Terrence McDonagh, a New Orleans Police sergeant, who starts out as a good cop, receiving a medal and a promotion to lieutenant for heroism during Hurricane Katrina. During his heroic act, McDonagh injures his back and later becomes addicted to prescription pain medication. McDonagh finds himself involved with a drug dealer who is suspected of murdering a family of African immigrants.

Historically, the Georgian woman was viewed as a body without a voice, but this group of women were a modern social circle who wrote expressively. Camilla Huey created bodies from which to reanimate their voices. The narrative of …

Olivier award-winner Eve Best (A Moon for the Misbegotten and Hedda Gabler) and BAFTA-nominated actress Anne Reid (Last Tango in Halifax) star in this new classically staged production of Oscar Wilde’s comedy directed by Dominic Dromgoole, former Artistic Director of Shakespeare’s Globe. The first play from the Classic Spring Theatre Company’s Oscar Wilde Season, A Woman of No Importance will be captured live for cinemas from the Vaudeville Theatre in London’s West End. An earnest young American woman, a louche English lord, and an innocent young chap join a house party of fin de siècle fools and grotesques. Nearby a woman lives, cradling a long-buried secret. First performed in 1893, Oscar Wilde’s marriage of glittering wit and Ibsenite drama satirised the socially conservative world of the Victorian upper-class, creating a vivid new theatrical voice which still resonates today.

Hoppy returns to find Johnny in trouble. Buck Peters has been shot by Porter who made it look like Johnny did it. When Johnny flees he runs into Linda. He takes a liking to her only to learn her father Shanghai is one of Porter’s gang. Going after Shanghai, he gets captured by the gang and Porter now plans to kill him. But Hoppy is near by and Johnny will get unexpected help from Shanghai.

After agreeing to meet an obscene caller at a bar, a young New York reporter witnesses a murder and becomes an unwilling player in a dangerous game of cat-and-mouse.

A group of teenagers wish to rebel against the administrators and teachers (the system) in their suburban Chicago high school called New Port South

A series of unrelated sports gags. Archery: The bullseyes make sense when we see where the archer is standing. Billiards: A trick shot: All the balls move together. Ping pong: The spectators eyes follow the ball… Ski jump: A long, long chute and a very short jump. Track: The hurdlers climb the hurdles like ladders. Swimming: The women’s champion turns out to be a mermaid. A men’s champion demonstrates strokes, ending with the crawl (on the bottom of the pool, on all fours). We see dives, ending with a seedy bar. Crew: We pull back from the first three precision rowers to see a real mess. Bicycle track racing: “Monotonous, isn’t it?” Baseball: A talkative catcher gets knocked back by the ball. Football: Avery Memorial Stadium, with every seat on the 50-yard line one row wide and hundreds tall. On field: The QB calls signals and hops around. A ref emerges from under a pileup: “Is it a touchdown? Mmm, could be.” The play is diagrammed into a huge tangle. Auto racing: The winner is…

Cristiana is a 30 year old woman, brought up in a “proper”, bourgeois middle-class family. Her time is split between writing for her PhD in Earthquake Engineering, conversations with Alex and Michelle, her two close friends and occasional, eagerly awaited rendezvous’ with Dan, a married man with whom she is romantically involved. After her parents move out of the family apartment into a new house, she decides to get a dog. It is something that she wanted ever since she was a child and now that she lives on her own she can finally fulfill this wish.

A chance meeting at the airport leads two married people to an unforgettable night full of excitement, desire, and temptation in New York City.

A police inspector is called to Milan to investigate a murder case since he grew up in the same ghetto as the suspect.

Mall security guard Ronnie Barnhardt is called into action to stop a flasher from turning shopper’s paradise into his personal peep show. But when Barnhardt can’t bring the culprit to justice, a surly police detective is recruited to close the case.

An inspiring, triumphant and wickedly funny portrait of one of comedy’s most enigmatic and important figures, CALL ME LUCKY tells the story of Barry Crimmins, a beer-swilling, politically outspoken and whip-smart comic whose efforts in the 70s and 80s fostered the talents of the next generation of standup comedians. But beneath Crimmins’ gruff, hard-drinking, curmudgeonly persona lay an undercurrent of rage stemming from his long-suppressed and horrific abuse as a child – a rage that eventually found its way out of the comedy clubs and television shows and into the political arena.

Having forged a 20-year run as one of the most innovative and influential hip hop bands of all time, the Queens NY collective known as ‘A Tribe Called Quest’ have kept a generation hungry for more of their groundbreaking music since their much publicized breakup in 1998. Michael Rapaport documents the inner workings and behind the scenes drama that follows the band to this day. He explores what’s next for, what many claim, are the pioneers of alternative rap.

While struggling to meet the strict airline baggage requirements, a woman meets a man who heroically comes to her aid. Both are in despair out of love, which urges them to form a charming friendship which would take them out of the crowded airport and into the secluded city of Sagada where they would attempt to mend each other’s hearts and find the answer to the question, “Where do broken hearts go?”

Ms. Isabel Archer isn’t afraid to challenge societal norms. Impressed by her free spirit, her kindhearted cousin writes her into his fatally ill father’s will. Suddenly rich and independent, Isabelle ventures into the world, along the way befriending a cynical intellectual and romancing an art enthusiast. However, the advantage of her affluence is called into question when she realizes the extent to which her money colors her relationships.

It’s the eve of Christmas in northern Finland and an “archeological” dig has just unearthed the real Santa Claus. But this particular Santa isn’t the one you want coming to town. When all the local children begin mysteriously disappearing, young Pietari and his father Rauno, a reindeer hunter by trade, capture the mythological being and attempt to sell Santa to the misguided leader of the multinational corporation sponsoring the dig. Santa’s elves, however, will stop at nothing to free their fearless leader from captivity. What ensues is a wildly humorous nightmare – a fantastically bizarre polemic on modern day morality. RARE EXPORTS: A CHRISTMAS TALE is a re-imagining of the most classic of all childhood fantasies, and is a darkly comic gem soon to be required perennial holiday viewing.

Detective Hazel Micallef hasn’t had much to worry about in the sleepy town of Port Dundas until a string of gruesome murders in the surrounding countryside brings her face to face with a serial killer driven by a higher calling.

San Diego, present day: The murders are starting again. A girl has been found with two holes in her neck and her body totally drained of blood. Lt Dan Richardson [Shane Pliskin] knows what it is but doesn’t believe it, so he calls in blind art-dealer Micah [Gary Busey]. Micah confirms the lieutenant’s suspicion that a vampire is at work and reminds him of the previous lesson learned by Jack Frost, who was forced to kill his best friend Nat McKenzie when Nat became a vampire.

A young television reporter (or “investigative journalist”) is attacked in her home, leading to her boyfriend being murdered. Six months later she returns to work in a smaller town, and stumbles across a house full of ghosts trying to call out to her. What is the secret of this house and how is she connected to it?

Three narratives (“Cutting Moments,” “Home” and “Prologue”) combine to create a shocking trilogy of modern American life, a portrait drawn with brushstrokes of hidden violence and disturbing cruelty. Directed by Douglas Buck, this unflinching film reveals what lies behind the drawn curtains of so-called “ordinary” households.

After his mother unexpectedly dies, 17-year-old Ethan discovers he is the owner of his mother’s horse – a horse he never even knew existed. He travels cross country to live with his grandparents and investigate the mystery. His grandmother is supportive but his angry grandfather Otto doesn’t seem to want him around. Next door live three children who are taking riding lessons at the same farm where his mother’s horse is boarded. Their lives intersect as Ethan deals with his grief over his mother’s death and the children deal with a neighborhood bully whose father works at the horse farm. The journey for Ethan, Otto, the three children, the bully and her father all revolve around a gentle and faithful horse called Bear who deeply touches all their lives. This is a delightful redemption-themed family movie that will appeal to children, teens, horse-lovers and people of all ages.

No Place To Call Home chronicles the lives of several people born and raised in Jesus People USA Evangelical Covenant Church, a religious sect on Chicago’s north side. The film is essentially a story within the story as the director details how he began exploring his past of growing up in the sect, and his discovery of dozens upon dozens of cases of child sexual abuse, of which many were allegedly unreported by the sects leadership. – Jaime M Prater

Brian Owens was once a prominent professor of quantum mechanics until an accident stripped him of his credentials; he now teaches at a community college. In order to reclaim his stature, he is trying to build the world’s first teleportation machine in his garage at night. All of this while being romantically pursued by one of the art professors at the college, avoiding the crazy old lady next door, and being harassed by the loan sharks he borrowed money from to build his machine. But his biggest problem is he can’t get his machine to work.​

An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.

For centuries, humans have sought to express beauty in architecture and art, but it is only recently that neuroscience is helping to determine how and why beauty plays an important role in our wellbeing. Architects and neuroscientists are embarking on a new field of study in which subliminal responses to one’s built environment may influence the future of design. Experts argue that positive subliminal reactions lead to a pleasurable experience, one reminiscent of a powerful meditation session. The question remains: what makes a building beautiful – or more specifically, which elements of the built environment does the brain recognize as beautiful? Narrated by Martha Stewart.

The film consists of three chapters. The Manslayer takes place more than a hundred years ago. The leading character Maara is a young bride who is about to start her life in her new family. The Virgin, set in the spring of 1949, tells the story of a young woman called Elina, who has been deported from Ingria into Estonia during the previous war. The Shadow moves in the present, on the border of real life and fantasy. The main character, Luna Lee, has decided to flee from home. Is there anything besides emptiness somewhere? The film is led by the singularity of the leading character – Maara, Elina and Luna Lee are all played by the same actress.

The famous detective and his trusty side-kick, Tinker, are called in by the War Office to find some important papers that were stolen from a man killed during an air raid.

After twelve years of playing his favorite MMORPG game, Momonga logs in for the last time only to find himself transported into its world playing it indefinitely. Throughout his adventures, his avatar ascends to the title of Sorcerer King Ains Ooal Gown. Once prosperous but now on the brink of ruin, The Sacred Kingdom enjoyed years of peace after construction of an enormous wall protecting them from neighboring invasions. But, one day this comes to an end when the Demon Emperor Jaldabaoth arrives with an army of villainous demi-humans. Fearing invasion of their own lands, the neighboring territory of the Slane Theocracy is forced to beg their enemies at the Sorcerer Kingdom for help. Heeding the call, Momonga, now known as the Sorcerer King Ains Ooal Gown, rallies the Sorcerer Kingdom and its undead army to join the fight alongside the Sacred Kingdom and the Slane Theocracy in hopes to defeat the Demon Emperor.

Aimé Césaire – Le Masque des mots is a portrait of the Martinican writer who calls himself a rebellious negro and for whom the poetic act represents an act of freedom.

Nguyen stars as the historical hero Lục Vân Tiên, who is magically (and unexplainably) transported to future Vietnam. He befriends a scammer Teo (Huu Tien) who attempts to use Lục for his own monetary ends. Soon the two get mixed up with a bunch of traffickers after Lục saves Nga (Kim Tuyen) from them, and the stage is set for kick assery of the highest order.

Mehmet, a war photographer, Ilker, a reporter friend of Mehmet, and a group from Germany, with an activist called Zeynep among them, cross the border illegally to visit a Yazidi village. The village is then raided by a radical terrorist organization, and they get captured. They are going to have to put up the fight of their lives to escape.

Three sisters live alienated existences in modern day Tokyo. One works as a secretary, one is a prostitute, and one is a criminal. The secretary is cynically unhappy with the sexist business world which limits her opportunities for advancement and makes her a target for her lecherous boss. The prostitute lives an aimless life, drifting between men, and often the target of either police or jealous wives. The criminal, who lives by disrupting the society which oppresses her two sisters, is the only happy one of the three.

Prepare yourself for a sensory overload of epic proportions. Nothing less than the history of the universe, the formation of the stars and planets, the origins of matter, and the daunting post-human future that lies ahead are explored in this mind-bending experience. Photon is an ultra-ambitious summation of human knowledge that combines stunning phantasmagoric visuals and a dense but engaging, even dryly humorous, voiceover in what you might call an experimental science lesson—a crash course in, well, everything. How did we come to be? How are we as we are? The biggest questions are asked, and answered, with inventiveness and aplomb. Photon even delves into the biological foundations of human behaviours such as violence and alcoholism. Dazzling animation visualizes that which we could otherwise not see, ingeniously illustrating details of quantum physics. It’s a strong dose of eye and brain candy in equal measure.

Though several actors portray Elvis Presley at different stages of his life, this documentary is comprised mostly of actual performance footage and interviews with Elvis, his fans and those close to him. This biographical docu-drama features rare footage of Elvis and dramatically recreated scenes from Elvis’ life.

An entrepreneurial criminal, Slim (Dorff) is as smart as they come. Cocky and confident, he assembles a team of risk-taking rush-seekers to pull off a series of five bank heists, each time using a different extreme sport to make the getaway. Following an unexpected windfall on only their second job, the gang nets $20 million in untraceable bonds. Having scored enough money to retire on, Slim and his crew decide to call the robbery game quits. But both the mob and the police have other plans in mind for Slim: they want him to keep working, for them.

Recorded November 10th, 2011 as part of the New York Comedy Festival, and only available for purchase online, Louis C.K. follows up his 2010 concert film Hilarious with a new hour’s worth of shrewdly observed and periodically profane material. He starts with making his own kind of please-turn-off-your-cell-phone announcement, as well as a warning not to text or tweet during the show: “Just live your life,” he asks. Whether he’s talking about a unique way to drop a rental car off at an airport or describing why a man in his 40s should not smoke dope, it’s terrific, humane, carried-to-crazed-extremes stuff.

A man, his business partner, and his wife are enlisted to transport an unknown object from a Russian military base, only to discover that the object is a giant, genetically-altered python.

Hayri, the youngest person who went to space, became quite famous and was accepted to the Science and Technology School. He now spends very little time in the neighborhood and spends most of his time on the giant robot Hayrimatör, the “Invention of the Century” as he calls it. Even though he designed and called it as an engineering marvel, Hayri could not manage to obtain the power source to run the Hayrimatör. With the support of our alien hero Zobi, Hayri manages to make the Hayrimatör work, but the villains go after the invention. This time, Rafadan Tayfa will team up to rescue Hayrimatör, who has been driven out of control by the Agent and his men.

Seeking the truth in a human grey area. Lawyer Annabelle Martinelli has specialized in sexual offences and represents victims of domestic violence. Shoe salesperson Doreen Markowitz seeks her support after pressing charges against her husband Leon for assault and sexual violence. The opposing lawyer is Annabelle’s ex-boss John Quante, a cunning and unscrupulous divorce lawyer. Annabelle is convinced that her client has been systematically intimidated, beaten and forced to have sex. But the evidence is thin. One of several cases she has to deal with which put her professional distance to the test.

A Feature Documentary, featuring David Icke The ‘mad man’ who has been proved right again and again and again. David Icke has been warning for nearly 30 years of a coming global Orwellian state in which a tiny few would enslave humanity through control of finance, government, media and a military-police Gestapo overseeing 24/7 surveillance of a micro-chipped population. They called him ‘crazy’, ‘insane’, a ‘lunatic’, and he was subjected to decades of ridicule, dismissal and abuse. Oh, but how things change. Today his books are read all over the world and his speaking events are watched by thousands on every continent. Why? Because what he has been so derided for saying is now happening in world events and even mainstream scientists are concluding that reality is indeed a simulation. Almost every day something that David Icke said long ago is supported by happenings and evidence. As Mahatma Gandhi said: ‘First they ignore you, then they laugh at you, then they fight you, then you win.