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Laura (Florencia Colucci) and her father Wilson (Gustavo Alonso) arrive at a cottage off the beaten path in order to repair it since its owner (Abel Tripaldi) will soon put the house on sale. They will spend the night there in order to start the repairs the following morning. Everything seems to go on smoothly until Laura hears a sound that comes from outside and gets louder and louder in the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own waiting for her father to come down. The plot is based on a true story that occurred in the 1940s in a small village in Uruguay. La casa muda focuses on the last seventy eight minutes, second by second, as Laura tries to leave the house unharmed and discovers the dark secret it hides.
A killer stalks a composer staying at a posh Tuscany villa while writing the score to a horror film which has an incriminating clue to the killer’s identity.
Italy, 1947. Attilio is a Fascist and disgraced former movie star. Out of desperation, he joins a band of robbers for a heist. After the robbery, Attilio and the robbers take refuge in a house that proves to be deadly.
When a rapper-turned-teacher brings hip-hop to a community center in an impoverished area of Casablanca, his tough methods spark an explosion of talent.
A loss and a secret from the past put in crisis a an apparently perfect family.
In hellish Casablanca, a car-crash sets ablaze a burning, passionate love story between has-been rocker Larsen and the streetwise amazon Rajae. An unspoken trauma is their common history; rock n’ roll their mutual saviour. Larsen’s snakeskin-covered guitar and Rajae’s liquid gold voice could be heaven, if only everything from his drug-induced visions to her music-buff pimp didn’t get in the way. The only hope for their blooming romance is to skip this ferocious town. Is there a way out of this crazy Moroccan underworld with its menagerie of sadistic cops, venomous snakes, metal concerts and shotgun-wielding modern-day Calamity Janes? For these punk Romeo and Juliet, maybe the answer lies in a song – the one they’ve been writing and dreaming together : Zanka Contact
The Marx Brothers are employed at a hotel in postwar Casablanca, where a ring of Nazis is trying to recover a cache of stolen treasure.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
The film focuses on the icon of Hollywood’s golden age, Humphrey Bogart, and is framed around his relationships with the five formidable women in his life – his mother and his four wives, including Lauren Bacall. Featuring unprecedented access to rare footage from the estate, and narrated exclusively in his own words, ‘Bogart: Life Comes in Flashes’ explores his journey to become the of star of timeless classics ‘Casablanca,’ ‘Maltese Falcon’’ and ‘The Big Sleep.’ Each relationship offers a deep and intimate understanding of a man for whom stardom was hard won and much deserved.
A fantastic journey through the world of Renato Casaro, one of the most important illustrators that the world’s film poster industry has ever known.
Kaj, Lennart and Robert are 30-somethings who go out to dance every weekend. At one dance they meet Inger, whom Kaj falls in love with. Kaj has some friends who are playing in a band. The drummer Tommy is known for being the local Casanova, seducing women when ever he gets the chance. It doesn’t take him long to have an affair with Inger, behind Kaj’s back.
After many years of rambling across Europe the aging Giacomo Casanova is impoverished. He wants to return to the Republic of Venice but he doesn’t dare going there directly because he was a fugitive when he left. While he tries to find a way to get a pardon he meets a young lady named Marcelina. The more he shows his affection, the more ostentatiously she rejects him. Even so he doesn’t give up on her because her lover Lorenzo has grave gaming debts. In return for the required money Lorenzo tells Casanova about a looming secret rendezvous with Marcelina. Moreover he lets Casanova take his place. Undercover of the night Casanova finally seduces her. Lorenzo later feels his honor was besmirched and demands satisfaction. Casanova kills him in a duel and then goes home to Venice.
Exiled from his beloved Venice, Giacomo Casanova flees to Paris at the dawn of the Enlightenment in hopes of putting his reputation as a playboy behind him. But old habits die hard, and temptation is everywhere as Casanova finds a wealth of new opportunity and trouble.
Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.
A neurotic film critic obsessed with the movie Casablanca (1942) attempts to get over his wife leaving him by dating again with the help of a married couple and his illusory idol, Humphrey Bogart.
As a privileged teenager living in an affluent suburb of Rio de Janeiro, Jean has little to worry about beyond games, grades and girls. But as his overbearing father drags the family into debt, Jean is forced into a change of lifestyle which opens his eyes to the world beyond his ‘casa grande’ – not least that of the feisty, mixed-race firecracker Luiza. Cultures, classes and generations collide in this engrossing coming-of-age drama from Brazil.
With a reputation for seducing members of the opposite sex, regardless of their marital status, a notorious womanizer discovers a beauty who seems impervious to his charms. However, as he continues to pursue the indifferent lady, he finds himself falling in love.
Quatro amigos que só pensam em curtir a vida, com grandes farras, mulheres e bebidas, são surpreendidos com uma ação de despejo. Precisando de dinheiro, a turma é obrigada a pensar naquilo que mais abominam: trabalhar! A confusão está formada quando cada um busca um meio fácil de conseguir dinheiro, com o mínimo de esforço. Os dias se passam as confusões hilárias só aumentam!
A house by the sea has stood vacant for many years, after misfortune befell several owners, which an artist painting the house explains to a passergy. A cross-editing of principal material from two Chilean films, LA CASA ESTA VACIA and LA DAMA DE LA MUERTE, with the addition of new American-made footage, to create a single story.
The Louisiana wedding of debutante Phoebe Ann Naylor to Don Andrea de Baldasar, El Duce de la Casala is stopped by the Cavalry over a matter of honor. Don Andrea flees across the river to Texas, where he meets up with Sam Hollis and his Indian sidekick, Kronk, who are carrying rifles to the town of Moccasin Flats. Don Andrea rescues an Indian maiden, Lonetta, tames some longhorns, competes with Sam for Phoebe’s affections, eludes a Comanche war party and the cavalry (who have come to Moccasin Flats to celebrate Texas’ statehood) and ultimately saves the town and gets his girl.
It’s the end of summer vacation for Amin. The young photographer spends cozy evenings with Charlotte, the ex-girlfriend of his Casanova cousin. She talks to him about literature, he photographs her. Nobody knows that they see each other, especially not Ophélie, his childhood friend, who instead confides her troubles to Amin : her father wants her to take over the family farm, her fiancé Clement will return soon from Iraq for their wedding, she is pregnant with Tony’s baby, and Tony wants to keep their affair secret instead of having a serious relationship. Ophélie constantly contemplates her choices : would it be better to get an abortion in secret and marry Clement or to follow her maternal instinct and keep the child, perhaps seeking refuge with Amin in Paris?
Memoirs of the Italian Opera by the singers and musicians of the Casa Verdi, Milan, the world’s first nursing home for retired opera singers, founded by composer Giuseppe Verdi in 1896. This documentary, which has achieved cult-like status among opera and music lovers, features former singers who reminisce about their careers and their past operatic roles.
Abla runs a modest local bakery from her home in Casablanca where she lives alone with her 8-year-old daughter Warda. Their routine of housework and homework is interrupted one day by a knock on the door. It is Samia, a young woman looking for a job and a roof over her head. The little girl is immediately taken with the newcomer, but her mother initially refuses to allow a pregnant stranger into their home. Gradually, however, Abla’s resolve softens and Samia’s arrival begins to offer all of them the prospect of a new life.
A Beautiful Imperfection tells the empowering story of Lucia, Giacomo Casanova’s only great love, who leaves Italy for Amsterdam after her face has been disfigured by smallpox. Sixteen years later, they meet again when she has reinvented herself as a veiled courtesan now known by the name of Galathée. Without revealing her true identity or showing her face, Lucia and Giacomo become lovers once again. Will Lucia dare to reveal herself and turn her weakness into her strength so that she can be truly free in the eyes of her great love?
In the period between 1988 and 1989, a well known radio reporter in San Cristóbal de las Casas, Chiapas, killed a girl of four years, shocking the town folks. Exergo is the experimental exploration of such events, based on real police archives.
A look at the life and work of the Austrian composer who pioneered the musical scoring of films – hundreds of them – from King Kong, to Gone with the Wind, to Casablanca and beyond.
A father and son in the suburbs of Casablanca get by on petty crimes for a local mob. When a kidnapping goes wrong, they must find a way to dispose of the body. Trapped in a long night, they have no idea what awaits them.
The story of Roman Compte, a Cuban exile and general manager of The Mutiny Hotel, the glamorous epicenter of the Miami cocaine scene of late ’70s and early ’80s. The Mutiny Hotel was Casablanca on cocaine.
Ali, Kwita, Omar and Boubker are street kids. The daily dose of glue sniffing represents their only escape from reality. Since they left Dib and his gang, they have been living on the portside of Casablanca. They live in constant fear of Dib’s revenge. Ali wants to become a sailor – when he was living with his mother, a prostitute, he used to listen to a fairy tale about the sailor who discovered the miracle island with two suns. Instead of finding his island in the dream, Ali and his friends are confronted with Dib’s gang. Matters are getting serious.
When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo – Carandiru, he meets the future victims of one of the darkest days in Brazilian History when the State of São Paulo’s Military Police, with the excuse for law enforcement, shot to death 111 people. Based on real facts and on the book written by Dráuzio Varella.
A biopic of 1970s record producer Neil Bogart, co-founder of Casablanca Records.
In 1994 Nicole Brown Simpson and her friend Ronald Goldman were brutally murdered in her Los Angeles home by whom most believe to be O.J Simpson. But what role did Glen Rogers, also known as the Casanova Killer play in their death?
The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.
17-year-old Cyril is funny, smart and an all-round good guy. Just his somewhat overlarge nose spoils the picture. On a school trip to Berlin with Roxy, a stunning new classmate, Cyril is not the only one taken with her. Benno, the class Casanova has his eye on the girl too and makes a nasty wager. Roxy is more interested in the introverted Rick, who is not only shy but also slow. Cyril hastens with his spoken word skills to Rick’s aid, and falls head over heels in love with Roxy himself. So whose brave heart will win the fair lady?
