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Members of an opera company performing Donizetti’s “Lucia di Lammermoor” find their lives parallel those of the characters.
During a night of 1989, in the middle of the Salvadoran civil war, six Jesuit priests were murdered at the UCA University. The news has an immediate international repercussion since their contribution was key in the foreseeable peace agreement after a decade of bloody war. Who killed them? The government immediately blamed the guerrillas but an eyewitness debunked the official version. Her name is Lucía and she works as a cleaning employee at the UCA. She has seen who were the real killers: the army. Now she will have to choose between testifying for the truth or protecting her family.
A man suffering from insomnia is tricked into buying a drug, Lucia, that makes his desires come true in his dreams, blurring the line between fantasy and reality.
Set in the late 1960s, the film explores the issues of immigration, community values and family devotion through the eyes of a young girl, Lucia, who is left behind with her grandmother while her parents emigrate to France to find work. Lucia pains to be with her family as she struggles to learn her role in the tiny, traditional village under the watchful guidance of her stern grandmother.
In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he is stabbed to death. Carmelo, who secretly loves Candela since he was a boy, is arrested while helping José and unfairly sent to prison. Four years later he is released and declares his love for Candela. However, the woman is cursed by a bewitched love and every night she goes to the place where José died to dance with his ghost.
Lucía and her son live isolated from society in a flat place where there’s practically no life. The small family unit formed by mother and son hardly ever receives visitors, and their goal is to lead a quiet existence. At first they succeed, but the appearance of a mysterious, violent creature that starts stalking their small house will put the relationship that unites them to the test.
Ana escapes from the hotel where she works dressed as a bride and decides that she must get married that same day. She must put everything together before she is caught by Lucia, the owner of the dress, or the police. On this journey Ana reflects on true love,
Lucía (Belén Rueda) is a woman for whom leading a model life and taking control of her life is the most important thing. Since she got married, she has focused all of her efforts on caring for her family, until achieving what for her is a perfect family. However, her entire world begins to collapse with the arrival of Sara (Carolina Yuste), the girlfriend of her son; a young girl with great freedom and without mincing words who has a very different family from what Lucia always dreamed of as a political family. Now, Lucia must accept that the perfect family was not exactly what she thought.
Lucia is a consummate professional and the single mother of Leo, her beautiful and mischievous 6-year-old daughter, who is obsessed with Christmas and believes her birth was due to a Christmas miracle. Between her two full-time jobs (motherhood and architecture), she has neither the time nor the inclination to fall in love again, but when she reluctantly agrees to go on a blind date with Sergio, a handsome and likeable chef, the spark is undeniable.
Small town in Italy, end of the 19th century. Luciano, a drunk, doesn’t fit in the town. Rebelion against authority and a forbidden love makes him to commit a crime accidentally. To pay for his crime, he is forced into exile on the most remote island in the world, Argentina’s Tierra del Fuego. The hunt for the shipwreck treasure hidden on the island becomes his opportunity for redemption.
Anna, Joyce, Claude and Lucia are all students under the tutelage of Constance Dumas, a renowned film instructor. Lucia moves in with the other girls. Soon after, she is attacked on the street outside her home and saved by a mysterious stranger.
In this erotic spy tale private eye Cody Abilene teams up with the Contessa Luciana and policewoman Beverly McAfee to infiltrate a mansion and discover who is sending computer secrets to the Russians.
Convinced the tragic deaths of her loved ones were orchestrated by a famous novelist she worked for, Luciana turns to a journalist to expose her truth.
At Santa Claus School, the principal has called a meeting. Lucia, her parents Julius and Claudia and everyone else at school are excited. But the tension is replaced by a shock when the headmaster cancels Christmas. He seems confused, and it soon becomes clear that he is trapped in a Christmas trauma from his younger days as Santa Claus. Lucia sets out to find out what has happened and with the help of the younger student Elias and a magical time machine, she travels back in time in the hope of saving Christmas.
Lucía, a club dancer on the run, takes refuge in a sinister building on the outskirts of Madrid where her sister Rocío lives with her daughter Alba.
La Traviata, My Brothers and I tells the story of 14-year-old Nour (Maël Rouin-Berrandou), growing up in a housing project in the South of France, with his older brothers, who take turns caring for their ailing mother, who is in a coma. Nour dreams of becoming the new Luciano Pavarotti, inspired by La Traviata, an opera he knows well because his Italian father wooed his North African mother by singing its arias to her. Between his work in the community and rising tensions at home, Nour dreams of escaping to a faraway place. When he crosses paths with Sarah (Judith Chemla, A Woman’s Life, AF FFF17), an Opera singer teaching summer classes, he finally finds the opportunity to come out of his shell and explore new horizons.
Featuring never-before-seen footage, concert performances and intimate interviews, filmmaker Ron Howard examines the life and career of famed opera tenor Luciano Pavarotti.
In 1914, with Italy about to enter World War I, a commune of young artists from Northern Europe establishes itself on the rural island of Capri, a safe haven for dissidents and nonconformists from all over the world, like Russian exiles led by Maxim Gorky, preparing to an upcoming revolution. Here, local girl Lucia meets Seybu, the charming leader of the commune, and Carlo, a young doctor.
Based on Wall Street Journal reporter Deborah Ball’s widely-read book “House of Versace: The Untold Story of Genius, Murder, and Survival”, the movie brings to light the story of Donatella, who, following the brazen murder of her brother, world-renowned designer Gianni Versace (Colantoni) at the height of his success, is suddenly thrust into the spotlight as head designer of his fashion empire. At first ridiculed by critics worldwide, Donatella falls victim to drug addiction and nearly bankrupts the company. With the help of her family, including daughter Allegra, Aunt Lucia (Welch) and brother Santo (Feore), she enters rehab to confront her demons and soon comes back stronger than ever to re-ignite the beloved Versace brand with her own vision and builds one of the most powerful and influential fashion houses ever known.
It’s the ultimate fairytale musical! Barbie stars as Alexa, a shy princess who discovers a secret door in her kingdom and enters a whimsical land filled with magical creatures and surprises. Inside, Alexa meets Romy and Nori, a mermaid and a fairy, who explain that a spoiled ruler named Malucia is trying to take all the magic in the land. To her surprise, Alexa has magical powers in this world, and her new friends are certain that only she can restore their magic. Discover what happens when Alexa finds the courage to stand up for what’s right and learns that the power of friendship is far more precious than magic.
After losing his father, 10-year-old Carlos arrives at the Santa Lucia School, which shelters orphans of the Republican militia and politicians, and is taken in by the steely headmistress, Carmen, and the kindly professor, Casares. Soon after his arrival, Carlos has a run-in with the violent caretaker, Jacinto. Gradually, Carlos uncovers the secrets of the school, including the youthful ghost that wanders the grounds.
A prequel to the first two Underworld films, this fantasy explains the origins of the feud between the Vampires and the Lycans. Aided by his secret love, Sonja, courageous Lucian leads the Lycans in battle against brutal Vampire king Viktor. Determined to break the king’s enslavement of his people, Lucian faces off against the Death Dealer army in a bid for Lycan independence.
Cross is aided by his team of weapons experts Riot, War, Shark, Lucia, Ranger, Saint, Blackfire and Nuke. Their biggest fight is against their most dangerous enemy GUNNAR. A thousand year old Viking that’s cursed to live for ever. Gunnar’s only chance at ending his own life is to be the last living soul on earth. The Cross Team must stop Gunnar before he ends humanity.
When Lucian and Miranda are left alone in an isolated mansion for the weekend, their mutual attraction grows, as does their unease about the whereabouts of Miranda’s ex-boyfriend who may be hiding somewhere in the house.
Death Rides a Horse (aka Da uomo a uomo, or As Man to Man) is a 1967 spaghetti western directed by Giulio Petroni, written by Luciano Vincenzoni, and starring Lee Van Cleef and John Phillip Law. Bill Meceita, a boy whose family was murdered in front of him by a gang, sets out 15 years later to exact revenge. On his journey, he finds himself continually sparring and occasionally cooperating with Ryan, a gunfighter on his own quest for vengeance, who knows more than he says about Bill’s tragedy. The film has lapsed into public domain.
An incestuous love affair. Meme and Jeremias are the younger children in a typical bourgeois family. Their mother Lucia is the dominant force in the household, but her fixation on upholding the niceties of upper middle class life has prevented her from seeing what is going on under her roof. When the siblings’ older brother and his fiancee arrive home for their wedding, it seems inevitable that the concealment will be impossible to sustain. But equally it becomes apparent that if Lucia were to find out about the affair, there would be catastrophic consequences.
Lucía and Ofelia, two sisters, finally meet after 7 years of cold relationships upon Lucia ‘s wedding. But when Juan, Lucia’s husband, and Ofelia meet, they feel like a disruptive fantasy have enchanted their minds and bodies…
Rafael, a Seville citizen who has never left the Spanish region of Andalucia, decides to leave his homeland to follow Amaia, a Basque girl unlike other women he has known.
This Italian-Turkish co-production helmed by genre veteran Antonio Margheriti (using the pseudonym “Anthony M. Dawson”) was cobbled together from a four-part science-fiction miniseries shown on Italian television. In prehistoric times, the muscular Yor (Reb Brown in a loincloth) saves his cave-babe (Corinne Clery) from a dinosaur just before they get zapped into the future to battle bad guys in the familiar desolate wasteland. Genre stalwart John Steiner (Caligole) and the ubiquitous Luciano Pigozzi co-star with Carol Andre.
Sara, Lucía, Sofía and Claudia are sisters, 4 modern women with very different personalities, who come together at their mother’s funeral, after which they discover the man they’ve all called “dad” throughout their lives is not really their father. They embark on a quest to discover who their real fathers are, discovering more about themselves, their mother, and their lives.
