Search
Triangle Woman takes you on a narrative odyssey of a series of ten short stories ranging from the grotesque, the weird, the perplexingly absurd, and the ridiculously silly. A bit of an odd character, Triangle Woman has kept these stories locked up in her head for many years. The film includes stories about a man whose finger rapidly deteriorates and the impending consequences; a nice lady who really isn’t that nice; an old woman who talks backwards; an employment agency that has a man-toy named Mr. Brombellarella; among other stories. Triangle Woman is the thread that binds all of the stories together, and she imprints her bizarreness throughout the entire film.
In a Canadian metropolis, failed actor David shares a place with the bookish Candy, whom he dated before coming out as gay. While David, who now waits tables, pursues an aimless romance with a younger coworker, Candy dabbles in both same-sex and heterosexual affairs. As David and Candy’s odd assortment of friends — including a telepathic sex worker and an ill-tempered yuppie — pass in and out of their beds, a serial murder stalks the city’s women.
The wastelands and crowded streets of an African country are traversed by a woman bearing a wooden cross on her back. She is followed by sellers, beggars and passersby, outraged voices, pity and curious glances. Parallel to her, among a herd of sheep, a lamb toddles its way from the far away mountains into the heart of the city, only to find itself dangling, skinned and headless, on a butcher’s shoulder. In the meantime, under the scorching sun, in a roofless house, a woman is persistently knitting a garment, unwinding a thread coiled over her son’s face. ‘Mother, I Am Suffocating. This is My Last Film About You’ is a symbolic social-political voyage of a society, spiralling between religion, identity and collective memory. “I saw in you what they saw, mother. You deserve your war”.
Marking Play for Today’s 50th anniversary, Drama Out of a Crisis is a compelling exploration of the series, its origins, achievements, controversies and legacies. Featuring a rich and surprising range of archive extracts and original interviews with many who created the series, including producers Kenith Trodd, Margaret Matheson and Richard Eyre, and directors Mike Leigh, David Hare and Ken Loach.
Eleonore Berthier, 34 years old, keeps living as a teenager, collecting odd jobs and one night stands. Following a burnout, her mother and sister decide to take action to help her make a fresh start.
Todd is the story of a man who has always felt like the “odd man out.” From a young age, Todd is shunned and ridiculed by his peers. Over time his pain and anger turns into rage and despair. When psychoanalysis and depression drugs don’t work, the young eccentric becomes morbid and introverted, withdrawing from society in a downward spiral to insanity. He not only sets his sights on an aspiring young actress, but on his psychiatrist and the doctor’s family too. “TODD” takes you on a nail biting, edge of your seat journey into the mind of a budding madman.
A mining partner in Alaska has invested in nearly 2,500 acres of rugged land, and they’re about to go belly up. Todd will try to turn around the operation. Will he be able to do it in just six weeks before the winter season sets in?
Rex is an old man who is bitter about never becoming famous and having lived a life without any meaning. After suffering a stroke, he ends up in a nursing home staffed by Latin American immigrants. Put off by the situation, he focuses his energy on getting out, which places him at odds with the Latino workers. However, their relationship takes on new meaning when it is discovered that he once shook hands with Vicente Fernandez, a Mexican singer, producer and actor idolized throughout Latin culture. The employees soon begin to treat Rex like the celebrity he’s always dreamed of being.
It’s vacation time for outdoorsy Chicago man Chet Ripley, along with his wife, Connie, and their two kids, Buck and Ben. But a serene weekend of fishing at a Wisconsin lakeside cabin gets crashed by Connie’s obnoxious brother-in-law, Roman Craig, his wife, Kate, and the couple’s two daughters. As the excursion wears on, the Ripleys find themselves at odds with the stuffy Craig family.
Lillie, a determined American woman, ventures overseas to join Dr. Jude at a remote medical mission in the Ottoman Empire (now Turkey). However, Lillie soon finds herself at odds with Jude and the mission’s founder, Woodruff, when she falls for the titular military man, Ismail, just as the war is about to erupt.
When three redneck brothers agree to help a woman save her son from an abusive father, they become targets on the run from an odd cast of characters.
Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.
To Hell and Back: The Kane Hodder Story is the harrowing story of a stuntman overcoming a dehumanizing childhood filled with torment and bullying in Sparks, Nevada. After surviving a near-death burn accident, he worked his way up through Hollywood, leading to his ultimate rise as Jason Voorhees in the Friday the 13th series and making countless moviegoers forever terrified of hockey masks and summer camp. Featuring interviews with cinema legends, including Bruce Campbell (Ash vs. Evil Dead), Robert Englund (Freddy Krueger), and Cassandra Peterson (Elvira: Mistress of the Dark), To Hell and Back peels off the mask of Kane Hodder, cinema’s most prolific killer, in a gut-wrenching, but inspiring, documentary. After decades of watching Kane Hodder on screen, get ready to meet the man behind the mask in To Hell and Back – an uniquely human story about one of cinema’s most vicious monsters.
About the last two years of movie goddess Jayne Mansfield’s life and the speculation swirling around her untimely death being caused by a curse after her alleged romantic dalliance with Anton LaVey, head of the Church of Satan.
When Duffy Bergman, a New York cartoonist, meets Meg Lloyd, a gourmet chef, he discovers the love of his life and they marry — yet love alone isn’t enough to make them happy. Meg decides she wants to have a baby, a goal that initially makes Duffy frantic, but soon becomes his most important desire as well. When they are unable to have a baby, Meg begins concentrating on her career and the two slowly drift apart — eventually separating. Later, when Duffy is speaking at a convention of the Delta Gamma sorority, he reveals that the Delta Gamma girls have always been his dream girls — his Love Goddesses. There he meets the young and uninhibited Delta Gamma girl, Daphne Delillo. When Daphne moves to New York to work as a network sports reporter, their mutual attraction and Daphne’s spontaneity spark an adventurous new relationship for Duffy. Now Duffy must decide which is more valuable to him — the relationship he has given up, or the relationship he has always dreamed of having.
Two friends, Dan and Pete, move to New York City to discover that the Outer Boroughs, while more affordable than Manhattan, are vastly haunted by all sorts of ghouls, ghosts and goblins. How can Dan and Pete handle power demons and the undead when they can barely pay the rent? Tune in to witness all the horrors that await this supernatural odd couple in…The Outer Boroughs.
Tony Petersen, a married electrician and ex-footballer, goes to university to study English. Petersen is odd man out at the uni. He receives extracurricular help from his stuffy professor’s beautiful lecturer wife in her office. Their get-togethers there are quite rootine. The professor is also seeing one of his students after class. Petersen and the professor’s wife talk about having a baby. But then she accepts an appointment to Oxford, provoking a rage in Petersen…
Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.
Anxious Durga and her friend, Kabeer are running away from their village at midnight. On the same night there is a huge festival happening at the village temple where Goddess Durga is being worshipped. Devotees are offering their body and mind to please their Goddess. At the same time the woman, Durga, faces complete darkness of the night on the highway. Some drivers offer help to Durga and Kabeer to reach the railway station. Their journey filled with darkness and agony is mystical. Devi Durga is the Goddess of power but what about the woman Durga who is in the midst of darkness?
Matthias and Tobias want to cycle from Germany to Vietnam. Their lack of training shows when they start their endeavor in August 2018. Against all odds and without ever losing their humor they push forward to reach that one ambitious goal.
The commander of a Texan fort in the Civil War refuses to surrender to the Northerners, and tries to buy the local Indian tribe chief’s daughter. The sage man refuses, and the Southerners massacre the tribe and abduct the young squaw anyway. The noble squaw manages to escape, and hides out with a rough rancher, who dislikes Indians, but hates the Southerners more. The odd couple joins forces, and tactics, to exert ultimate vengeance on the men at the fort.
A devout upper-class Hindu has a vision in a dream that his daughter-in-law is the human incarnation of the Goddess Kali and begins worshipping her. Preserved by the Academy Film Archive in partnership with The Film Foundation and Merchant Ivory Foundation in 1996.
A woman, thrown into the stay-at-home routine of raising a toddler in the suburbs, slowly embraces the feral power deeply rooted in motherhood, as she becomes increasingly aware of the bizarre and undeniable signs that she may be turning into a dog.
After a ruthless cattle baron announces his bid for governor, four estranged siblings set out on a quest for revenge for the death of their family. Setting aside old feuds and impossible odds, they will face off with a man who owns every gun hand in the territory.
43-year-old Armand Lacourtade, a man who sells farm machines in the country, is getting sick of his homosexual life. When he encounters a young girl called Curly, he changes sides. Chased by her parents and the police, they brave all dangers to live this forbidden love and become an odd couple. But is it really what Armand dreamed about?
ASP Walter IPS, who plays the titular role as a cop, gets the mandatory, yet routine hero introduction scene when a protest turns violent in Kumbakonam. Later, he takes up the case of a couple who seeks his help to find their newborn baby. Walter suspects foul play when he comes across similar cases, and sets out to investigate the crimes, accompanied by his subordinate Paneerselvam. Meanwhile, the ego clash between Eshwaramoorthi, a leading politician in the town, and Bala, who is considered to be his successor, intensifies. Their ego clash brings Balu’s friend Arjun, who is linked to the kids who have gone missing, into the picture. How Walter faces several odds in his attempt to nab a criminal syndicate forms the rest of the story.
When Ruth Matthews’s husband is killed in a fall at an archaeological dig, her daughter Sally handles her father’s death in a very odd manner. As Sally’s condition worsens, Ruth takes her to see Jake, an expert in childhood autism. Jake attempts to bring Sally out of her mental disarray through traditional therapy methods, but Ruth takes a different route. She risks her own sanity by attempting to enter her daughter’s mind and make sense of the seemingly bizarre things that Sally does, including building a wondrous house of cards
When Jonas loses his job at a Hamburg startup company, he doesn’t have the heart to tell his girlfriend Katharina, as her nerves are already on the edge with her final law exams coming up. Every morning he leaves their flat and drift aimless through the metropole on endless underground rides. After a chance meeting with his former boss Marc, Jonas starts to observe the young manager. His curiosity gradually turns into obsession, small and bigger everyday lies become a kind of survival strategy for Jonas. While Katharina notices his increasingly odd behavior, Jonas is losing control over events more and more. Flood deals with feelings of powerlessness of the individual facing a growing competitive and performance pressure. The fear of failing in a perceived competition of life kicks off a spiral of wrong decisions, with no apparent way out. Georg Pelzer’s debut was shot basing on a 20-page plot description, dialogues and actions where improvised with the actors on location.
A novelist moves to a small town to write her next novel. She seeks inspiration and as time goes by she gathers information about her neighbor, a young, wealthy man whom she observes, as well as photographs, from her window. She soon finds herself a suspect in a murder investigation due to suspicious circumstances involving her odd behavior and reclusive lifestyle. She must fight to demonstrate her innocence.
Carl the Gardner grows odd plants for a rich Yankee woman Ellen Bennett living in South America while exercising a mental hold over her. All his previous employers died mysteriously.
Ashes and Embers is an original screenplay by Haile Gerima, about a Vietnam veteran, who, several years after the war, is struggling to come to terms with his role in the war, and his role as a Black person in America. He survives by working odd jobs in Washington, D.C. and living with his girlfriend and her son. When criticism of his alienated behavior come from her and a father figure too often, he runs to the streets or to his grandmother’s rural house in Virginia. Her criticism and his memories of the past both send him fleeing again to Los Angeles, where he is surrounded by superficial people who have forgotten how to be compassionate human beings. It is here that the advice of his friends and grandmother combine to transform him from an embittered ex-soldier to a strong and confident man.
A group of drag-racing fanatics, members of a Los Angeles club, move into an old deserted mansion and set up shop, making it their headquarters. They hold a Halloween masked ball for the club’s grand opening, and invite everyone to come dressed as their favorite monster! Oddly enough, the festivities turn sour when one of the bright youths discovers an impostor among them in the form of an honest-to-gosh live monster who’s been hogging all the dances with the best-looking girls
Sho Aikawa plays a police detective whose dark personal history makes it impossible for him to stay within the limits of the legal system. But he is not just a detective; he is also a husband who has to explain to his wife how he got blood on his sleeve. And the criminals he pursues turn out to be as imperfect and oddly human as he is-and just as determined to protect their own families.
Suitcases of cash fall out of an armored car onto the busy streets, and people go crazy picking it up! Typical loner Jay Kwan (Sing Lam) and his buddy Ang Ray (Neo Yau) are both witnesses, and they’re curious about the incident. They then call up a ‘search team’ on Golden Forum to look into it. Golden Forum Goddess (Larine Tang) is attracted, and joins them. Policewoman Nancy O (Stephy Tang), the money-minded girl Mandy O (Grace Chan)’s sister, is the only one there to guard the money that day even if she’s off duty, and is regarded as a heroine! She’s therefore asked to join the investigation to the case. Police believe that it’s an accident, and it’s difficult to get all the money back, so the investigation should stop. But as the ‘search team’ keep digging, they realize that there’s more than meets the eye…
When the New York City police disrupt a big cocaine deal, the TV news reporters find John Falcone, a local mobster, nearby. They ask some tough questions, and Falcone decides he needs a public relations man to help burnish his image. He hires Todd Barrett, and he keeps Barrett in line with generous helpings of cocaine. Meanwhile, Falcone’s unorthodox, violent, and sadistic methods get him cross-wise with Don Ricci, the boss. A mob war may break out. When Todd’s wife is endangered, can the flack attack back at the racketeers?
Tiku Weds Sheru is a romantic comedy about two quirky characters who dream of becoming film stars. While their romance blooms, they get caught between the chaos of the underworld and drugs, and face one tragedy after the other. Will their relationship survive the odds thrown at them?
In the relentless heat of the gruelling summer, temperatures soar to blistering levels as cicadas emerge to sing their ear-shattering song. Months of continued exposure is enough to make anyone start to feel a little off. Anyone, that is, except that oddity the locals call ‘the Cicada Man’. Who is that strange man and why is he always walking around with boxes full of live cicadas? More important, what does he do with them? As the heat starts to get to our heroine, and her sanity depletes, real life and delusion begin to mix. Her darkest nightmares seep into our world and she fears the Cicada Man has planted his swarm of insects inside her. She must get them out – at all costs. Thus begins her downward spiral into extreme paranoia and self-mutilation. She just needs to make it through the summer.
