Search
A man living in his car takes a filmmaker into the woods to share a dark secret.
Mark Normand has been told the same advice his whole life: DON’T BE YOURSELF, whatever you’re thinking about saying, don’t. So in his first one hour special, Mark does just that.
The one-night-only celebration honoring the life and legacy of the famed producer features intimate conversations, special performances and surprise reunions that pay homage to the man behind some of television’s greatest stories in celebration of his 100th birthday.
When Norman Graysmith is invited into the home of an aspiring serial killer, Aidan Mendle, he believes he has the subject for the documentary that will make his career.
Captain Muller struggle to survive fighting overwhelming Russian forces. Wounded he is sent to Normandy As our Americans Lee and Trey are preparing for D-day. Soon score are settled and battle brings our GIs and Germans on the same path.
Arguably the most influential creator, writer, and producer in the history of television, Norman Lear brought primetime into step with the times. Using comedy and indelible characters, his legendary 1970s shows such as All In the Family, Maude, Good Times, and The Jeffersons, boldly cracked open dialogue and shifted the national consciousness, injecting enlightened humanism into sociopolitical debates on race, class, creed, and feminism.
France, around 1900. Coming from the vibrancy of Paris, pert Célestine is procured as a chambermaid in Normandy. In the Lanlaire’s villa she encounters the lecherous man of the house and his asexual, tyrannical and jealous wife. Célestine is determined to avoid the fate suffered by the cook Marianne who has already secretly killed one child born out of wedlock and now despairingly realises she is pregnant again. The lively maid is intrigued by what the mysterious manservant Joseph is up to: he distributes anti-Semitic leaflets and suggests that she could work for him as a prostitute in Cherbourg…
Five years after the mad terrorist Norman Galagher was sentenced to holographic stasis, he is given a parole hearing. But an equipment failure engineered by his cronies transforms the criminal into a living hologram with god-like powers. Now, stopping him is up to Kurt Decoda, the man who as a police rookie was responsible for arresting Galagher.
The movie is set during World War II in the days just prior to the D-Day invasion. A special parachute unit is sent to destroy a German flame thrower installation on Omaha Beach.
The film explores the story of the Bounty and is based on the 1932 novel Mutiny on the Bounty by Charles Nordhoff and James Norman Hall.
Clubland heavyweights Jeremy Healy, Brandon Block, Graeme Park, Norman Cook, Tall Paul, Allister Whitehead, Mark Moore, Sonique, Nicky Holloway and Radio One stalwarts Judge Jules, Danny Rampling and Dave Pearce, plus many more, dot the ‘I’s and cross the ‘T’s on two decades of ’aving ‘IT’. We hear from their paymasters too, the promoters of iconic club brands and venues like Renaissance, Hacienda, Venus, Golden, Gatecrasher, Miss Moneypenny’s, Trip & Sin, Progess, Turnmills, Wobble, Colours, The Escape Club, The Hippo Club and Lamerica. Fuelled by revolutionary party drug ecstasy, this historic era of UK clubbing changed the lives of millions. This intriguing account quizzes the pioneers who made it all possible.
In the days following the D-Day invasion in Normandy, France, a British platoon leader named Saul (Gabriel Byrne) and his corporal (Paul Wyett) reach an isolated farmhouse and encounter a beautiful French girl named Belle (Marianne Basler). Love blooms between Saul and Belle, but the grim realities of war catch up with them when a French Resistance trio claims that Belle is a Nazi collaborator. Judge Reinhold appears briefly as the token Yank.
On July 13, 2002, Fatboy Slim, real name Norman Cook, performed the second of his free open-air concerts, The Big Beach Boutique II, in front of a record-breaking crowd, making history – both good and bad. Organisers and police were expecting forty thousand people but more than a quarter of a million turned up on Brighton Beach for the free event, changing the way UK events were run forever. Now, 20 years on, Norman, and those who were on the front line of this seismic historical moment talk us through the process and the obstacles; The immense difficulties and struggles that the local police faced with such an unexpected amount of descendants on the city, the councillors and residents that opposed the controversial event and many of those who participated in what Norman has described as a “Woodstock moment”.
Norman is working in the stock room of a large London department store, but he has ambition (doesn’t he always !!), he wants to be a window dresser making up the public displays. Whilst trying to fulfill his ambition, he falls in love (doesn’t he always !!), with one of the shopgirls. Together they discover a plot to rob the store and, somehow, manage to foil the robbers.
A journey into the creative mind of the most iconic video game designer in the world. Featuring appearances from visionary artists Guillermo del Toro, Nicholas Winding Refn, Grimes, George Miller, Norman Reedus, Woodkid, Chvrches, this visually captivating documentary gives a rare insight into Hideo Kojima’s creative process as he launches his own independent studio.
Those boys you know and love are back! Boys On Film invites you on a voyage of emotion-soaked self-discovery, where same-sex attraction is celebrated, first loves are tenderly formulated, and beautiful secrets burn and bloom. Volume 21: Beautiful Secret includes nine complete films: Theo James Krekis’s “Memoirs Of A Geeza” starring Elliot Warren and Tony Richardson; Joe Morris’s “We Are Dancers” starring Hans Piesbergen and Simon Eckert; Zachary Ayotte’s “My Dad Works The Night Shift” starring Victor Boudreault, Antoine L’Écuyer, and François Trudel; Loïc Hobi’s “The Pier Man” starring Hubert Girard and Youssouf Abi-Ayad; Jason Bradbury’s “My Sweet Prince” starring Yodi Roodner; Abel Rubinstein’s “Dungarees” starring Pete MacHale and Ludovic Jean-Francios; Sam Peter Jackson’s “Clothes & Blow” starring David Menkin and Nancy Baldwin; George Dogaru’s “A Normal Guy” starring Vlad Bîrzanu and Pedro Aurelian; and Pierce Hadjinicola & Sinclair Suhood’s “Pretty Boy” starring Orlando Norman.
This unflinching documentary presents shocking new evidence and stunning testimony as we follow a brand new investigation, 20 years in the making, into one of modern America’s most heinous crimes and attempts to finally secure justice for Nicole Simpson and Ron Goldman. Norman Pardo, OJ’s former manager, unpacks a sordid tale of deceit, revenge and evidence that not only once and for all answers questions that have lingered for more than 25 years with this case – but finally answers the question, Who Killed Nicole? This film will make you question everything you thought you knew about this notorious case.
In 1930s Australia, Anglican clergyman Anthony Campion and his prim wife, Estella, are asked to visit noted painter Norman Lindsay, whose planned contribution to an international art exhibit is considered blasphemous. While Campion and Lindsay debate, Estella finds herself drawn to the three beautiful models sitting for the painter’s current work, freethinking Sheela, sensual Pru and virginal Giddy.
Normandy, 1819. Jeanne is a young woman full of childish dreams and innocence when she returns home after finishing her schooling in a convent. She marries a local Viscount, Julien de Lamare, who soon reveals himself to be a miserly and unfaithful man. Little by little Jeanne’s illusions are stripped away.
Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah’s withdrawn emotional state, a romance slowly develops between the pair.
Shortly after World War II an American soldier (Norman) and a Polish refugee (Emilia) fall in love. Eventually he will return to the U.S. and both expect that she will soon follow him with her mother. Emilia’s mother is sick, but will recover with the right medicine. But the mother, and not Emilia, knows that there will only be one ticket…
Norman Pitkin wants to be a policeman like his father was, but he fails the height test (amongst others). One day he gets out his father’s old uniform and “walks the beat”. This leads to a level of chaos that only Pitkin could cause
Normandy, 1934. Ludo, raised by his uncle Ambroise, a kite maker, befriends little Lila. For five years he loses sight of her, but when they meet again, a love affair begins. War breaks out and separates the young couple again. Lila is forced to go to Poland, while Ludo stays with his uncle. Is Ludo ready to do anything to find his beloved?
This Great War drama opens in the trenches during an artillery bombardment. Receiving bayonet wounds, young Simon (Guillaume Depardieu) drops out of the action, joining other injured soldiers at a Brittany hospital. One day he meets schoolteacher Marthe (Clotilde Courau), who lives in the household of the hospital’s head doctor (Bernard Giraudeau). Soon a romance begins to develop. Cinematography by Kevin Jewison, son of director Norman Jewison.
When a covert raid in Normandy goes wrong, a small team of British commandos are cut off from their comrades. Holed up in a barn and surrounded by Wehrmacht forces, their chances of survival appear bleak, until an unexpected discovery provides an opportunity to escape.
The fall of 2021 marked the 50th anniversary of Fiddler on the Roof, the film Pauline Kael (The New Yorker) called “the most powerful movie musical ever made.” Narrated by Jeff Goldblum, FIDDLER’S JOURNEY TO THE BIG SCREEN captures the humor and drama of director Norman Jewison’s quest to recreate the lost world of Jewish life in Tsarist Russia and re-envision the beloved stage hit as a wide-screen epic. Oscar-nominated filmmaker Daniel Raim puts us in the director’s chair and in Jewison’s heart and mind, drawing on behind-the-scenes footage and never-before-seen stills as well as original interviews with Jewison, Topol (Tevye), composer John Williams, production designer Robert F. Boyle, film critic Kenneth Turan, lyricist Sheldon Harnick, and actresses Rosalind Harris, Michele Marsh, and Neva Small (Tevye’s daughters). The film explores how the experience of making Fiddler deepened Jewison as an artist and revived his soul.
What do you dream of when you’re 16-years-old and in a seaside resort in Normandy in the 1980s? A best friend? A lifelong teen pact? Scooting off on adventures on a boat or a motorbike? Living life at breakneck speed? No. You dream of death. Because you can’t get a bigger kick than dying. And that’s why you save it till the very end. The summer holidays are just beginning, and this story recounts how Alexis grew into himself.
St. Elsewhere is an American medical drama television series that originally ran on NBC from October 26, 1982 to May 25, 1988. The series starred Ed Flanders, Norman Lloyd and William Daniels as teaching doctors at a lightly-regarded Boston hospital who gave interns a promising future in making critical medical and life decisions. The series was produced by MTM Enterprises, which had success with a similar NBC series, the police drama Hill Street Blues, during that same time; both series were often compared to each other for their use of ensemble casts and overlapping serialized storylines. St. Elsewhere was filmed at CBS/MTM Studios, which was known as CBS/Fox Studios when the show began; coincidentally, 20th Century Fox wound up acquiring the rights to the series when it bought MTM Enterprises in the 1990s.
Known for its combination of gritty, realistic drama and moments of black comedy, St. Elsewhere gained a small yet loyal following over its 6-season, 137-episode run; the series also found a strong audience in Nielsen’s 18-49 age demographic, a young demo later known for a young, affluent audience that TV advertisers are eager to reach. The series also earned critical acclaim during its run, earning 13 Emmy Awards for its writing, acting, and directing. St. Elsewhere was ranked #20 on TV Guide’s 2002 list of “The 50 Greatest TV Shows of All Time.”, with the magazine also selecting it as the best drama series of the 1980s in a 1993 issue.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
As Shane and Oliver prepare to wed, the team helps an unwell boy reunite with a lost friend. A new employee may deliver the answer for Rita and Norman to start a family.
Dramatizes the legendary adventures of some of the most famous Vikings who ever lived – Leif Eriksson, Freydis Eriksdotter, Harald Hardrada and the Norman King William the Conqueror. These men and women will blaze a path as they fight for survival in the ever changing and evolving world.
Normandy, 1944. Private Wilson is on a mission in enemy territory. Hunted down and out of ammunition, Wilson suffers strange interferences, catapulting him into the violence and madness of war with an unexpected ending.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother. The place seems quirky, but fine… until Marion decides to take a shower.
One fateful night in a small English regional theatre during World War II a troupe of touring actors stage a production of Shakespeares King Lear. Bombs are falling, sirens are wailing, the curtain is up in an hour but the actor/manager Sir who is playing Lear is nowhere to be seen. His dresser Norman must scramble to keep the production alive but will Sir turn up in time and if he does will he be able to perform that night? The Dresser is a wickedly funny and deeply moving story of friendship and loyalty as Sir reflects on his lifelong accomplishments and seeks to reconcile his turbulent friendships with those in his employ before the final curtain.
A River Runs Through is a cinematographically stunning true story of Norman Maclean. The story follows Norman and his brother Paul through the experiences of life and growing up, and how their love of fly fishing keeps them together despite varying life circumstances in the untamed west of Montana in the 1920’s.
Florent, a 23 year-old Parisian, meets Alessia, a lost American girl from Texas in the streets of Paris, by random chance. At an important crossroad of their lives – both characters have just graduated from college – Alessia and Florent are torn between the possibilities that lie before them in today’s globalised world and the limitations and responsibilities which come with adulthood in the face of global economic turmoil. Florent dreams of America; Alessia dreams of France, her mother’s unfulfilled wish. Through their interaction with Marion and Louis, Florent’s best friends, Coralie, his ex-girlfriend, and Thomas, a waiter they meet in Normandy, our characters learn about the world they live in. A world that brings them much questioning. A world of their generation.
Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).
From Wikipedia, the free encyclopedia. Roll Bounce is a 2005 American comedy-drama film written by Norman Vance Jr. and directed by Malcolm D. Lee. The film stars hip hop artist Bow Wow as the leader of a roller skating crew in 1970s Chicago. The film also stars Nick Cannon, Meagan Good, Brandon T. Jackson, Wesley Jonathan, Chi McBride, Kellita Smith, and Jurnee Smollett. Description above from the Wikipedia article Roll Bounce, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert’s heroes.