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Suenaga finds his life on the verge of collapsing as violence consumes those around him. However, he finds a worthy opponent in Omura, an up-and-coming wunderkind who is trying to escape his violent past. The men’s fight for redemption culminates in a climatic match brimming with raw, testosterone-fueled emotions. Upholding the Rocky Balboa spirit of learning to get hit and keep moving forward, Underdog is a tough, uncompromising epic that deserves a spot in the pantheon of great boxing films.
Scientists install a micro chip, called Black Cat, inside the brain of a violence prone girl named Catherine in an attempt to refine and control her fits of rage. Their plan is to turn her into the perfect government secret agent “killing machine”.
Mario and Silvia are a typical Montevidean middle class couple, going through the trauma of retirement. Due to Mario’s oversight in what was to be one of his last operations a small dog dies. Shortly after, Mario and Silvia find that thieves have entered their house. They have no choice but to leave and stay at their daughter’s house, where they will enter a spiral of insecurity and paranoia that will drag them to violence and nonsense.
While staying at an isolated island resort, James and Em are enjoying a perfect vacation of pristine beaches, exceptional staff, and soaking up the sun. But guided by the seductive and mysterious Gabi, they venture outside the resort grounds and find themselves in a culture filled with violence, hedonism, and untold horror.
Trapped in a world of perpetual fun and inter-species love ruled by a universal Mother, a teenage boy crosses the forbidden frontier to save his childhood sweetheart and find out where he really came from, as an absurd election leads to chaos and violence.
For fans who love The Walking Dead, THE DAY OF THE LIVING DEAD is another great zombie origin story. Set in Hollywood 1957, a time of glitz and glamour, a time of brains and blood. This movie is full of action, suspense, gore and graphic violence. George A. Lazarus is an insurance investigator who disappears during a routine claim. His heartsick fiancee, Bethany, retraces George’s steps and discovers that the employees George was investigating also all mysteriously disappeared. Now, as Beverly finds herself in the middle of a zombie apocalypse, this simple insurance fraud case may actually be the beginning of the end of the human race.
A young girl recovers her hearing and gains synesthetic abilities during the brutal murder of her family. Finding solace in the sounds of bodily harm, as an adult, she pursues a career in music composing her masterpiece through gruesome murders.
The destinies of hard-luck lowlifes slowly converge and come crashing down: Jung-man barely gets by working at a sauna and taking care of his sick mother until he finds a bag full of cash in the locker room; Tae-young is in trouble after his girlfriend runs away with the money he borrowed from a loan shark. Soon, a dead body mysteriously turns up; Mi-ran, caught between her husband’s violence and a dead-end job as a bar hostess, she finds a young lover, Jin-tae who offers to kill her husband… And now their dog-eat-dog game starts.
When a frightening wave of violence sweeps through New York City, troubled cop Sarchie fails to find a rational explanation for the bizarre crimes. However, his eyes are opened to a frightening alternate reality when renegade Jesuit priest, Mendoza convinces him that demonic possession may be to blame for the gruesome murders. Together, they wage a valiant supernatural struggle to rid the city of an otherworldly evil.
ROAD 2: THE SEA OF GLASS AND FIRE picks up where the first film in the series ends. After the rapture has taken place, JOSH MCMANUS (David A. R. White) is left behind and goes on a journey to find out what has happened and attempts to travel home to find his family. Before he can go anywhere, he is confronted again by the biker gang that harassed him previously and he joins forces with a young girl whose family has been taken up into the sky by God along with other believers. Chasing Josh at every turn is the brutal outlaw HAWG (Brian Bosworth) and his rolling gang of killers. On the day after the Biblical rapture, law and order have broken down – the highways have become a no-mans-land of bandits and looters. Josh’s world has been shaken to the core, and he must make a choice, embrace his past as a man of violence, or learn a new path and become a man of faith. Which will he choose?
Inspired by true events, a friendship rivalry between three high school girls escalates into a shocking act of violence, and soon one of them is dead. Now the dead girl’s mom is determined to find her missing child… and get justice for her daughter.
A young junior hockey player’s life is shattered by an in-game act of violence. In an instant his life is abruptly turned upside down; torn from the fraternity of the team and the coinciding position of prominence, he is cast as a pariah and ostracized from the community. As he struggles with the repercussions of the event, desperate to find a means of reconciliation and a sense of identity, his personal journey ends up illuminating troubling systemic issues around violence.
A homeless man (Kevin Kenny) begins a killing spree on the streets of New York City. Completely deranged and barely aware of his own identity, he makes little attempt at concealing his actions. But in a city with 50,000 homeless citizens, our killer finds himself effortlessly camouflaged. Steel yourself for a non-stop onslaught of violence and disgusting imagery. Blending horror, drama, and dark comedy, Crazy Murder is a disaster film at its core – featuring a tornado of death, a tsunami of blood, and a volcano of faeces.
In this poetic, richly allegorical debut by Colombian director William Vega, a teenage girl flees to a rundown inn after being driven from her home in the Andean highlands by civil war, as the violence engulfing the country creeps ever closer to her remote refuge. (TIFF)
A kindergarten principal finds a series of morbid cartoons drawn by a docile pupil. A porn actor struggles to rise to the occasion while filming his first porno. A middle-aged nightclub bouncer faces off with a rebellious teenage stripper. Director Ken Kwek tells three iconoclastic stories in a short film that pitches political correctness out the window of Singapore mainstream cinema.
Got My Hustle Up is about a young man forced to grow up quickly after his father is killed. Growing up fast in Dayton, OH he’s surrounded by violence and the drug life. He wants to be a good father to his son but struggles to support him on his salary as a pest control technician. Jason and his partner Boo Pac find themselves dealing with crazy customers and a crooked boss. Eventually he’s face to face with the man responsible for his father’s death. Jason wonders if the gaining money, power and respect are worth more than loyalty to his father.
Max “Adlersson” Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees – Max is a YouTube creator and makes a decent living off of it. Most of Max’s friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.
Narcotics investigator Herbert Strähl is engaging in a fierce and seemingly hopeless battle against the drug scene on Langstrasse in Zurich. Carol is a wild young drug addict. Strähl’s problems really begin when he falls in love with her. In his attempt to get Carol out of her disastrous environment, he increasingly finds himself in danger of falling into a vortex of dependence and violence.
Berlian and her teenage daughter Daya are on the run from political violence. Constantly daydreaming that her absent father will return, young Daya chafes under the stern hand of her mother. Forced to move inland from their seaside home to a desert of constantly shifting sands, the pair settle down to their familiar antagonism. Finally, Daya sees a vaguely familiar face shuffle in from across the wasteland.
Kaleab and Jemal are two who are willing to endure any travail to reach America and what they deem as a promise of a better life, but is it? Along the way Kaleab meets Winta, who is from neighboring Eritrea and on a similar journey as Kaleab. Kaleab and Winta fall in love with each other as the group of Ethiopians and Eritreans travel an arduous and illegal path from East Africa through Libya, Italy, Mexico and finally to America, but their love for each other is tested thoroughly as the group meets up with violence, sickness and, ultimately, tragedy.
A faith-based action movie about a woman who faces a choice between her abusive, drug-dealing husband and her unborn baby on the way. Her world is full of sex, drugs, money, and power, with violence an ever-present threat. On the mean streets of Atlanta, the expectant mother finds that only spiritual awareness and the Four Horsemen of the Apocalypse can help her escape the madness. Dark Angels was written, produced, and directed by David Wadley, featuring A.J. Johnson (Friday, Menace II Society). Dark Angels is available on multiple streaming services, including Prime Video and Tubi.
In 1970, hundreds of hippies followed Stephen Gaskin on a journey from San Francisco to Tennessee, where they founded a legendary commune known as the Farm. Within this self-sustaining society based on non-violence, vegetarianism and respect for the earth, members willingly took a vow of poverty, lived in converted buses, grew their own food and home-delivered babies. Born and raised in this alternative community, filmmakers and sisters Rena and Nadine return for the first time since leaving in 1985. Finally ready to face the past after years of hiding their upbringing, they chart the rise and fall of America’s largest utopian socialist experiment and their own family tree. The nascent idealism of a community destroyed, in part, by its own success is reflected in the personal story of a family unit split apart by differences. American Commune finds inspiration in failure, humour in deprivation and, most surprisingly, that communal values are alive and well in the next generation.
Martin leaves his protective parents’ home and comes to Berlin as a law student with high hopes. He finds a tiny, run-down flat in a strange, dark apartment block, from which the previous tenant has disappeared without a trace. Having no luck with social contacts at the university, Martin quickly falls for his mysterious landlady Simone, who lives just next door behind a thin wall. Hoping to find trust and intimacy, Martin loses himself in the house’s disturbing world of sex and violence. Deep in the walls, Martin discovers the true horror of his first love.
With its armies sweeping across the continent, the Empire seems unstoppable. After securing victory over the remnants of the Republic’s army, the Empire’s ultimate victory is finally within reach. However, dark clouds are gathering in the East. The communist-led Russy Federation is mustering troops on its western border, preparing to enter the war. Supported by a detachment of Allied volunteer magicians—among whom is Mary Sioux, the daughter of a soldier killed by Tanya—the Federation is determined to spread the communist creed and bring the Empire to its knees.
Meanwhile, Tanya and her battalion return to the imperial capital from the southern front. Upon their arrival, they are tasked with investigating troop movements on the border with the Federation. Any escalation of violence at this point may lead to new conflicts, plunging the world into a global war.
Will the Empire eventually emerge victorious from its struggle, or will it crumble in the face radically different ideologies?
Carol Bailey is buckling under the weight of financial pressure, family responsibilities and his own ambition and desires. After endless parties, too many dead end jobs and family arguments, Bailey becomes Self-Destructive. Resorting to violence and severing all ties of friendship and love, Bailey enters a world where his friends are unable to follow. After a self-imposed exile Bailey returns to London to apologise, things have changed. Not everyone is sympathetic to his sudden re-appearance and there are others who will stop at nothing to make Bailey’s life a living hell. Faced with a relationship lost amongst affluence and drug fueled parties, Bailey must accept his own limitations and confront the demons of his past.
Animals attacks, says the TV news. But two ex-security agents know the real cause – maybe the real culprits. Shahrokh and Argenta are former employees of a company they knew to be conducting bizarre medical experiments. What has resulted are not animals attacks, but attacks by humans turned into vicious, decomposing, cannibalistic zombies. Their efforts to stem the violence in vain, hunted by the authorities, Shahrokh and Argenta escape the city just as it is engulfed in chaos. Their only hope lies in finding and organizing the few remaining survivors. What they find – three women claiming to be vampires with high-tech weaponry, a deranged and washed-up Mexican wrestler, a wounded soldier, and a scientist who may know more than he lets on – offer more questions than answers. Can this tiny cadre hope to defeat an army of the undead? And if they succeed…will there be anyone left alive?
In this two-part Channel 4 series, Professor Richard Dawkins challenges what he describes as ‘a process of non-thinking called faith’. He describes his astonishment that, at the start of the 21st century, religious faith is gaining ground in the face of rational, scientific truth. Science, based on scepticism, investigation and evidence, must continuously test its own concepts and claims. Faith, by definition, defies evidence: it is untested and unshakeable, and is therefore in direct contradiction with science. In addition, though religions preach morality, peace and hope, in fact, says Dawkins, they bring intolerance, violence and destruction. The growth of extreme fundamentalism in so many religions across the world not only endangers humanity but, he argues, is in conflict with the trend over thousands of years of history for humanity to progress to become more enlightened and more tolerant.
A group of young activists set out to make an environmental statement by vandalizing a home superstore as it closes. But their plan goes terribly wrong when they become trapped inside and must face a deranged security guard with a gruesome passion for primitive hunting. As the night fills with violence and terror, the teenagers find themselves in a desperate fight for their lives.
Dominique, a well-trained assassin, flees from her troubled past in an attempt to begin a new life in South America. However, she soon finds herself in a town plagued with violence and corruption. Facing brutal attacks from the police and mafia, Dominique must decide whether to protect herself or an innocent family that has taken her in.
Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits – mostly working class, mostly self-educated – adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.
Following a brawl, Captain Ignat, who is traumatised by the death of his daughter, is ordered together with a regular soldier to find a deserter and bring him back via Moscow to stand before a military court. Although they locate the young soldier, their journey across the wintry moloch that is Moscow is slow and tortuous. Before long, the unlikely trio find themselves drawn into a chaotic maelstrom of violence, corruption, criminality, degradation and squalidness. In the face of the monstrous malaise and everyday horror of life in Russia, the gradual breakdown of the film’s anti-hero becomes a metaphor for Russian society.
Four years after the events of Halloween in 2018, Laurie has decided to liberate herself from fear and rage and embrace life. But when a young man is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.
A tale of love and violence when a man on his emotional last legs finds a savior seductively dancing in a run-down strip club. And a life most certainly headed off a cliff suddenly becomes redirected – as EVERYTHING is now worth dying for.
A whisper among the sprawling forests and mill towns of central Newfoundland. A body found on the side of a river brings together a reclusive fur trapper and a heartsick mother-to-be. Scott is lonely and desperate to give himself meaning. Mona is strong-willed, but frustrated by her fragility. As a reluctant dependence blossoms the pair find themselves wading into violence, answering for the debts of a dead man. Stalked by outlaws, they plan an exit.
Mouse desperately wants to join The Midnight Clique, the infamous Baltimore dirt bike riders who rule the summertime streets. When Midnight’s leader, Blax, takes 14-year-old Mouse under his wing, Mouse soon finds himself torn between the straight-and-narrow and a road filled with fast money and violence.
Dark City Beneath The Beat is an audiovisual experience that defines the soundscape of Baltimore city. Inspired by an all original Baltimore club music soundtrack, the film spotlights local club artists, DJs, dancers, producers, and Baltimore’s budding creative community as they are realizing their life dreams. Rhythmic and raw, these stories illustrate the unique characteristics of the city’s landscape and social climate through music, poetry, and dance. From the city’s social climate to its creative LGBTQ community, Dark City Beneath The Beat showcases Baltimore club music as a positive subculture in a city overshadowed by trauma, drugs, and violence.
Set on computer screens and found footage style content, the movie follows six actors who decide to shoot their own horror movie as their hit TV show is on the brink of cancellation. In their search for a plot, they unintentionally summon a spirit with an affinity for violence, who starts picking them off one by one.
After leaving a life of crime and violence, Ray is a reformed good guy, enjoying a quiet family life in the ‘burbs. But when his past is discovered, Ray is blackmailed into one last job to collect a mysterious package. After a deadly double-cross, he finds himself wounded and on the run from ruthless assassins who will stop at nothing to get what he has. Now, with the lives of his loved ones hanging in the balance and danger at every turn, Ray’s only hope is to draw upon his violent past to survive.
An ordinary guy suddenly finds himself forced to fight a gladiator-like battle for a dark website that streams the violence for viewers. Miles must fight heavily armed Nix and also save his kidnapped ex-girlfriend.
