A photographer travels with her boyfriend to a seaside village in Penghu. There she strikes up a relationship with a blind man. When they reencounter one another back in Taipei, where he is preparing to undergo an operation to restore his sight, their connection intensifies.

This expansive Greek drama follows a troupe of theater actors as they perform around their country during World War II. While the production that they put on is entitled “Golfo the Shepherdess,” the thespians end up echoing scenes from classic Greek tales in their own lives, as Elektra plots revenge on her mother for the death of her father, and seeks help from her brother, Orestes, a young anti-fascist rebel.

YOUTH explores the lifelong bond between two friends vacationing in a luxury Swiss Alps lodge as they ponder retirement. While Fred has no plans to resume his musical career despite the urging of his loving daughter Lena, Mick is intent on finishing the screenplay for what may be his last important film for his muse Brenda. And where will inspiration lead their younger friend Jimmy, an actor grasping to make sense of his next performance?

Derrick De Marney finds himself in a 39 Steps situation when he is wrongly accused of murder. While a fugitive from the law, De Marney is helped by heroine Nova Pilbeam, who three years earlier had played the adolescent kidnap victim in Hitchcock’s The Man Who Knew Too Much. The obligatory “fish out of water” scene, in which the principals are briefly slowed down by a banal everyday event, occurs during a child’s birthday party. The actual villain, whose identity is never in doubt (Hitchcock made thrillers, not mysteries) is played by George Curzon, who suffers from a twitching eye. Curzon’s revelation during an elaborate nightclub sequence is a Hitchcockian tour de force, the sort of virtuoso sequence taken for granted in these days of flexible cameras and computer enhancement, but which in 1937 took a great deal of time, patience and talent to pull off. Released in the US as The Girl Was Young, Young and Innocent was based on a novel by Josephine Tey.

On April 2nd 2011, LCD SOUNDSYSTEM played its final show at Madison Square Garden in New York City. LCD Frontman James Murphy, disbanding one of the most celebrated and influential groups of its generation at the peak of its popularity, ensured that the band would go out on top with the biggest concert of its career. The instantly sold out, near four-hour extravaganza featured special appearances by Arcade Fire and Reggie Watts and moved the crowd of thousands to tears of joy and grief. SHUT UP AND PLAY THE HITS both captures this once-in-a-lifetime event with stunning visuals and serves as an intimate portrait of Murphy as he navigates the 48 hours surrounding the show. Woven throughout is an honest and unflinching conversation between Murphy and author Chuck Klosterman as they discuss music, art, aging, and the decision to call it quits while at the top of your game.

In a small Corsican village, the life of Hélène, ordinary and single, She works as a maid in a hotel and is married happily with her Husband Ange and her fifteen year-old daughter. Her modest and monotonous life seems to be predetermined… One day while cleaning a hotel room, she meets a young, seductive, American couple which is playing a game of chess. First fascinated and then passionate about the game, Hélène learns with great tenacity she studies the rule of the game to perfection. She can count on Dr. Kröger, who is a mysterious inhabitant, to help her to achieve her goals. But this positive transition towards a liberty for Hélène does not go about without deeply changing her relationship with family, friends and inhabitants of the village.

A professional poker player whose astounding luck at the table fails to translate into his lonesome love life attempts to win the World Series of Poker while simultaneously earning the affections of a beautiful Las Vegas singer.

Adapted from a sensational real-life case in 2013, the intricate story begins when a young man partners with his friend to murder and dismember his parents. Pleading not guilty, the defense attorneys soon turn on each other, as the defendants play the devil and idiot game. Meanwhile, heated debates emerge inside the jury room, where nine jurors grapple with the truth.

Nationwide quietness. The streets are empty. Everyone’s glued to their screens at home, watching the final game. In the outskirts of Denmark, close to the German border, a small gas station needs to be open for service, even on this special night. Two young women have the shift. Ambitious Agnes is in the backroom putting finishing touches on her thesis, while free-spirited Belinda is on her phone, hoping to get the attention of her boyfriend. Unfortunately, the shift is not going to be as uneventful as they think, because no customers also means no witnesses, and the girls have been spotted to play a special part in a very different sort of game.

Starring pop idol Bobby Duo (竇智孔) and emerging young actress Lin Jia-yu (林家宇), the film begins with Meibana (played by Duo), a 26-year-old Tao man, deciding to take a break from his stressful life in Taipei and return to Orchid Island. There he learns to appreciate his people’s traditional way of life as he whiles away his time collecting the island’s natural sounds with his recordist and mentor A-fei.

An old man tries to play backgammon with friends while babysitting his granddaughter, who’s terrified of the young suicide in their building.

A young woman falls in love with a handsome playboy, while aboard a Singapore to India cruise. They make plans to meet again, but fate may have other plans…

The golden age of arcades may have been in the 80s, but decades later arcades are back and bigger than ever in the arcade bar. Arcade bars have been spreading across the globe; transporting old school gamers back to their childhood while bringing in a new generation of players. It’s Cheers for nerds, a place where every body knows your game. “Token Taverns” is a documentary exploring the growth of arcade bars and what this growing trend is all about. “Token Taverns” centers on 3 arcade bars and their owners over 2 years as they try to thrive and survive through a global pandemic.

Two chess players face off at a busy café, studying both the pieces on the board and the unfolding dramas at the neighboring tables. While a young couple fumbles through an uncomfortable blind date, a longtime marriage begins to crumble. Meanwhile, a pair of film noir fans suspect they’re witnessing a real-life murder. This is an ensemble drama about conversations overheard in a bustling New York City bistro. With every whispered word, we gain a greater understanding of the big picture being formed all around us. From lovers’ quarrels to artistic musings and hushed confessions, a crowded restaurant is the perfect place to discover just what strangers will say when they think no one else is listening.

THE PRODIGAL BOXER features Chinese folk hero Fong Sai Yuk (aka Fong Si Yu), the subject of dozens of HK kung fu films. The role is played by Meng Fei as a callow, unschooled youth and wrongfully accused murderer. Two vicious masters of the local kung fu school, seeking revenge against Fong Sai Yuk, attack his home and kill his father while Fong is away. Fong’s attempts to avenge the death of his father result in his being badly beaten. Fong trains at the hands of his martial artist mother as she puts him through rigorous training and an herbal bath that makes him invulnerable. A trail of revenge is set in motion with Fong against the two masters, played by formidable kung fu villains Yasuaki Kurata and Wang Ching. Can a year’s worth of training prepare Fong Sai Yuk for his deadly confrontation with the vicious masters?

A realistic character study of a young man in his early 20s negotiating a disintegrating relationship with an ambitious artist/photographer girlfriend and an ascending fling with an adventurous floater, as well as pressures from his family and society to go to college/make steps toward success, all the while becoming increasingly interested in the questionably viable life of playing guitar.

A young, naive and enthusiastic theater director named Kai comes to a grim provincial town to put on Beckett’s Waiting for Godot. Although the lethargic theater company shows no interest in the play, his spirit remains undaunted.Meanwhile, it is fall 1989. The world is changing and somewhere, far away in the capital, a revolution is taking place and it seems that wishes might come true. Great hopes emerge in the little town and unexpected events overtake Kai’s mutating production.

Alexander, a young actor, has been falling for a few months in a spiral of self-destruction, becoming strongly addicted to alcohol and drugs. One night, he is stabbed by drug dealers and almost dies. To get out of his addictions he wrote the scenario of a film “Spiral” close to autofiction where he would play the main role of Daniel. Olivier Rainer, a director whom he admires, agrees to direct the movie and make Alexander pass screen tests while rewriting the script by incorporating elements of the personal life of the actor. Alexander wishing to exorcise his demons and reach his catharsis will follow Olivier unconditionally in a blistering adventure where reality and fiction merge.

In order to catch a basketball from the favorite team of his girlfriend’s spoiled son, Fred poses as a numb, wheelchair-bound fan. But when he catches the ball, he also catches the attention of young, attractive filmmaker Denise, who wants to feature an invalid fan in an image film for the team. Fred has to keep playing his role, while real invalid and really furious fan Ronny might call his bluff at any moment. Worse, still, love sets in…

Conducting a series of experiments in his makeshift home-lab, a skeptic IT worker tries to cure his harrowing hearing impairment. But where will his research lead him? “Masking Threshold” combines a chamber play, a scientific procedural, an unpacking video, and a DIY YouTube channel while suggesting endless vistas of existential pain and decay. Glimpse the world of the nameless protagonist in this eldritch tale, which is by no means for the faint of heart.

After moving into a new house, a young girl begins displaying strange and disturbing behavior until, one day, she disappears behind a closet. While the devastated father is left with no clue about his daughter’s disappearance, an exorcist shows up to help.

Ms. White Light is the story of Lex Cordova, a young woman who counsels terminally ill clients that have trouble letting go. While proving uniquely talented in her ability to connect with the dying, Lex is at a total loss when it comes to dealing with everyone else. When Valerie, a sharp-tongued free spirit who simply has no time for her own mortality, refuses to play by Lex’s rules, Lex is forced to question her own decisions, and must decide if the business of dying is truly worth it…even at the cost of living her life.

Woody Allen meets Frances Ha in this new British drama by first-time feature director, poet, actor and publisher Greta Bellamacina. Greta also stars as Celeste, a young mother trying to carve out a career as a poet in modern-day London. Meanwhile, friend and neighbour Stella (played by co-writer Sadie Brown), dreams of being an actor but spends much of her time babysitting Celeste’s son. Part ode to the city, this is a skilfully observed tale of friendship and family with a refreshingly understated sense of humour.

Directed by Dave Grohl, this feature documentary film is a love letter to the rare club of rock and roll, as well as an inspiration to every young kid who dreams of a life playing music. Dave was that kid. And so was Ringo, Annie Clark, The Edge, Steven Tyler, and everyone in between. The list goes on forever. While they all have stories— outrageous, unbelievable, insane, as well as poignant stories— they all share a common bond. At some point, before anyone knew their name, they had an unstoppable drive to share their music with the world. Their passion led them to leave everything behind, throw caution to the wind, and chase their dream. Nobody was promised anything, but they all had a plan.

In 1979, a young girl stumbles upon a possessed tape player. She unknowingly unleashes a demonic entity that haunts her family while slowly dragging the small town of Clarkston to Hell.

If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn

Mungo Morrison is a young mole who is due to begin work at his proud father’s side in their hometown’s legendary gold mine. While his best friends are excited to be in the mine, Mungo secretly dreams of becoming a professional footballer. However, desperate not to upset his father, as well as being a small mole and unable to play football in bright light, Mungo sadly resigns himself to life as a miner. When the mine is forced to shut down after a mysterious accident, an evil and gold-obsessed supervillain known only as ‘The Boss’, attempts to bully the townsfolk into selling him the mine. Against all odds and with a little help from his whacky friends, Mungo begins an epic adventure of thrills, laughs, action and peril, as he hurtles towards the Wild Cup football finals in Russia and a final, breathtaking showdown with ‘The Boss.’

In 1951 USSR, as the Cold War intensifies, infamous dictator Joseph Stalin is suffering with illness and his death is imminent. Meanwhile, KGB agent Stoichkov discovers a mysterious stage show in the Baltic region featuring three creepy dolls – Robert, Kalashnikov and Miss Cyclops. Spellbound by the lifelike animation displayed by the dolls on stage, Stoichkov investigates the show’s host and discovers he is a German Toymaker who owns a mystical book which holds the key to eternal life. Believing the Toymaker and his book will help Stalin escape death, Stoichkov kidnaps him and they board a plane to Moscow. But the Toymaker’s living creations have followed them. When the plane is in mid air all hell breaks loose as Stoichkov and his team of KGB agents realize the three dolls are on board and will stop at nothing to rescue their puppet master. Fasten your seat belt and prepare for blood soaked toy terror at 30,000 feet.

You can’t help missing an outsider in the small Scottish town of Forres. And that while Bodkin Ras wants to keep his head down, because he’s on the run. In this mixture of fiction and documentary, Sohrab Bayat, who plays the title role, is the only actor. The other characters are inhabitants of Forres, who play themselves and whose striking life stories are incorporated into the script. The boundaries between reality and fiction fade and this gives the film a special atmosphere.

Doug, a dorky young mamma’s boy, who is about to get married to his beautiful bride, Callista, when he notices a change come over her. He catches her sneaking around at night and lying to him, and she’s begun to display flu-like symptoms. So naturally Doug thinks she caught a disease while cheating on him. In reality she has become possessed via an ancient stone and she’s been eating his friends and family without him knowing.

A troubled young woman who, in a last-ditch effort at getting her life together, takes a job working nights as a security guard at an abandoned luxury apartment building. Stuck with a brusque rent-a-cop as her partner, she tries to not let her mind play tricks on her while she patrols the empty halls. But as the night progresses strange things begin to happen – and she realizes it may not all be in her head.

Classic Shakespeare play adapted for television by Russell T Davies. In the tyrannical court of Athens, pitiless dictator Theseus plans his wedding to Hippolyta, a prisoner of war, and young Hermia is sentenced to death by her own father. Meanwhile, in the town below, amateur theatre group the Mechanicals rehearse, with all their comic rivalries. And beyond Athens, in the wild woods, dark forces are stirring…

Based on a screenplay by the prolific Kim Ki-duk. Two families live next door to each other in identical suburban white houses with green lawns. One family is from South Korea, the other is a fake family assembled from North Korean spies. The North Koreans must strictly obey every order from their regime, who holds their real families hostage. The problem is that the families affect each other and after a while, the political rift in the North Korean house becomes apparent. Naturally, there also occurs cross-border romantic entanglements between old and young alike.

Discovered at a young age, the shy, squeaky-voiced Michel’le was plucked straight from South Central, Los Angeles and catapulted into the spotlight while riding N.W.A.’s rocket ride of early success. Surrounded by industry visionaries from Eazy-E to Tupack Skaur, Michel’le quickly climbed the charts, but her musical successes were soon overshadowed by betrayal and corruption. A nearly decade-long romance with the infamous Dr. Dre pushed her into a life tarnished by alcohol, drugs and violence until her savior came in the unlikely form of Suge Knight, co-founder of Death Row Records and Dre’s business partner. Friendship would turn into a courtly romance, but the union Michel’le thought they had did not end happily ever after. With children from both men and a career to protect, Michel’le’s voice became silenced by Compton’s biggest power players. Until now.

A vain London playboy offers his soul in exchange for eternal beauty in this adaptation of the chilling tale by author Oscar Wilde. Seduced into the decadent world of Lord Henry Wotton (Colin Firth), handsome young aristocrat Dorian Gray (Ben Barnes) becomes obsessed with maintaining his youthful appearance, and commissions a special portrait that will weather the winds of time while he remains forever young. When Gray’s obsession spirals out of control, his desperate attempts to safeguard his secret turn his once-privileged life into a living hell.

Ten-year-old orphan Patrick Dennis has come to live with his nearest relative and in the high times ahead, he’s not going to believe his luck. Nor will you, because Patrick’s relation is played by one of Hollywood’s grandest dames. Reprising her Broadway triumph, Rosalind Russell won her fourth Oscar nomination and third Golden Globe Award as the marvelous madcap who lives life to the hilt. Auntie Mame brings to bubbly life the mayhem Mame and her cronies create while guiding Patrick’s fortunes. “Life is a banquet,” Mame says, “and most poor suckers are starving to death!” With wit, style and a seasoned cast to dish humor and heart with gusto, Auntie Mame is a full-course meal of entertainment magic.

Kevin Kline and Glenn Close star as Harold and Sarah Cooper, a couple whose marital troubles are put on hold while they host an unhappy reunion of former college pals gathered for the funeral of one of their own, a suicide victim named Alex. As the weekend unfolds, the friends catch up with each other, play the music of their youth, reminisce, smoke marijuana, and pair off with each other.

Joan Howell, a young and pretty maid-for-hire, meets and begins dating wealthy New York City businessman Tom Milford. Embarrassed about bringing him back to her tiny apartment that she shares with her roommate Audrey, Joan brings Tom over to a fancy apartment that she cleans on a daily basis not knowing that it’s his place. Tom plays along with the charade despite not knowing who Joan really is, while she tries to tidy up Tom’s place not knowing who he really is. Written by Matthew Patay

Charlie Fitzpatrick is the most successful high school basketball coach in Georgia history. While many of his players think of him as a father, his relationship with his own “bookworm” son, Evan, is strained. With the help of his wife, Laura and Evan’s wife, Heather, Charlie determines the best way to connect and bond is to take his son and grandson, Markie, who has just announced he’s dropping out of college to tour with his folk band, to a rustic mountain cabin for a weekend retreat. Only this cabin is the same site where he took his many winning teams to test their mettle over a grueling military-style obstacle course, the same one Evan, as a student never got the chance to complete. This is Charlie’s idea of fun, Evan’s idea of a nightmare, and Markie’s idea of-well he’s young and idealistic; he’s just going with the flow. .

Lizzie (Booth) is a young piano teacher working at a music school while trying to save enough money for a Steinway piano. The school is gearing up for their major Christmas fundraiser and she has committed much of her time to plan the event. One afternoon, she meets Brad who takes an interest in her playing and asks if she will teach his uninterested teenage daughter. She begins to break through to the young girl, and sparks begin to fly with Brad (Dunne), but she is shocked to find out that his interest is not solely in her playing, but in the property that houses the music school. She sets out to save the school and the event, but can she work things out with Brad?