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A young woman tries to repay her adoptive parents’ kindness by shielding their biological child, who has gotten involved with an embezzler, from the police.
When Marie’s boyfriend proposes to her in front of his entire family, she doesn’t know what to say and flees to the countryside to think it over alone. But her thoughts accompany her. They sit around her in flesh and blood: Her mother pesters her with baby names, exboyfriends climb down trees and a woman in a sari narrates her life in poems. Her would-be fiancé eventually joins her, clashing his own luggage of thoughts with hers. But what if you show your thoughts to each other? How much honesty can a relationship take? In her first feature, director Zora Rux, an apprentice of Swedish filmmaker Roy Andersson, tells a surrealistic story of the search for one’s true self in poetic tableaus.
28 years ago, Liang gives birth to a boy named “Little Bean Jelly” in prison. When the kid turns one, the mother and son lose contact. Years later, Green Dragon Group’s henchman “Ghost” is ambushed during a mission and becomes blind. When Liang is released from prison, she meets Ghost. One wants only to complete the assassination, while the other wants to make amends to rebuild their mother-son relationship. By an unexpected combination of circumstances, this mother and son help each other redeem themselves and return to the right path.
In 37 Seconds, 23-year-old comic book artist Yuma, physically disabled due to profound cerebral palsy and emotionally stunted by her well-meaning but overly protective mother, forges her own unusual path to sexual awakening and independence while at the same time discovering love and forgiveness.
In July 1942, in the Second World War, the rearguard of the Russian army protects the bridgehead of the Don River against the German army while the retreating Russian troops cross the bridge. While they move back to the Russian territory through the countryside, the soldiers show their companionship, sentiments, fears and heroism to defend their motherland.
Three years later Michele (The Invisible boy) meets his mother and his twin sister. Both have stories and superpowers but their intentions may not be what Michele thinks.
While the Second World War rages, the teenage Mahito, haunted by his mother’s tragic death, is relocated from Tokyo to the serene rural home of his new stepmother Natsuko, a woman who bears a striking resemblance to the boy’s mother. As he tries to adjust, this strange new world grows even stranger following the appearance of a persistent gray heron, who perplexes and bedevils Mahito, dubbing him the “long-awaited one.”
During the Second World War, the son of a Grenoble collaborator went up to his grandmother’s house on the Vercors plateau to wait for the war to end without him. On July 21, 1944, German troops overran the plateau. Forced to flee, he joins a small group of Resistance fighters and civilians, and struggles to survive for three days and nights.
Umut, a strange, introverted, born young man, lives with his mother Leyla in a slum in Istanbul Esenler, and works as an apprentice in an auto repair shop. Realizing that her mother has been acting strangely recently, Umut begins to follow her secretly and learns that Leyla is with a man. The facts about the identity of this man will turn Umut’s life upside down … In the second part of the film, a completely different Umut goes after a completely different Leyla …
Jonathan Agassi is a superstar in the world of gay porn. He lives the wild life in Berlin and Tel Aviv, where he works in films and live shows and has a second job as an escort. Sex, drugs and rock ‘n’ roll – and all of it in large quantities. But the industry is tough, and behind the confident smile is an insecure boy with an absent father and a very close relationship to his broad-minded mother. The contrast to the superficial success grows and grows, but in the world of porn there is no room for crises. Here, you must deliver the goods, every single time – and every single day. Otherwise you are done. The identity crisis is smouldering, Agassi is floundering and drugs become tempting as an easy way out. But how long can he hold onto himself? Over the course of eight years, and with much mutual trust, the director Tomer Heymann has followed Agassi right up to the culmination of his life’s biggest crisis.
Prince William, now Prince of Wales, first-born son of King Charles III and Diana, Princess of Wales, has always been in the spotlight. Born second in line to the throne – he was destined for a life of duty, and of service. Following the death of his dearest and most revered grandmother, Queen Elizabeth II, Prince Williams’ father, now Charles III, ascended to the throne and Prince William took the title of Prince of Wales. His Royal Highness, Prince William is now second in line to the throne, but he has his work cut out, following in his father’s footsteps, and keeping up the tradition of duty and hard work.His destiny is to inherit the crown and succeed to the throne. But how does a Prince prepare to become King?
Hubert Wolfe, bestselling author, suffers from the writer’s block for a long time. Thus, he often used a ghost writer, the talented but taciturn Dany. While the deadline for his next novel approaches, Wolfe still requires the help of his secret accomplice. But Dany is going through difficult times and finds himself before a blank page. So he hires a second ghost writer, Quentin, child care educator who lives under the yoke of his mother.
Smart. Outspoken. Opinionated. Three-time Emmy Award winner Wanda Sykes is back! Reigning over everything from television sitcoms to feature films, this comedienne extraordinaire has returned in her second solo HBO comedy special, I’MA BE ME. Live from Washington, D.C. and edgier than ever, Wanda holds nothing back as she riffs on the perks of having a Black president, coming out, getting married, motherhood, aging, and twenty-first century pirates. With her trademark wit, Wanda shocks and astonishes at every turn in this feature-length special.
On a dusty soccer pitch in Malindi, Kenya young Kalu is an aggressive striker of the “Malindi Sharks,” who dreams of playing professional soccer. He’s a selfish player and a clear stand out on his team and knows he’s destined for glory. Then one day his life dramatically changes. Kalu gets an offer to play soccer on a second tier team in South Africa on the same day his father is killed in an accident and he unknowingly is exposed to the HIV virus. He makes the decision to go play soccer and send part of his salary back to home to his mother and sister.
In the second feature film by Russian director Vasily Sigarev, fate brings ordeals to characters that find themselves immersed in deep crisis; they must seek the strength to cope with adversity. In a remote and cold region of Russia, Galya, a middle-aged woman with a drinking problem, has been separated from her twin daughters and she wants them back. On the other hand, Grishka and Anton are a young couple who decide to get married, but right after the wedding their relationship is put to the test in a brutal way. While Artyom longs to see his missing father, but his mother objects. There is only one element that brings all of these characters together: misfortune.
Widowed shopkeeper Cesira and her 13-year-old daughter Rosetta flee from the allied bombs in Rome during the second World War; they travel to the remote village where Cesira was born. During their journey and in the village and onward, the mother does everything she can to protect Rosetta. Meanwhile, a sensitive young intellectual, Michele, falls in love with Cesira.
Louis, a nine-year-old boy from Paris, spends his summer vacation in a small town in Brittany. His mother Claire has lodged him with her girlfriend Marcelle and her husband Pelo while she’s having her second baby. There Louis makes friends with Martine, the ten-year- old girl next door, and learns from her about life.
The film is biographical, telling the story of the life and artistic struggles of the French composer Hector Berlioz. Berlioz is shown as a recalcitrant medical student in an anatomy class dreaming of becoming a composer; at a demonstration during a performance at the Paris Opéra conducted by Habeneck; at supper with other young artists (Hugo, Janin, Dumas, Mérimée, Delacroix); and chasing after his future wife Harriet Smithson, after a performance of Hamlet. Also depicted are his life in a garret, while suffering from an illness due to an abscess in the throat; a visit from his mother who curses him; and the composition of the Symphonie fantastique. The film then shows his marital breakdown, the premiere of his opera Benvenuto Cellini, his travels throughout Europe, his second marriage to Marie Recio (called “Marie Martin” in the film), public acceptance in old age and reconciliation with his son.
Eva can’t stand the fact that her mother wants to renovate the house and get rid of the cat, which, disoriented since the divorce, pees everywhere. Eva wants to go and live with her father, who, disoriented like the cat, is experiencing a second adolescence. And Eva follows him while he tries to reconnect with his desire to become an artist and find love again. But like someone who crosses an ocean of adults without knowing how to swim, Eva will also discover the rage that gnaws at him, and that without knowing it, she has inherited from him.
Leslie is a West Texas single mother struggling to provide for her son when she wins the lottery and a chance at a good life. But a few short years later the money is gone, and Leslie is on her own, living hard and fast at the bottom of a bottle as she runs from the world of heartbreak she left behind. With her charm running out and with nowhere to go, Leslie returns home. Unwelcome and unwanted by those she wronged, it’s Sweeney, a lonely motel clerk, who takes a chance when no one else will. With his support, Leslie comes face to face with the consequences of her actions, a life of regret, and a second chance to make a good life for her and her son
Struggling to make ends meet, single Mother, Corina buys a second hand phone, but there’s a SIM card wedged inside. As she tries to remove it, the phone begins to ring. It’s an offer she can’t refuse.
Photographer Stephanie has just completed another round of treatment for chronic anorexia and is working hard to reconnect with her family. Her mother Susan is supportive but preoccupied by her forthcoming wedding to Annette. Stephanie’s teenage daughter, competitive swimmer Pearl, seems hellbent on refusing her a second chance. Stephanie will need all the strength she has.
When Rose, a passionate fashion stylist in her 30’s living in New York, inherits her grandmother’s vintage dress shop, she returns to her small hometown to take care of the store. As she’s contemplating closing the store for good, she runs into her charming high school crush, Cole Murphy, who convinces her to restore the store and help people in need that can’t afford new clothes. After hesitantly agreeing, the two friends reminisce about their old feelings, and realize that the store is not the only that deserves a second chance, but so does their love.
In 1999, teen Rocío Wanninkhof is murdered. Her mother’s ex-partner, Dolores Vázquez, is suspected. Did she do it? A second victim reveals the truth.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
A man is released from prison after 15 years. He reunites with his high school girlfriend, now a single mother of three. What follows is a lyrical take on love, regret and second chances.
Three stories of strangers meeting on the edge of war. A conscientious objector and a roaming artist find tenderness as the carnage of the Second World War unfolds across the English Channel. A bereaved mother struggles with bitterness and love in recollecting her estranged son, lost in the Falklands. Deep in the Black Forest of Germany, an ageing holocaust survivor seeks to bring peace to disturbed young boy and his equally wild stepfather.
Twenty-something Alan (Gleeson) is down on his luck. Stood up at the altar and recently fired from his banking job, he finds himself working with his mother as a part-time tourist advisor at Dublin Airport. It’s there he comes face to face with first love Alice (Paré), stuck on standby for a flight home to New York. Their summer romance ended eight years previously with Alan promising to return to the US one day. He never did, and they haven’t spoken since. Seizing his chance, Alan convinces a reluctant Alice to stay one more night in Dublin. Over the course of an unforgettable evening, they may just realise that they are more compatible than ever. But time is running out on this brief encounter. When does an unexpected second chance, become the one you’ve always been looking for? – Written by Wildcard Distribution
The year is 1991, and Spud Milton’s long walk to manhood is still creeping along at an unnervingly slow pace. Approaching the ripe old age of fifteen and still no signs of the much anticipated ball-drop, Spud is coming to terms with the fact that he may well be a freak of nature. With a mother hell-bent on emigrating, a father making a killing out of selling homemade moonshine, and a demented grandmother called Wombat, the new year seems to offer little except extreme embarrassment and more mortifying Milton madness. But Spud is returning to a boarding school where he is no longer the youngest or the smallest. His dormitory mates, known as the Crazy Eight, have an unusual new member and his house has a new clutch of first years (the Normal Seven). If Spud thinks his second year will be a breeze, however, he is seriously mistaken.
The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.
The Unvanquished is the second part of the Bangladesh Apu film series about a boy named Apu who gets a scholarship to study at a College in Calcutta. His mother is alone and torn between wanting him to be successful and not wanting him to leave her alone.
Holly is tired of moving every time her mom Jean breaks up with yet another second-rate guy. To distract her mother from her latest bad choice, Holly conceives the perfect plan for the perfect man, an imaginary secret admirer who will romance Jean and boost her self-esteem.
Set in Harlem in 1987, Claireece “Precious” Jones is a 16-year-old African American girl born into a life no one would want. She’s pregnant for the second time by her absent father; at home, she must wait hand and foot on her mother, an angry woman who abuses her emotionally and physically. School is chaotic and Precious has reached the ninth grade with good marks and a secret–she can’t read.
Mandy Moore stars as Halley, a young hip high school student who’s convinced true love doesn’t exist based on the crazy relationships around her. Her mother is divorcing her father who is dating a younger woman Halley can’t stand. Her crazed sister is planning a wedding but has second thoughts and her best friend has fallen madly in love for the first time leaving Halley to feel even more alone.
All the CHEN family want is a quiet life but as daughter Lucy’s behavior changes from strange to violent, they are forced to confront dark secrets they have hidden for years. One by one, their desperate poverty, the mother’s rape and the father’s revenge by murder return to haunt them…until a searing TRUTH no one knew is revealed. Will this truth give them a second chance to right the wrongs in their lives or destroy them all?
Cate has a small boutique where she sells vintage clothes. She is dating some snob whose mother thinks that Cate is a second class citizen because of her line of work. Harry meets Cate and they fall in love instantly. Francesca is a doctor who finds out that he has cancer, and tells Cate so that she would break up with Harry…
A mother and wife stricken with memory loss allows a dysfunctional family a second chance at harmony and happiness.
Following the Second World War, a northern cannery combine negotiates for the purchase of a large tract of uncultivated Georgia farmland. The major portion of the land is owned by Julie Ann Warren and has already been optioned by her unscrupulous, draft dodging husband, Henry. Now the combine must also obtain two smaller plots – one owned by Henry’s cousin Rad McDowell, a combat veteran with a wife and family; the other by Reeve Scott, a young black man whose mother had been Julie’s childhood Mammy. But neither Rad nor Reeve is interested in selling and they form an unprecedented black and white partnership to improve their land. Although infuriated by the turn of events, Henry remains determined to push through the big land deal. And when Reeve’s mother Rose dies, Henry tries to persuade his wife to charge Reeve with illegal ownership of his property, confident the the bigoted Judge Purcell will rule against a Negro.
