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An ex-child star (Judy Tenuta) tries to reclaim her former fame.
After accidentally causing the death of an old lady, Zatoichi tries to do right by buying the lady’s daughter’s freedom from a brothel – but this causes more problems than solves them.
A talented but troubled Edo Period swordsman, Kanemi Sanzaemon. Three years earlier, Kanemi killed a woman, Renko, the corrupt mistress of the powerful daimyo Tabu Ukyou. Unexpectedly, Kanemi received a lenient sentence for his crime and is allowed to return to his clan after only one year of imprisonment. Following his return, Kanemi is faced with the death of his wife, Mutsue. Thereafter, Kanemi lives with and cares for his wife’s niece, Satoo, who has secret affections for Kanemi and expresses them by helping change his bleak outlook on life. Meanwhile, Kanemi’s develops his unique “bird-catching” sword technique which he will soon put to test in battle for the first time against the fearsome swordsman, Hayatonosho Obiya.
After 11 years in a Mississippi state prison, Russell Gaines struggles to leave his past sins behind him as he returns home to his stoic father, Mitchell. One fateful night he meets Maben, a young mother with nothing but a stolen gun and a murdered police deputy to her name. Desperate and on the run, Russell and Maben must trust one another to escape their own circumstances, before the truths of their intertwined violent past threatens to destroy them.
John and Mary Sims are city-dwellers hit hard by the financial fist of The Depression. Driven by bravery (and sheer desperation) they flee to the country and, with the help of other workers, set up a farming community – a socialist mini-society. The newborn community suffers many hardships – drought, vicious raccoons and the long arm of the law – but ultimately pull together to reach a bread-based Utopia.
In the heart of Riyadh, where desperation and opportunity collide, Mandoob brings forth the gripping tale of Fahad Algadaani, a mentally fragile man racing against time to save his ailing father. As his world crumbles under the weight of financial burden and societal indifference, Fahad’s life takes an unexpected turn when he is forced to make ends meet as a humble delivery mandoob.
The city has been taken over by a vicious, Mob-connected teenage gang and their deadly leader, a mysterious Martial Arts master known only as Sonny. In desperation the Mayor and Police Commissioner hire karate expert and mercenary vengeance fighter, J.D. McKay, to save their ravaged city. McKay eliminates the ruthless thugs with pin-point precision until there is only one left… Sonny… McKay’s boyhood friend turned killer. They were boyhood friends. Now they are enemies. One is destroying the city… The other has been hired to stop him.
Tennessee Williams’ twentieth century masterpiece Cat on a Hot Tin Roof played a strictly limited season in London’s West End in 2017. An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
Alex and Laetitia appear to make the perfect couple. But, as much as he loves his gorgeous fun-loving sweetheart, Alex isn’t yet ready for her to move in with him. Laetitia has other ideas. She has already packed her bags and lets Alex know that she will be taking up residence in his apartment within a few hours. For Alex, this is his worst nightmare come true. In desperation, he persuades his best friend to simulate an attack of depression so that he can move in with him…
A troubled woman returns to her estranged family in coastal Maine. With her lobsterman father caught up in a turf war at sea, she and an ex-boyfriend make plans to hijack local drug runners. As their desperation mounts, each character makes increasingly compromised and morally dubious decisions that threaten their way of life and their loved ones.
Michael believes he experienced a divine revelation in the desert when he was a child. His neighbors are incredulous and take him for the town fool ever since. One evening, he gets news that a childhood friend was badly hurt in an accident in a remote village. Michael decides to drop everything to go on a barefoot pilgrimage through the Chilean desert in order to cure his friend with a miracle, a voyage that will traverse the blind desperation of a society in need of faith.
Lola’s a single mom, broke, working as a janitor and maid. Silvia is pregnant, and her lover (her boss) won’t leave his wife. Maite, newly a widow, discovers she’s penniless but wants to maintain appearances and give her daughter a fancy wedding, and Pecholata, a punk kid living in a youth center, will soon be turned out on the streets. Lola, who cleans a bank every morning, decides to rob it, convincing the others to join her: they’ll use replica guns, dress as men, take Silvia hostage, and all will be smooth. But things go awry, including the fact that Lola’s ex, Gustavo, is a cop. Desperation may be the mother of invention – and a corrupt bank manager its father.
Driven to desperation by his young and extravagant wife, alienist Dr. Emil Brandt has arranged a perfect crime; now he begs the police to lock him up before he can commit it.
Angie is a working class woman. After being fired, she decides to set up a recruitment agency of her own, running it from her kitchen with her friend, Rose. Taking advantage of the desperation of immigrants, Angie builds a successful business extremely quickly.
With his marriage crumbling, Seamus, a struggling fisherman, is unexpectedly offered the delicious pleasures of an unusual new life. But to turn his desperation into hope, Seamus will need to put his trust in a group of misfits whose project becomes more and more deranged. This absurdist dark comedy asks if there really is more out there for each of us or “IS THIS IT?”
Out of desperation, a struggling hairstylist turns to a charming drug dealer for a favor. Only to later find herself caught up in his hidden agenda
Quickly approaching her fiftieth birthday, talented and once-famous screenwriter Byrdie has lately had a hard time finding work in the movie biz. As she’s aged, the industry hasn’t, and the new regime isn’t interested in what a maturing wordsmith has to say. In desperation, Byrdie dreams up a script-selling scheme, enlisting her attractive nephew Jason, a car salesman, to pitch her work as his own. The ruse is a wild success: All the key players eat up his charm, and her scripts soon become the hottest thing in town!
Alfie Byrne is a middle-aged bus conductor in Dublin in 1963. He would appear to live a life of quiet desperation: he’s gay, but firmly closeted, and his sister is always trying to find him “the right girl”. His passion is Oscar Wilde, his hobby is putting on amateur theatre productions in the local church hall. We follow him as he struggles with temptation, friendship, disapproval, and the conservative yet oddly lyrical world of Ireland in the early 1960s.
Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it’s no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage?
Nesibe lives with her parents on the outskirts of Istanbul; the family is poor, and her consistently unemployed father often takes out his frustration on the rest of the family. Nesibe knows that there has to be something more to life, and she finds it at the movies. As she recalls her childhood and adolescence, her own memories merge with scenes from the dozens of musicals, melodramas, and romances she saw to fill her days and to escape the desperation of her home life. But as she moves into adulthood, the contradiction between Nesibe’s cinematic dream life and everyday reality starts to affect her in unexpected ways.
Seven (or six – depending on the version) short stories of conquest, desperation and the will to overcome.
After a particularly embarrassing performance, a struggling Polish actor chooses to quit his acting troupe. In desperation, he returns home, only to find his dying mother has replaced him with a farm hand from a nearby mental institution. Alienated and depressed, he attempts to find his place in the world by driving out his replacement as completely as possible.
It tells the story of a motherandapos;s desperation to locate her child when the abductor dies before her child can be located. With time running out, the childandapos;s mother seeks the assistance of a spiritual medium.
Police are stymied when a serial killer begins hacking up nude models all over L.A. In desperation, they hire sexy ex-policewoman Holly Jacobsen to do a little undercover work. At first her boyfriend Bobby Colter, also a cop, agrees to the plan, but when Holly moves from nude modeling to topless dancing to peep-show shower dancing, he begins getting a little possessive. Things get dicey when the killer, a transvestite who by now is totally obsessed with Holly, decides to make his move.
On the lam, criminal Alonzo hides in the circus as The Armless Wonder – a performer who uses his feet to hurl knives. Alonzo keeps the arms he really has concealed to hide his identity. Meanwhile, ringmaster’s daughter Nanon has a phobia of being touched by men, but is romantically pursued by not only Alonzo but the strongman Malabar. Alonzo’s desperation to remain with Nanon will only end in tragedy.
Two friends, both Indigenous fishermen, are driven to desperation by a dying sea. Their friendship begins to fracture as they take very different paths to provide for their struggling families.
After wrecking their car in the middle of the desert, two couples find themselves stranded with few supplies. When the heat intensifies and their precious water supply dwindles, the frantic friends begin betraying each other in the hopes of survival. Their civility rapidly deteriorates as they begin to experience overwhelming fear and desperation.
After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.
Des works at a boring job, and his girlfriend Julie is pressuring him to get married by claiming to be pregnant, so that she will not have to work. Laurie is living a life of quiet desperation with her husband Colin, an aspiring writer who refuses to look for a job. Des meets Laurie while visiting a work-mate who is dying of leukemia. While they go for a drive, Laurie invites Des to a rent party at their house. After this Vancouver counter-culture party, Colin finds Des and Laurie in bed together.
Fatty steals a ride on a train, discovered, and put off in the middle of nowhere. He stumbles along over the hot desert and finally passes out. A very plump Indian woman finds him and takes him to her tepee, woos him and finally, in desperation, Fatty agrees to marry her. While the tribe is preparing for the marriage ceremony, Fatty attempts to escape but is caught.
In the middle of the Mojave desert rests an abandoned phone booth, riddled with bullet holes, graffiti, its windows broken, but otherwise functioning. Its identity was born on the Internet and for years, travelers would make the trek down a lonely dirt road and camp next to the booth, in the hopes that it might suddenly ring, and they could connect with a stranger (often from another country) on the other end of the line. This is the story of four disparate people whose lives intersect with this mystical outpost, and the comfort they seek from a stranger’s voice: There is Beth, a troubled woman facing dilemmas with her love-life and a recurring, baffling crime; Mary, a young South African, who is contemplating selling her body for the funds to escape her dreadful existence; Alex, a woman who is losing her lover, Glory, to the belief she is plagued by aliens, and Richard, driven into desperation by a separation from his wife, who happens upon the booth after his failed suicide attempt.
Mike and Lenny are two buddies who dream of getting out of the trailer park. Out of desperation they resort to burglary as a means of financing Mike’s college education. Their dream is jeopardized one summer day when their ploy to shoplift Near Beer begins a crime spree and a series of mishaps during which they are threatened with jail.
Two high-school sweethearts get married, then find that married life isn’t what they thought it would be. In their desperation, they get mixed up with a gang of car thieves.
In the aftermath of a devastating rumor, Iman and his family have been forced to flee Iran. As refugees, they end up in a run-down hotel in northern Sweden. Despite feeling powerless, Iman tries to maintain his role as the family patriarch. To increase their chances of asylum, he breaks a promise to his wife and joins the local wrestling club. As the rumors start to resurface, Iman’s fear and desperation begin to take a hold.
On holiday in Yalta, Muscovite banker Dimitri Gurov contrives to meet a young woman who walks her dog. She’s Anna Sergeyevna, trapped in a loveless marriage to a lackey. He’s unhappy in an arranged marriage. With neither spouse at hand, Dimitri and Anna begin an affair. After a short time, she returns to Saratov, he to Moscow, believing it’s good-by forever. All winter he is miserable, enervated, distracted by tristesse. In desperation, he contrives to go to Saratov, surprising her at a concert. Fearing discovery in her home town, she promises to come to Moscow. Will they cast aside reputation to live together, or will theirs be an affair of infrequent encounters in hotel rooms?
Marla and Simone are madly in love and have a very passionate relationship. They are also struggling to get by and are unable to pay the rent. In desperation they decide to make porn videos. Sex cowboys is a travel inside our generation, the lost generation, destined to live without a permanent employment, a fixed home and a defined lifestyle. The characters of this travel are nomadic, precarious e immature in the comedy of their life: to Simone’s anger and to Marla’s magic need, alternates passion and sex. The generational crisis is inside us, and we have to find a way to survive and make the present our dream, since in our future we won’t have space.
A man is delighted to hear that his wife is pregnant and he begins to prepare for the wonders of fatherhood. As time progresses along, the family grows larger with each successive child and the father feels his importance in the family has been lessened with all the children. This man’s quiet desperation to hold onto his position is an interesting lesson in the family dynamic and how everyone is an important part of the whole.
In the spring of 1945, a train deporting hundreds of Jewish prisoners gets stranded near a small German village occupied by the Red Army. Condemned to each other and in a context of deep mistrust, desperation and revenge, an unexpected friendship emerges between Russian sniper Vera, village girl Winnie and Jewish-Dutch woman Simone.
