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After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia’s late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
The lone survivor of the brutal Oakhurst Sanatorium Murders, suffers from severe post-traumatic dissociative disorder in a state run mental health facility. Budget-cuts lead to the transfer of the criminally-insane killer she escaped right to her hospital, while the true supernatural force behind the killings wants to finish what begun the night of the murders.
Dan Adams resigns his position as prosecutor on the district attorney’s staff and sets out to clean up a gang of fake-accident racketeers. He gets a job with an insurance company, and assures the company president he will get the goods on the gang or die in the attempt. At the company offices, he meets Carol Carter and she, believing he is a shyster (possibly redundant) lawyer in the employ of the racketeers gives him as little help as possible. Dan visits his brother Eddie, who is mixed up with the gang and tries to make him break away. Eddie is belligerent but finally, because of the pressure brought by Dan and his wife Tonia, agrees to go straight. The gang, led by “Duke” Trotti, fears he will squeal and they kill him, plus they make his death look like an accident and plan to collect on it. Dan is closing in on the gang when Carol, who is now his assistant, comes up with some conclusive evidence, but “Duke” has plans to get rid of her before she can give the information to Dan.
The film summarizes the life and creative path of Mati Hint, an outstanding linguist, essayist, lecturer and who played an important role during the restoration of Estonia’s independence.
Estonian/Soviet animation short. Jaak makes a robot that can do all the homework. Eventually, Jaak becomes so lazy that he sends the robot to school instead of himself. Then the robot gets very angry and punishes Jaak.
A journey with Estonia’s oldest and most popular band.
The film consists of three chapters. The Manslayer takes place more than a hundred years ago. The leading character Maara is a young bride who is about to start her life in her new family. The Virgin, set in the spring of 1949, tells the story of a young woman called Elina, who has been deported from Ingria into Estonia during the previous war. The Shadow moves in the present, on the border of real life and fantasy. The main character, Luna Lee, has decided to flee from home. Is there anything besides emptiness somewhere? The film is led by the singularity of the leading character – Maara, Elina and Luna Lee are all played by the same actress.
Autumn 1944, Estonia. Tens of thousands of people leave their homeland in fear of approaching frontline. Some seashore villages remain completely empty. A young woman with huge grey eyes gets off the boat. Eetla leaves the last boat, thus giving up her last chance to escape. Defying the cold wind and rain of September, she returns to the lighthouse which is unexpected to her father Gottfrid, the lighthouse keeper, and herself. Eetla’s return becomes her self-encounter and self-recognition.
During the German occupation of Estonia a young mother finds a Red Army soldier hiding in the hay in her barn.
A film about Kristiina Ehin, the beloved and internationally known modern poetess of Estonia. Her honest, beautiful and painful sharings reveal to us what experiences she has had to go through to grow into the woman and poet we know her as today. The film contains topics that Kristiina agreed to share for the first time during the filming of “Waterwalker”.
Two young nationalists from Soviet Estonia falls under the influence of popular radio DJ Rudolf Talgre, who during the war collaborated with the Nazis and was proud of it and now settled in Sweden. However, one of the friends begins to doubt the correctness of the “voice”, which leads to a quarrel between friends … After going through betrayal and murder, students – Juhan and Linda – still manage to get into the coveted Sweden, where they actually learn the price of the words of their ideological mentor.
Tõnis Hoopkaup is the head of a fishing collective in Tagaranna, a village on the Estonian island of Saaremaa. On the day of his wedding to fishing engineer Riina, he receives two important presents – a new trawling net, which he hopes will help him sail past rival collectives, and a cigarette case with an anchor on it. The case reminds him of his soaring pre-war dreams, when he was in love with the daughter of the most powerful man in Tagaranna. But her hard-hearted father put paid to their wedding plans. Now the bookkeeper Lauer has moved into the old house with his sister Lidia, and Tõnis wants to get close to her, as close as he once was with his great love … The personal and professional misconduct of a functionary who risks foundering morals is at the centre of love triangle drama featuring a wealth of local colour and complex characters.
The feature film based on Eduard Bornhöhe’s story takes the viewer to the early days of the 20th century, when Estonia was still part of the tsarist Russia. Pride in one’s nation was emerging and the desire to give something eternal to one’s people at any cost – be it a miracle machine flying in the air or valuable literature written in the language of the country. Unfortunately, it was not that easy and sometimes there was lack of talent.
Following the death of her husband in a car accident, Antonia discovers that he was having a homosexual affair with a man named Michele. At first devastated by the news, she finds herself building an unexpected friendship with this man she had never heard of. They both learn to know each other, to accept each other, to understand each other. Antonia thus discovers her husband’s other family made up of friends with unusual lifestyles and different sexual identities.
Artur is an Armenian guy who dreams about a career in filmmaking, but his grandfather wants him to take over the family wine business. When a bad review from an Estonian critic threatens to ruin the family business, Artur has to go to Tallinn to set things straight. There he meets the feisty Ingrid and things take an unexpected turn.
It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.
May 1939, 3 months before the outbreak of WWII, the future US President, John F. Kennedy, visits Estonia. There his path crosses with two very different girls – a call girl, willing to abandon everything and a sweet local, who is in desperate need of money. The future of the world is crashing around him as he must figure out which is the spy when comes to find out one is working for the Nazis!
The Wind Sculpted Land is a film about Estonian nature. The nature of this Northern country might not seem anything special at a first glance, but digging deeper one can find true gems. Flooded meadows, coastline, bogs altogether with wild animals and flocks of migrating birds are actually small worlds on their own. Even more, the very same nature has held and sculpted the character of the people living here. The film was made during 2015-2018, it took more than 400 days out on the field filming birds, animals and different landscapes. Filming took place in different parts of Estonia, mainly in natural parks. The Wind Sculpted Land is truly a magical journey to Estonia´s unique and scenic nature. The film is part of a film programme dedicated to celebrate the 100th anniversary of the Republic of Estonia.
Antonia is a single mother who works as a hotel maid in Berlin. A normal hot summer day takes a dramatic turn when she crosses paths with a particular guest of the hotel, famous blind portrait painter Julius Pass.
To understand the international phenomenon of Uku Kuut means to understand the ability of different musical niches, sub-genres and hidden creative explosions to not only exist, but flourish, completely independently of the mainstream. Kuut’s life, mothered by Maryn E.Coote (who you may know as the Estonian jazz diva Marju Kuut), took him from the Soviet Union to a refuge in Sweden, music studios in Los Angeles, back to a re-independent Estonia and later, fighting ALS, to loudspeakers all around the world.
A medieval love story with lots of adventures. The times are troubled – there’s a revolt of peasants going on. To secure its safety a monastery chases for a relics of a holy Brigitte. A nobleman promises to get it if he gets beautiful Agnes as a reward. But she fells in love with a handsome adventurer. The monastery has to act shrewd now and play double game. The movie is still the best achievement of the Estonian cinema. Based on a novel.
This is the story of three different generations of Siberian Estonian women whose ancestors were deported from Estonia as criminals in the 19th century. Instead of prison, however, they ended up in paradise – a fertile land where people quickly built their lives. 170 years later, the situation has reversed: who has already “got used to life here”, but for whom, on the eve of the war, it is the last time to return to paradise, which on this occasion is Estonia.
As Vladimir Putin continues his gritty reboot of the Soviet Union, he’s getting a surprising amount of help from the party once led by Reagan. In this new special, “Jordan Klepper Fingers the Pulse: Moscow Tools,” Klepper speaks to foreign affairs experts, possible Russian assets, and the Prime Minister of Russia’s neighbor, Estonia, to find out whether Republicans have become the Kremlin’s most useful idiots.
The story of Edgar Väär (1929 Kuressaare, Estonia – 2015 Toronto, Canada), a freelance cameraman, who earned his nickname ‘Fast Eddy’ by reaching the scene of events before police and CBC crime reporters. A major part of his filmed footage has aired on TV. The rest of the footage, over hundreds of thousands of film stock, that he didn’t manage to sell to news broadcasters, are piled up in Eddy’s downtown Toronto penthouse rooms and basement. Do old news have value to be sold? What does the end of a person look like who has documented the ends and destructions of many others in the infotainment industry?
Based on an acclaimed 1935 novel about the War of Liberation (1918-1920) that ensured Estonia’s independence, the film tells about a group of young schoolboys heading to the front to fight the army of Soviet Russia.
After causing a commotion with his last assignment, Falk has been given a desk job, which hardly agrees with his personality, and he ends up accepting an offer from an old friend to buy into a private investigation agency. Another friend of Falk’s, Sven, purchased a business in Estonia, and when local gangsters attempted to pressure him into paying protection money, Sven retained the services of Nikolaus Lehmann, a burly private eye, to throw them off his trail. However, Lehmann does his job all too well, murdering the racketeers, and then threatening Sven and his family. With no where else to turn, Sven asks Falk to help him deal with the crazed Lehmann; Falk agrees, but soon realizes he’s dealing with a more dangerous man than he imagined when Lehmann kidnaps Falk’s wife Jeanette, and then releases her with a time bomb locked around her neck, demanding that Falk hand over ownership of his detective agency to Lehmann.
In Stalinist Poland, cabaret singer Tonia decides to spend the evening drinking with a group of friends. The next morning, she awakes to find that, for reasons unknown to her, she has been jailed as a political prisoner. As prison officials interrogate, torture and humiliate her, she fights for survival and to maintain her innocence by refusing to sign a false confession. As her years of imprisonment pass, her relationship with her captors grows more complicated.
Antonia is a lyrical singer whose beauty is uncommon, lush and somber. Recovering from a suicide attempt in a rehabilitation institution, all her family ties are irreparably broken. But her sister remains deeply affected by what happened.
Former nurse-turned-exotic animal broker Tonia Haddix, who refers to herself as the “Dolly Parton of chimps,” spends her days caring for animals in captivity. However, her limitless love for one chimpanzee in particular spins into a wild cat-and-mouse game with authorities and an animal rights group
The Soviet Union teeters on the verge of collapse in 1990 and tiny Baltic nations struggle to take back their independence. A rising tide of public opinion opposes the Estonian national team’s participation in the USSR’s basketball championship. The team makes the unpopular choice to participate.
An aging American millionairess journeys to Rome each year with her chauffeur George to play the card game scopone with destitute Peppino and his wife Antonia.
Johan Falk’s stepdaughter Nina has gotten in contact with her biological father, Orjan, discovering that he is in debt to an Estonian construction company in Gothenburg, leading to Nina’s kidnapping.
Shakespeare’s 17th century masterpiece about the “Melancholy Dane” was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev’s Elsinore was a real castle in Estonia, utilized metaphorically as the “stone prison” of the mind wherein Hamlet must confine himself in order to avenge his father’s death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet’s delivers his “To be or not to be” soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.
John Meehan created a terrifying trap of seduction, deceit and betrayal for countless victims. The illuminating revelations into his backstory showcase a series of events that flipped switches to create a monster wired for psychopathy. Goffard exposes John’s troubled background that built the foundation for his ominous fantasy world of lies and manipulation. In addition to hearing the Newell family’s terrifying tale, John’s first wife Tonia Bales and her daughters Emily and Abigail Meehan speak out, along with other women from his past who were caught in his web of lies.
Army Sergeant Mickey Dunn sets out in pursuit of the Cisco Kid, a notorious if kind-hearted and charismatic bandit of the Old West. The Kid spends much of his loot on Tonia, the woman he loves, not realizing that she is being unfaithful to him in his absence. Soon, with her oblivious paramour off plying his trade, Tonia falls in with Dunn, drawn by the allure of a substantial reward for the Kid’s capture — dead or alive. Together, they concoct a plan to ambush and do away with the Cisco Kid once and for all.
Women share their innermost secrets and intimate experiences inside an Estonian smoke sauna. Cleansing their bodies and baring their souls, they embrace the healing power of sisterhood.
