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A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful “instincts” guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man’s youthful nature and love.
After a truly trash year, actor, producer, and New York Times bestselling author Phoebe Robinson is finally out of quarantine and ready to get back onstage. Bringing her signature brand of authentic confessional humor to her first-ever solo stand-up special, Robinson gets real about therapy, interracial dating, reparations, hanging out with Michelle Obama, aging out of watching civil rights movies, and more in a no-holds-barred hour of comedy that’s both unflinchingly honest – and uniquely hilarious.
The 37th Annual Rock & Roll Hall of Fame Induction Ceremony take place on Saturday, November 5, 2022 at Microsoft Theater in Los Angeles, California. This year’s Performer Inductees are Pat Benatar, Duran Duran, Eminem, Eurythmics, Dolly Parton, Lionel Richie, and Carly Simon. Judas Priest and Jimmy Jam & Terry Lewis will receive the Musical Excellence Award, Harry Belafonte and Elizabeth Cotten the Early Influence Award, and Allen Grubman, Jimmy Iovine, and Sylvia Robinson the Ahmet Ertegun Award.
Before MTV and the age of television, there were Soundies. First appearing in 1941, these three minute black-and-white films featured artists of the Big Band, Jazz and Swing era, like Duke Ellington, Count Basie, Louis Jordan, Louis Armstrong, Gene Krupa, The Mills Brothers, Les Paul, Cab Calloway, and Fats Waller. The Soundies helped launch the careers of Doris Day, Nat King Cole, Liberace, and Dorothy Dandridge, among others. Viewed for a dime through a special machine called a Panoram, a movie jukebox, these forerunners to the music video could be seen in nightclubs, roadhouses, restaurants and other public venues across the U.S. These classic films remain as glorious time capsules of music, social history, popular culture, and tell the story of a crossroads in our country, when the uncertainties of war, race relations, and emerging technologies combined to write one of the most influential chapters in our nation¹s history.
Admiral Isoroku Yamamoto (1884-1943) was the Japanese Naval commander who was given the order to attack Pearl Harbour, an order he was duty bound to obey which went against his own personal beliefs. While this infamous attack is a low point in Japanese and US history it wouldn’t have happened if the Japanese government had listened to Yamamoto in 1939 and searched for a more peaceful way to end their war campaign, proving his many ominous presages of the outcomes of the attack to come true.
Humble, unassuming Ma and timid Cao have been cast off by their families and forced into an arranged marriage. They have to combine their strength and build a home to survive. In the face of much adversity, an unexpected bond begins to blossom, as both Ma and Cao, uniting with Earth’s cycles, create a haven for themselves in which they can thrive.
In the Ming Dynasty, there lives four orphans, Ying, Sao, Yuanlong and Niehu. Raised in Taoyuan Village, the four are as closed as brothers. Their exceptional martial arts skills allows them to reach the highest rank within the imperial guards. After the four successfully killed the Japanese troop leader, the Emperor orders Ying to escort the Golden Wheel of Time from Sindu (now India) back to the capital, which is said to have the power of time travel and foresee into the future. Now in 2013, Squire Tang, funded by a mysterious financer, digs up three ancient icemen from the outskirt of China; they are Ying, Sao and Niehu. As he is transferring the icemen to Hong Kong for further studies, the vehicle involves in a traffic accident which, unexpectedly, defrosts Ying…
Recounts the dramatic story of the April 2013 terrorist attack at the Boston Marathon through the experiences of individuals whose lives were affected. Ranging from the events of the day to the death-penalty sentencing of Dzhokhar Tsarnaev, the film features surveillance footage, news clips, home movies and exclusive interviews with survivors and their families, as well as first responders, investigators, government officials and reporters from the Boston Globe, which won a Pulitzer Prize for its coverage of the bombing. In the wake of terrorism, a newlywed couple, a mother and daughter, and two brothers – all gravely injured by the blast – face the challenges of physical and emotional recovery as they and their families strive to reclaim their lives and communities.
Robin Hood steals from the rich and give to the poor, and needs the help of Tom and Jerry! Your favorite daring duo aims to beloved medieval tale in a new film is all for one and one for all!
‘Who the Fuck is That Guy’? The Fabulous Journey of Michael Alago tells the astonishing story of a gay Puerto Rican kid growing up in a Hasidic Brooklyn neighborhood, who got on the subway one day and began a musical odyssey that helped shape the musical landscape across N.Y.C. and around the world. Directed by Drew Stone and produced by Michael Alex the film tells the incredible story of a cherished New York City icon. From rubbing elbows with N. Y. scene makers as an teenager at Max’s Kansas City and CBGB, to being the architect of a rock ‘n’ roll renaissance as the 19 year-old talent booker at the legendary Ritz, to making history as a 24 year-old A&R exec, signing the biggest metal band in a generation in Metallica, Michael Alago was on fire.
In July 1945, during the end of World War II, Japan is forced to accept the Potsdam Declaration. A cabinet meeting has continued through days and nights, but a decision cannot be made. The U.S. drops atomic bombs on the cities of Hiroshima and Nagasaki, Japan. General Korechika Anami is torn over making the proper decision and the Emperor of Japan worries about his people. Prime Minister Kantaro Suzuki leads the cabinet meeting, while Chief Secretary Hisatsune Sakomizu can’t do anything, but watch the meeting. At this time, Major Kenji Hatanaka and other young commissioned officers, who are against Japan surrendering, move to occupy the palace and a radio broadcasting station. The radio station is set to broadcast Emperor Hirohito reading out the Imperial Rescript on the Termination of the War.
Beijing, the present day. Popular TV personality Da Peng (Da Peng) is invited by gangster businessman Wang Hai (Liang Chao) to make a film in which he will invest. Wang insists that Da Peng’s co-star is TV drama actress Du Xiaoxiao (Yuan Shanshan). However, after a nightclub scandal involving Da Peng goes viral, he’s blackballed by a powerful internet executive (Charles Zhang) and finds himself unable to attract any male co-star. Wang also wants his investment back. Da Peng decides to make his own movie on the cheap, using a script he has about an alien, A Li, who arrives on Earth and has various adventures as a superhero.
A mischievous nine-year-old girl’s quick and simple get-rich-quick scheme hits an unexpected hitch when she incurs the wrath of a powerful gangster who is determined to hold onto his money in director Dan T. Hall’s fast-paced family comedy. Molly Thompson has been sent to the principal’s office yet again. A computer savvy pre-teen with a terminal case of curiosity, Molly intercepts an e-mail from a supposed Nigerian diplomat offering $3 million to anyone who can help him transport some stolen funds. When Molly combines her keen business sense with her nine-year-old brother Alex’s killer skills at the keyboard, it appears as if the entrepreneurial siblings have netted their first cool million. Their celebration is cut somewhat short, however, upon learning that the fraudulent e-mail was not actually from a Nigerian diplomat in genuine need of help, but an international mobster whose clever scheme has pulled in piles of cash.
Outrageous, misogynistic and vulgar-to-the-max comedian Andrew Dice Clay does his stuff in this combination stand-up concert video and series of comedy sketches. The sketches, demonstrating that The Dice Man used to be a klutzy wimp, begin the film which then jumps into a filled-to-capacity performance at Madison Square Gardens. The film contains strong profanity, blatant racist remarks, graphic references to sex and other “adult” subjects.
Rishi (Ravi Teja) is an inspector in the Intelligence Bureau. His colleagues fondly call him ‘Mirapakaay’. The chief of the IB, Narayana Murthy (Nagababu) gets information that Kittu Bhai (Prakash Raj), a mafia don, is trying to spread his tentacles in India and is targeting Delhi first. During the course of the investigation, ACP (Sanjay Swaroop) is killed by Shankar (Kota Srinivasa Rao), a local goon with the help of his son (Supreet). Murthy sends Rishi to Hyderabad and gets him admitted to a college as a Hindi lecturer as part of an undercover operation. Rishi meets Vinamra (Richa Gangopadhyay) at a temple & falls in love at first sight. Incidentally, she studies in the same college and in the same class to which Rishi teaches Hindi. Their love blossoms. At this juncture, Vaishali (Deeksha Seth), daughter of Kittu Bhai, joins the same college. Grabbing the opportunity, the IB chief asks Rishi to extract information about Kittu from Vaishali.
Lt. Joe Hoffman (Hatch) is a Vietnam veteran who, many years after the end of the war, decides to go back to the “Golden Triangle” to find his lost love, Michelle Twassoon (Mitchell-Collins). She was an interpreter during the war, and they fell in love. They even had a precocious, squeaky-voiced son together. But trouble looms for Hoffman in the form of Larry Bingo (Max) – yes, LARRY BINGO is his name. He’s a disgraced army dude who was kicked out of the service for raping one of the locals back during the war. Now he’s a drug runner along with his compatriots Snake (Pollard) and Bandit (Dye). Coincidentally, they run into Hoffman now, in the present day, and, seeing as how Hoffman was Bingo’s commanding officer, and was largely responsible for his dishonorable discharge, Bingo now wants revenge.
Mozart’s Marriage of Figaro is a comedy whose dark undertones explore the blurred boundaries between dying feudalism and emerging Enlightenment. Herman Prey’s Figaro is admirably sung in a firm baritone and aptly characterized. So too, is his antagonist, Dietrich Fischer-Dieskau as the Count perpetually frustrated by the scheming wiles of Figaro and Susanna, here the perky Mirella Freni, who sings and acts like a dream. The Countess is creamy-voiced Kiri Te Kanawa, and the Cherubino, Maria Ewing, looks just like the horny, teenaged page she’s supposed to be. The all-star leads are complemented by worthy supporting singers, the Vienna Philharmonic at the top of its form, and the experienced Mozartian, Karl Böhm conducting a stylishly fleet performance.
Part-thriller, part-nightmarish examination of the widening gap between originality and technology, The Removals imagines where we go from here. A secretive, nefarious agency seeks to control the culture. They do this by covertly staging reproductions of everyday events, and by so doing, undermining the moment’s originality and currency. Society is then left to puzzle over what might be real, and what is fake. The agency employs symbols—like the fascists, like imperial powers of the past—notably a red cone, to plant their flag upon the moment. Two agents, Kathryn and Mason, exhausted by the toll each removal has taken from them, quietly, and then overtly, set out to undermine the agency. Haunting, engaging, and with a ferocity of vision that calls to mind the cerebral thrillers of Shane Carruth, David Lynch, or Andrei Tarkovsky, Nicholas Rombes’s directorial debut is a spellbinding new work and apt analogy for the wormhole where modern social communication leads.
Down and out Stan and Ollie beg for food from a friendly old lady who provides them with sandwiches. While eating, they overhear the lady’s landlord tell her he’s going to throw her out because she can’t pay her mortgage. They don’t realize that the old lady is really rehearsing for a play. Stan and Ollie decide to help the old lady by selling their car. During the auction a drunk puts a wallet in Stan’s pocket. Ollie accuses Stan of robbing the old lady, but when the truth is revealed Stan takes revenge on Ollie.
The first definitive feature documentary to lend new and compelling perspectives on the partnership, both professional and personal, of director James Ivory, producer Ismail Merchant, and their primary associates, writer Ruth Prawer Jhabvala and composer Richard Robbins. Footage from more than fifty interviews, clips, and archival material gives voice to the family of actors and technicians who helped define Merchant Ivory’s Academy Award-winning work of consummate quality and intelligence. With six Oscar winners among the notable artists participating, these close and often long-term collaborators intimately detail the transformational cinematic creativity and personal and professional drama of the wandering company that left an indelible impact on film culture.
With searing insight that shines light in dark corners, EATING OUR WAY TO EXTINCTION is a compelling feature documentary that opens the lid on the elephant in the room no one wants to talk about. Confronting and entertaining, this documentary allows audiences to question their everyday choices, industry leaders and governments. Featuring a wealth of world-renowned contributors including Sir Richard Branson and Tony Robbins, it has a message of hope that will empower audiences.
Robinson is a doctor and unlike Robinson Crusoe, his solitude is voluntary but his island in the Mediterranean Sea is invaded by migrants, NGOs, guards. Friday is a castaway, the only one from his boat to have survived when sailing from Africa to Italy. During his strolls on the island, Robinson confronts his own solitude by keeping a diary – that works like augmented reality – filled with extraordinary beings and events, which both fill and trouble his daily life.
Donatella is a simple and honest roman girl, daughter of a bookbinder and girlfriend of Guido, a gas station owner. One day she finds a woman’s handbag containing valuables and documents, and decides to return it to her owner, a wealthy American lady, who offers Donatella a job as a secretary as a reward: she has to manage the lady’s villa during her absences. There, Donatella casually meets Maurizio, a rich, elegant and well-educated young man, and ends up falling in love.
Based on the infamous novel by Leopold Sacher-Masoch this fine film follows the perverted passions of a young couple as Severin watches the beautiful Wanda writhing naked amongst furs. His disturbing peeping tomism triggers off a whirlpool of emotions due to a childhood episode which punishes voyeurism with pain.
Hans Zimmer is one of the most successful film music composers working today. His multi-award winning career reaches back to the mid-eighties and he has developed close working relationships with renowned directors such as Ridley Scott, Tony Scott, Michael Bay, Ron Howard, Gore Verbinski and Christopher Nolan. His credits include some of the biggest blockbuster movies of all time along with acclaimed TV series such as The Crown and Planet Earth II. This concert was filmed on 7th May 2016 in Prague during Hans Zimmer’s hugely successful European concert tour. Hans was accompanied by a band, orchestra and choir, 72 musicians in total, including guitarist Johnny Marr. The staging was spectacular with a ground breaking light show, stunning visuals and a state of the art sound system. Hans Zimmer performs on multiple instruments and gives introductory insights to many of the pieces during the concert. This show is a treat for lovers of both great music and great movies.
The 2023 SummerSlam is the upcoming 36th annual SummerSlam professional wrestling pay-per-view (PPV) and livestreaming event produced by WWE. It will be held for wrestlers from the promotion’s Raw and SmackDown brand divisions. The event is scheduled to take place on Saturday, August 5, 2023, at Ford Field in Detroit, Michigan, returning the event to its traditional August slot after the previous year’s event was held in July. This will also be the first SummerSlam to be livestreamed on Binge in Australia. This also marks WWE’s first event to be held at Ford Field since WrestleMania 23 in April 2007, and the first SummerSlam to be held in Michigan since 1993.
Death Rode Out of Persia is the story of a writer who realises after three years of heavy drinking that he has to get down to some serious work or risk having no money to continue his bingeing. So he starts a romantic novel in which the principal character (the writer’s young alter ego) must choose between the love of a woman and his addiction to cigarettes and alcohol. According to the director, the film “was produced on a very small budget, but the friendship between the crew allowed them to overcome the initial obstacles.
Good and sinful are two sides of a same coin. If good grows in strength so does evil. Finally there comes a point when one must overcome the other. Dr. Gayatri (Bipasha Basu) is an Indian American paranormal researcher at University of California, researching esoteric practices like voodoo, spirit possession, magic and healing powers. She seeks the hidden knowledge that goes into such practices, the knowledge that cannot be explained by science or logic. Her search for answers brings her and her team of scientists to India. In India she comes across an uncommon man named Varun (Sanjay Dutt) who is gifted with special intuitive and healing powers which he claims to have developed through meditation. He can affect people’s minds through his mental powers. He is a blend of Indian philosophy and modern culture, a master at martial arts and a devotee of Lord Hanuman. He heals people by absorbing their pain. He worships and trains by day, while working as a bouncer at a club by night.
Marc, a bipolar and paranoid filmmaker, cannot tolerate seeing his current project picked apart by his producers. The clips he’s been able to sneak a look at lead him to fear the worst. With his editor as an accomplice, he manages to spirit away the rushes to his aunt’s place in the Cévennes, to finish the film as he envisions it. Instead, its completion is constantly postponed, as he creates endless diversions and impasses, which alternate between the comic and the downright disturbing.
Those boys you know and love are back! Boys On Film invites you on a voyage of emotion-soaked self-discovery, where same-sex attraction is celebrated, first loves are tenderly formulated, and beautiful secrets burn and bloom. Volume 21: Beautiful Secret includes nine complete films: Theo James Krekis’s “Memoirs Of A Geeza” starring Elliot Warren and Tony Richardson; Joe Morris’s “We Are Dancers” starring Hans Piesbergen and Simon Eckert; Zachary Ayotte’s “My Dad Works The Night Shift” starring Victor Boudreault, Antoine L’Écuyer, and François Trudel; Loïc Hobi’s “The Pier Man” starring Hubert Girard and Youssouf Abi-Ayad; Jason Bradbury’s “My Sweet Prince” starring Yodi Roodner; Abel Rubinstein’s “Dungarees” starring Pete MacHale and Ludovic Jean-Francios; Sam Peter Jackson’s “Clothes & Blow” starring David Menkin and Nancy Baldwin; George Dogaru’s “A Normal Guy” starring Vlad Bîrzanu and Pedro Aurelian; and Pierce Hadjinicola & Sinclair Suhood’s “Pretty Boy” starring Orlando Norman.
Police Major Igor Grom is known throughout St. Petersburg for his punchy character and uncompromising attitude towards criminals of all stripes. Incredible strength, analytical mindset and integrity — all this makes Major Thunder a real superhero. His life is perfect: during the day he catches criminals with his partner Dima Dubin, and spends the evenings in the company of journalist Yulia Pchelkina. The complete idyll is interrupted by the appearance in the city of a mysterious villain calling himself a Ghost. He offers Thunder to play a dangerous game, the stake in which is the lives of ordinary people.
17 years-old Giulio is sent by his mother to a boarding school for difficult offspring of rich families. The institution is sort of a “golden prison”, isolated in the Alps, to which inadequate parents delegate the task of educating the ruling class of the future. In this cold and ghastly place the boys are cut off from everything. Adhering to the strict rules of the boarding school is hard, but Giulio finds a good friend in Edoardo, who is maybe a little crazy, but who seems the smartest of all. They find out that security becomes more relaxed at night and they start running away to a nightclub in the middle of the woods. There they meet Elena, a young prostitute whose destiny will be unforgettably linked to theirs. The night is a space of freedom, of new and perturbing experiences for Giulio and Edoardo. But what they don’t know is that their transgressions are part of the educational program of the school.
Edouard Binet, an aimless Frenchman, has been travelling in North Africa for many years, and is sailing to Belgium. En route, he meets Sylvie Baron. He introduces her to Nemrod Lobetoum, a rich Egyptian carrying valuable jewelry, and Sylvie and Nemrod become friends. Their friendship escalates to love, which makes Edouard jealous. Days later, Edouard arrives at a rooming house owned by Mme. Louise Baron, Sylvie’s mother, wearing blood-stained clothes. It appears that Nemrod was killed on a train after he arrived in France, but Edouard denies any knowledge of what happened. Sylvie suspects that Edouard is responsible for Nemrod’s death, but by now her mother has become Edouard’s ally.
In the 1990s, during a wild thunderstorm night, 12-year-old Anay dies in a road accident shortly after he sees his next-door neighbor committing a crime. Twenty-five years later, in a strange turn of events, on an identical stormy night, Antara finds herself in front of a TV set through which she attempts to save Anay’s life but her good deed causes a disturbing chain of unexpected consequences.
Christopher Robin is headed off to college and he has abandoned his old friends, Pooh and Piglet, which then leads to the duo embracing their inner monsters.
Conducting a series of experiments in his makeshift home-lab, a skeptic IT worker tries to cure his harrowing hearing impairment. But where will his research lead him? “Masking Threshold” combines a chamber play, a scientific procedural, an unpacking video, and a DIY YouTube channel while suggesting endless vistas of existential pain and decay. Glimpse the world of the nameless protagonist in this eldritch tale, which is by no means for the faint of heart.
The Agency is a CBS television drama that followed the inner-workings of the CIA. The series was created by Michael Frost Beckner and was executive produced by Michael Frost Beckner, Shaun Cassidy Productions and Radiant Productions in association with Universal Network Television and CBS Productions. It aired from September 27, 2001 until May 17, 2003, lasting two seasons. It featured unprecedented filming from the actual CIA headquarters.
The show was controversial regarding its exploration of current international affairs and its treatment of the ethical conflicts inherent in intelligence work. Beckner’s pilot script, written in March 2001, posited a re-invented CIA tasked with a “War on Terror” after Osama Bin Laden’s Al Qaeda terrorist organization plots a lethal attack on the west. The pilot was to premiere at CIA Headquarters on September 18, 2001 and set to air on CBS September 21, 2001, however, the actual 9/11 attacks convinced the network to hold the pilot and instead air a later episode. That first episode was aired later as the third episode of the first season.
The September 11, 2001 terrorist events changed the way Americans viewed topical entertainment and “The Agency”, at the time, was one of the most topical offering on network television. The producers of the series quickly responded to this new American perspective on world affairs, but CBS chose to cancel the show shortly after the second season’s final episode.
