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Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who’s acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin’ Wolf, and Sonny Terry and Brownie McGhee show its range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Dick Farina, and others less well known also perform. Several talk musical philosophy, and there’s a running commentary about the nature and appeal of folk music. The crowd looks clean cut.
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While attending a festival to commemorate the original zombie attack, Ash and her friends encounter the undead and must fight back or be devoured.
The story of a married American couple who go to the San Sebastian Film Festival. They get caught up in the magic of the festival, the beauty and charm of Spain and the fantasy of movies. She has an affair with a brilliant French movie director, and he falls in love with a beautiful Spanish woman who lives there.
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Join the party with Peppa and George in their brand new adventures as they dance in the mud at a children’s festival, celebrate Grandpa Pig’s birthday at a restaurant for the first time, and take a trip to the cinema to see Super Potato’s big movie feature!
Huw Edwards presents the Royal British Legion’s annual Festival of Remembrance, with the Prince of Wales and the Duchess of Cornwall in attendance.
Dennis Hopper plays Nick Twain, a Hollywood Producer whose latest film is rejected by every film festival in the world except one- in Ohio. Nick will do anything to get his film distributed, including manipulating his dysfunctional cast into attending the festival. Hollywood egos and small town politics inevitably collide.
A young woman faces her future as a lawyer in a small New England town where the annual Christmas ice sculpting competition in which she and her father have always competed has been cancelled. Working to save the festival, she meets a reluctant sculptor who reignites her passion, in more ways than one.
The filmed account of a large Canadian rock festival train tour.
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With jaw-dropping visuals and a captivating set list of fan favorites as well as unreleased remixes, see one of electronic music’s biggest acts as you’ve never seen them before. The Last Goodbye Cinematic Experience provides a look behind-the-curtain into the process of creating ODESZA’s wildly successful return to the touring stage. Since they started making music in the basement of a college house, Harrison & Clay (ODESZA) have bucked industry trends and built a creative and dedicated production team of longtime close friends. Through personal interviews with the band, their fans, and members of their creative team, the film provides an entertaining and heartfelt look at the connection between the band and their fans, how life experiences shaped the creation of their latest album, and how ODESZA grew from small-town aspiring musicians to a four-time Grammy Award-nominated, major festival headlining icon.
Lives intertwine over the course of the Nuit Blanche art festival.
Michael is a widower who is struggling to adjust to his new role as the sole caretaker of his two children. Still reeling from the death of his wife, he has been plagued by terrifying apparitions. When he volunteers at a local literary festival, he finds himself drawn to Lena, an empathetic author of supernatural fiction. While Lena tries to help Michael with the mystery of his nightmarish visions, she must contend with problems of her own, as she’s being jealously pursued by self-obsessed novelist Nicholas, her one-time lover. As the festival progresses, the three adults’ lives converge and collide.
When the ailing king of America’s largest renaissance festival declares his retirement, an epic power struggle ensues between an actor, a former elephant trainer, and a kettle-corn kingpin to claim his throne.
Blue Pullman is a 1960 short documentary film directed by James Ritchie, which follows the development, preparation and a journey from Manchester to London on new British Railways Blue Pullman units. As with earlier British Transport Films, many of the personnel, scientists, engineers, crew and passengers were featured in the 20 minute film. It won several awards, including the Technical & Industrial Information section of the Festival for Films for Television in 1961. The film is also particularly noted for its score, by Clifton Parker, which, unlike the earlier Elizabethan Express is uninterrupted by any commentary.
Inspired by true events, a story of a blind grand piano genius. As a child Mietek loses his sight. His mother places him in the care of the nuns in Laski. At the centre for the blind the boy discovers that music may be his way of seeing the world again and of describing it. Mietek goes on to become a brilliant classical pianist. Once he discovers jazz music, though, he has only one goal left: to become the best jazz pianist in Poland. He is more and more successful, not only in Poland but around the world. He wins the prestigious Montreux Jazz Festival. Unexpectedly, a charismatic vocalist, Zuza, walks into his life. This meeting will change it forever.
Documentary looking into the history, origins, and highlights of the UK’s biggest music festival.
If you thought TV shows in which audiences and juries judge musical acts were a relatively new phenomenon, you’d better think again. In the 1970s, such “festivals” were incredibly popular in Brazil. They were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name star, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from a turbulent final of the Festival of Brazilian Popular Music one evening in 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real “festival” music, but also of a society starting to buck against the yoke of military rule.
Annual music and arts festival hosting diverse performances across 80+ stages sprawled over 900 acres, attracting 150,000 attendees inspired by hippie ideals and free festival culture.
Julien Temple’s 2006 documentary film about the famous music festival from 1970 to 2005, featuring performances from artists such as David Bowie, Bjork, Blur, Oasis and Coldplay. The film is made up of footage shot by Temple at the festival in 2002, 2003, 2004 and 2005, as well as footage sent in by festival goers after a request on websites and newspapers for footage. Temple had initially only agreed to make a film of the 2002 festival after organiser Michael Eavis expressed concern that that would be the last year of the festival. Temple then realised that he wanted to make a film detailing the full history of the festival. The film also includes footage shot by Channel 4 and the BBC during their coverage of the festival since 1994. Text from Wikipedia.
Commissioned to mark the 60th anniversary of the Cannes Film Festival, “To Each His Own Cinema” brought together 33 of the world’s pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.
A group of college friends rent an Airbnb for the biggest music festival of the year. But their weekend of partying quickly takes a turn, as the group is murdered one by one, in correspondence with the seven deadly sins.
Hungry for an A-list interview that could launch him into the gossip-page stratosphere, Jiminy Glick, a small-time journalist with big aspirations and an even bigger appetite, drags his wife and kids across the country to the star-studded Toronto Film Festival. But in between the nonstop parties and all-you-can-eat buffets, Glick soon finds himself in the middle of an outrageously scandalous mystery that becomes the celebrity scoop of the decade!
For more than 100 years, the Statue of Liberty has been a symbol of hope and refuge for generations of immigrants. In this lyrical, compelling and provocative portrait of the statue, Ken Burns explores both the history of America’s premier symbol and the meaning of liberty itself. Featuring rare archival photographs, paintings and drawings, readings from actual diaries, letters and newspapers of the day, the fascinating story of this universally admired monument is told. In interviews with Americans from all walks of life, including former New York governor Mario Cuomo, the late congresswoman Barbara Jordan and the late writers James Baldwin and Jerzy Kosinski, The Statue of Liberty examines the nature of liberty and the significance of the statue to American life. Nominated for both the Academy Award ® and the Emmy Award ®, The Statue of Liberty received the prestigious CINE Golden Eagle, the Christopher Award and the Blue Ribbon at the American Film Festival.
Romania’s winning streak at festivals continues, but the most unusual and ambiguous one still lurks in mysterious darkness. The undeservedly underrated Gabriel de Achim challenged the widely renowned Cristi Puiu (“The Death of Mr. Lazarescu”) to make a film using all the things, which the established Romanian master most detests in cinema. He constructed a non-linear story with wickedly tangled flash backs and flash forwards and set the same actors to perform different and multi-faceted roles.
Music executive Amelia goes to a festival on the Outer Banks to beat out the competition for an elusive new band and discovers that the group is fronted by Will, her childhood summer sweetheart. Over the course of the week, as Amelia tries to convince Will that her company is the better choice for his musical vision, she realizes there might be a conflict of interest…her feeling for him.
Stolen is a 2009 Australian documentary film that uncovers slavery in the Sahrawi refugee camps controlled by the Polisario Front located in Algeria and in the disputed territory of Western Sahara controlled by Morocco, written and directed by Violeta Ayala and Dan Fallshaw. It had its world premiere at the 2009 Sydney Film Festival,[1] where a controversy started after one of the participants in the documentary, Fetim, a black Sahrawi, was flown to Australia by the Polisario Liberation Front to say she wasn’t a slave.
In 1970, Blood, Sweat and Tears was one of the biggest bands in the world. They had exploded on the scene with both daring and promise, selling millions of records, winning multiple Grammy Awards including Album of the Year (beating out The Beatles’ Abbey Road) and headlining the legendary Woodstock festival. In demand for concert and TV appearances, BS&T was a darling of the mainstream and rock press, icon of the counterculture and inspiration for a generation of horn-based bands. Their future was limitless. And then it all went wrong.
Yuji and Akiko are newlyweds. Yuji dreams of being a movie star. He lands the lead role in a Pink Eiga soft-core sex film. The director requires him to have sex with the actress. Akiko goes to her high school reunion and is raped by a drunken guy, and then hooks up with her ex-high school love. A dark and comedic look at contemporary relationships and the pitfalls of married life. The story was written by Locarno International Film Festival, Golden Leopard Prize Winner, Masahiro Kobayashi. (Pink Eiga)
Philomena Cunk is on a festive mission to track down the true meaning of Christmas, and find out exactly what it wants. It’s an insightful documentary which takes her on a journey from pagan winter festivals and the nativity story, via ‘Sir Charles Dickings’, all the way up to today’s obsession with Santa. Along the way Philomena will be grilling a variety of experts, trying to expose the truth about Christmas, such as why people still put up with ‘brussels sprouts’.
A music festival symbolizing peace, freedom, and eternal love transforms into a horrifying nightmare of terror. Survivors, marked by death and trauma, reconstruct the event through their perspectives, embodying the lost innocence and beauty of youth, forever scarred by the tragic events that unfolded. This is a horrifying glimpse through the eyes of the individuals who endured the brutal October 7th onslaught at the Nova music festival.
Winona Applegate is on the fast track to becoming a celebrity chef, already running a very successful bistro in Pittsburgh. With nerves building, she leaves for New York to audition for her own show in front of television executives. Unfortunately, her car breaks down near New Holland, a small, quirky town where Winona rents a room at a local inn run by Adam, a widower. With the local Spring Festival coming up and the resident cook unavailable to manage the menu, Winona agrees to get her car fixed in time for her audition in exchange for her much needed help in the Inn’s kitchen. As she prepares for the festival with Adam, Winona begins to fall in love with New Holland and one of its residents as well.
Reuniting for an unforgettable weekend, a group of high school friends takes a break from their separate lives at college to travel by RV to a musical festival. Their exciting weekend plans quickly unravel as they find themselves fighting to survive each other and the unknown.
Nora and Jock arrive in the strange village of Litan during the Festival of the Dead.
When the Roberts family heads to Wisconsin for a hot air balloon festival, Stacie finds herself caught in between – too young for the adult activities and too old to play with the littles. But when Barbie and Skipper have a mishap, Stacie has the right skills to save the day!
Ember Morley, a graphic designer and aspiring storybook illustrator in Manhattan is surprised when she learns she has inherited her Grandmother’s Christmas tree farm. She heads back to her hometown of Willow Hill in order to sell it before Christmas, but the charming townspeople convince her to stay a little longer and help plan their annual Christmas Tree Festival. When forced to work with Brandon Hart, the farm’s handsome caretaker, Ember is reminded of the things she once wanted in life.
