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The charismatic Snaporaz encounters an alluring woman on a train and pursues her through a forest. He ends up at a hotel populated by women gathered for a feminist conference, where he is an unwanted presence. Snaporaz soon discovers he’s entered a phantasmagoric world where women have taken power.
In 1971, four women defy ultraconservative norms and join Mexico’s first female police force—only to discover that it’s a publicity stunt to distract the media from a serial killer. As the body count grows, they make a pact to bring the killer to justice.
Directed by two-time Grammy nominee D. Smith, KOKOMO CITY takes up a seemingly simple mantle — to present the stories of four Black transgender sex workers in New York and Georgia. Shot in striking black and white, the boldness of the facts of these women’s lives and the earthquaking frankness they share complicate this enterprise, colliding the everyday with cutting social commentary and the excavation of long-dormant truths. Accessible for any audience, unfiltered, unabashed, and unapologetic, Smith and her subjects smash the trendy standard for authenticity, offering a refreshing rawness and vulnerability unconcerned with purity and politeness.
Carrie, Charlotte, and Miranda are all married now, but they’re still up for a little fun in the sun. When Samantha gets the chance to visit one of the most extravagant vacation destinations on the planet and offers to bring them all along, they surmise that a women-only retreat may be the perfect excuse to eschew their responsibilities and remember what life was like before they decided to settle down.
Our favourite police men are called together to deal with a gang who rob banks and jewelers. Using their various talents as well as their extraordinary luck, the crooks stand no chance against our men and women wearing blue..
A group of female freedom-fighters led by Karine Levere is caught by the warden of a women’s prison, located somwhere in the South American jungle. None of them will reveal the secrets of their organisation or the names of their collaborators in the cities, so they are handed over to Dr. Costa who, after four years inactivity in Europe, is delighted to be able to practice his torture techniques once more. Laverne fails to resist the inhuman treatments and reveals all. The only hope of saving the organization is for the girls to warn the city cell before it’s too late. They trick the prison guard into having sex with them, knock him out and break out of prison. The warden and Dr. Costa must prevent them from revealing the practices inside the prison. The hunt is on and it’s shoot to kill…
The Democratic Republic of Congo has endured 20 years of devastating violence. Rape has been used as a weapon of war to destroy community and access precious minerals. Congo is often referred to as “the worst place in the world to be a woman.” CITY OF JOY tells a different story of the region. The film focuses on Jane, a student at a center where women who have suffered unimaginable abuse join together to become leaders. We also meet the founders of the center: a devout Congolese Doctor (Dr Denis Mukwege, 2016 Nobel Peace Prize nominee) a Congolese activist (Christine Schuler-Deschryver) and a radical N.Y. playwright (Eve Ensler, author of The Vagina Monologues). The film weaves between joy and pain as these individuals band together to demand hope in a place so often deemed hopeless.
When the disappearance of a young girl grips the city of Baltimore in 1966, the lives of two women converge on a fatal collision course.
Three hours outside of Addis Ababa, a bright 14-year-old girl is on her way home from school when men on horses swoop in and kidnap her. The brave Hirut grabs a rifle and tries to escape, but ends up shooting her would-be husband. In her village the practice of abduction into marriage is common and one of Ethiopia’s oldest traditions. Meaza Ashenafi, an empowered and tenacious young lawyer, arrives from the city to represent Hirut and argue that she acted in self defense. Meaza boldly embarks on a collision course between enforcing civil authority and abiding by customary law, risking the ongoing work of her women’s legal aid practice to save Hirut’s life.
The story follows Maria Konovalova who travels from her rural village to visit her daughter Nina in the city. Maria’s arrival exposes the stark contrasts between rural and urban lifestyles and reveals deep-seated family tensions. Interestingly, Родня (Rodnya) in Russian sounds very similar to the word Родина (Rodina), which means “Motherland.” The film features three generations of women — Maria, her daughter Nina, and her granddaughter Irina — symbolizing three different Russias: one from the past, one modern, and one representing the future.
Olof lives alone on his family’s farm after the death of his mother. Unable to read and write, he is dependent on his younger friend, Erik, who helps him in the afternoons. Once a sailor, Erik brags of having known hundreds of women. Out of the blue, Olof advertises in the local paper for a young lady housekeeper, and Ellen, a middle-class city woman, arrives to take over the house and, as the summer goes on, Olof’s heart and Erik’s desire as well.
1945, Leningrad. World War II has devastated the city, demolishing its buildings and leaving its citizens in tatters, physically and mentally. Two young women, Iya and Masha, search for meaning and hope in the struggle to rebuild their lives amongst the ruins.
A psychological portrait of four women, whose lives are bound together by an incident on the New York City subway.
Six characters, contemporary archetypes of urban solitude, meet in an old apartment located in the city centre of Barcelona. An elderly married couple, her brother and three tenants: a blonde woman who gives French classes, a young security guard, an ex-football player and a young, pregnant South American girl. The old man, who was formerly a doorman at the opera and who likes to dress up in women’s clothes, gets them all together and asks them to leave as he is going to die and wants to be alone for the last stage of his life. In this flat, incest, homosexuality and adultery are intertwined in the life of these characters whilst we simultaneously witness the passing of time in this Mediterranean city.
Following the success of his first feature “Django”, Étienne Comar confronts with “Singing Jailbirds” the life in a prison for women with music and its capacity to unite people and a repertoire of international songs.
Kei longs for a “normal” life in rural Japan. But for a transgender man who is jobless in his own hometown, getting to normal is one steep climb, especially since Erin, his Canadian partner, longs to move to Tokyo, where they can live openly and freely. On his way to a job interview in the city, Kei meets a stranger. Abandoning his journey to help her, he discovers she is the owner of the hot springs—a place he once loved, as a child. Kei’s encounter with the healing waters is complicated by Erin’s turning up as well. Finally, the couple—one on the men’s side, the other, on the women’s—must face the truth about their divergent wishes, identities, and murky notions of belonging.
Between 1998 and 2005, a wave of murders targeting elderly women hit Mexico City, triggering the hunt for — and capture — of a most unlikely suspect.
After moving to a new city, Andi signs up for a friendship app called BFF to meet local women. However, her new relationship with Farrah soon turns dangerous when she realizes the woman’s boyfriend is luring others through BFF.
What happens if a single woman is obliged to bring up a baby without a father in a “modern” city of a conservative country? This autobiographical documentary thoroughly researches social roles of women and intellectualizes social inequality while searching for answers to this question.
A look at the current status of gender, ethnicity and sexual equality within women’s rugby.
Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City’s African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion “houses,” from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza — PARIS IS BURNING brings it, celebrating the joy of movement, the force of eloquence, and the draw of community.
About a variety of very different personalities encountered six young men and women in work, love, with the most comic way to interpret today’s “Fen Qing” the most real life. Movie entirely from the perspective of young people starting to describe their vision throughout the community. Among these young people, have just graduated from fresh human society, there are rebellious city cold man, there are diligent faithful dog male, female infatuation has insisted the dream, but also money first drink of worships money and women and every day Tyrant men and so on. When these different personalities, different experiences of people touched each other, naturally embarrassing thing again and again.
The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, fuck, and choose.
Tortoise in Love is a feel-good romantic comedy in the tradition of Local Hero, Calendar Girls and The Full Monty. It’s about an incredibly slow mover in love and the village that tries to speed him up. The entire film is set in the beautiful English countryside of the Vale of the White Horse in Oxfordshire. The story of the making of Tortoise in Love could almost be a film in itself. Almost the entire village of Kingston Bagpuize in Oxfordshire was involved in the making of the film. Young mums helped with the sales and design and publicity. Retired folk provided the drivers and stewards and props and logistics support. The Women’s Institute organised a phenomenal catering effort and all the cast and crew were lodged in village homes for the duration of the shoot.
The breakout of the war shatters the world of a young student, Lyudmila Pavlichenko, forcing her to enlist in the army in 1941. The maiden turns out to be a natural-born sniper, her impressive skill and prowess make her stand out among men and women alike. Seeing Pavlichenko as a tangible threat, the German High Command gives orders to eliminate the girl whatever the cost. In the meanwhile, Lyudmila meets a man and falls in love. War fades into the background… Soon, however, another misfortune befalls Lyudmila leaving the man she loves on the brink of death and herself seriously wounded. The girl is pulled out of combat and later goes to the United States with a publicity visit. Eleanor Roosevelt welcomes Lyudmila in the White House and the two women soon become close. It won’t be long before Pavlichenko stands before an audience in Chicago pressing for a second front. Will her words have the capacity to change the course of war?
The movie follows a group of young friends in the city of Tel Aviv and is as much a love song to the city as it is an exploration of the claim that people in Tel Aviv are isolated from the rest of the country and the turmoil it’s going through. The movie looks at young people’s lives in Tel Aviv through the POVs of gays and straights, Jews and Arabs, men and women.
A group of women take on a major crime lord on the streets of Los Angeles in the lawless “Calles de Infierno” district in a bid to take over his business and rule the city. But they’ll first have to deal with a revenge-seeking vigilante looking to clean up the streets. The gangs, the cops and the vigilante clash in an explosive battle of cars, guns, double and triple-crosses on the streets of LA.
It’s 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied – tragic, bizarre, funny or erotic – but common and central to all of them is the female presence.
A cinematic adaptation of Jules Verne’s 1874 novel “The Mysterious Island”, the story begins during the American Civil War, as famine and death ravage the city of Richmond, Virginia. Five northern POWs make the decision to escape the war by hijacking a hot air balloon! Drifting through the night, they wake to find themselves marooned on a desert island, but they aren’t alone… Littered with wreckage, the island is home to cast of survivors who have been lost in space and time, including Jules and Abby Fogg, two young women from modern times who become stranded while flying over the Bermuda Triangle. Faced with defending themselves against vicious pirates, terrifying creatures, and an active volcano that’s ready to blow, they must find a way to survive and escape the island. Hope only comes when they encounter the island’s oldest resident, Captain Nemo himself. With his help, they set to work crafting an escape…
Two highway road workers spend the summer of 1988 away from their city lives. The isolated landscape becomes a place of misadventure as the men find themselves at odds with each other and the women they left behind.
Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings – such as an attractive bandmate and a very determined suitor.
An army of passionate women launch a revolution to “Free the Nipple” and decriminalize the female body. Based on a true story, this mass movement of topless women, armed with First Amendment lawyers, graffiti installations and national publicity stunts, invade New York City to protest the backwards censorship laws in the USA.
Jesse Stone is a former L.A. homicide detective who left behind the big city and an ex-wife to become the police chief of the quiet New England fishing town of Paradise. Stone’s old habits die hard as he continues to indulge his two favorite things–scotch and women. When a series of murders takes place and a high school girl is raped, he’s forced to face his own demons in order to solve the crimes. And, since these are the first murders to occur in Paradise, Jesse must also train his inexperienced staff of police officers to assist in the investigation to find the killers and the rapist before they can strike again.
Devastated by a love affair, former in-demand gigolo Future Chang (played by Sandra Ng) retreats to Thailand, leading the life a dissolute. Thanks to the intervention of his high school teacher, Mr. Lo, Future summons the courage to return to Hong Kong. With the help of his friend Ricky, a gym trainer, he works hard to get back into shape, determined to make a comeback in the “duck” (male escort) trade. To Future’s surprise, Hong Kong has undergone a dramatic transformation since he left the city. Even the rules of the duck trade have completely changed! In order to ply his trade, Future is reduced seeking clients at an old age nursery home for women. Meanwhile, the places where women can buy happiness have become much more accessible, operating in neighborhood establishments such as a Thai restaurant…Determined to adapt to their new environment, Future and his desperate cohorts Dick Wide, Nebula and Broker Chan decide to dedicate themselves to satisfying the needs of their new client.
During the 1980s, uptight Ted Boynton is a salesman working in the Barcelona office of a Chicago-based company. He receives an unexpected visit from his cousin Fred, a naval officer who has come to Spain on a public relations mission for a U.S. fleet. Not exactly friends in the past, Ted and Fred strike up relationships with women in the Spanish city and experience conflicts — Ted with his employer, and Fred with the Barcelona community.
