous heritage, Yvette finds a friend in Maggie Wolf, who embraces being part Mi’kmaq and encourages Yvette to be proud of being Cree. When her classmates learn about her Cree ancestry, Yvette encounters the realities of being Indigenous, facing prejudice with pride and holding fast to her dream of becoming a doctor. Café Daughter is inspired by true events and based on Kenneth T. Williams’ play of the same name.
Phillip Penzeda, born into poverty in Brooklyn, NY. He struggles with racial prejudice, true love and loss, and finding out what it takes to survive life from the streets of New York to the military at a very young age.
Aya, a young Ivorian woman in her early thirties, says no on her wedding day, to everyone’s astonishment. After emigrating to Asia, she works in a tea export shop with Cai, a 45-year-old Chinese man. Aya and Cai fall in love but can their affair survive the turmoil of their past and other people’s prejudices?
Jean Michaut is a bargeman who lives nearby an old barge cemetery named “Bras-Mort”. He is in love with Monique, the daughter of a wealthy boat owner. The girl returns his affection but runs her head against the wall of her family’s class prejudices. Her “nearest and dearest” prove indeed prepared to do everything to separate the two lovers. But Monique will not buy in. On the contrary, she leaves her intolerant family to live with Jean among simple, more tolerant bargemen.