All My Friends: Celebrating the Songs & Voice of Gregg Allman captures a once-in-a-lifetime performance, honoring one of the most acclaimed and beloved icons in rock and roll history. A founding member of the Allman Brothers Band and successful solo artist in his own right, Allman possesses a voice that has resonated through four decades.

John Farnham: Finding the Voice tells the untold story of an Australian music icon. In this first authorised biopic, we follow Farnham’s life from the quiet suburbs of Melbourne to ‘60s pop fame, through incredible highs and lows, and ultimately to record-breaking success as ‘Australia’s Voice’. John Farnham was 38 years old when Whispering Jack was released. Nobody ever questioned that Farnham could sing — but the challenge to find his artistic voice and become Australia’s most trusted and beloved performer took half a lifetime. Whispering Jack is still the highest selling Australian album of all time, and this powerful documentary tracks the personal and public journey that has made Farnham Australia’s greatest and most beloved musical artist.

When Iran’s ayatollah banned music and performances in the entire country, instruments and records became contraband, and artists were exiled, imprisoned, or executed. As the new government began to crush basic human rights, Maestro Shajarian risked everything to confront the regime, singing truth to power and uniting the country in a chorus of millions strong. His life long pursuit of equality through art is immortalized for generations to come, through his majestic, soaring vocals and lyrics. His internationally renowned hymn, “MORGHE SAHAR”, performed at the finale of all his concerts is widely considered the Unofficial National Anthem for Iranian Freedom.

Fezeka’s Voice tells the true story of choirmaster Phumi Tsewu and his unwavering dedication to his township, his school and his choir. For 15 years he has been teaching the children at Fezeka High School in Gugulethu, South Africa – not just how to sing but how to live. Chronicling the highs and lows of their first adventure overseas to perform on a world stage, the film exposes Phumi’s commitment and spirit as he teaches his students everything from manners to Mozart, bringing them focus, pride and joy.

Based on true events of the late 60s in Italy, poet, playwright and myrmecologist Aldo Braibanti is prosecuted and sentenced to prison for the love he shares with his barely-of-age pupil and friend, Ettore. Amidst a chorus of voices of accusers, supporters and a largely hypocritical public, a single committed journalist takes on the task of piecing together the truth, between secrecy and desire, facing suspicion and censorship in the process.

The strongest vocalists from across the United states compete in a blockbusters vocal competition, the winner becomes “The Voice.” The show’s innovative format features four stages of competition: the blind auditions, the battle rounds, the knockouts and, finally, the live performance shows.

Raise Your Voice is a coming-of-age story centered around a small-town singer, brokenhearted by the death of her brother in a car crash, who had secretly submitted her for a summer session at a performing arts academy in Los Angeles. In the performing arts academy, she experiences a whole new way of life in the big city, far from the small town lifestyle she’s used to.

Internationally acclaimed ventriloquist Nina Conti, takes the bereaved puppets of her mentor and erstwhile lover Ken Campbell on a pilgrimage to ‘Venthaven’ the resting place for puppets of dead ventriloquists. She gets to know her latex and wooden travelling partners along the way, and with them deconstructs herself and her lost love in this ventriloquial docu-mocumentary requiem. Ken Campbell was a hugely respected maverick of the British Theatre, an eccentric genius who would snort out forgotten artforms. Nina was his prodigy in ventriloquism and has been said to have reinvented the artform. This film is truly unique in genre and style. No one has seen ventriloquism like this before.

Three lonely people, each looking for love in their own ways. This is hard enough in any big city – never mind in Tehran, where individual freedoms can’t be taken for granted. In a sexy voice on the telephone, an overweight receptionist seduces men who wouldn’t look twice at her real ‘me’. A former bodybuilding champion now earns a living as a personal trainer. When he develops feelings for a promising young sportsman as a client; he drops everything else; even a very promising acting job for a well-known French director. A singer at religious funerals is dumped by his fiancée. He tries to find new purpose in life by retraining as a singer at weddings and parties. That’s a lot more attractive to women, his friend assures him.

In 2018, filmmaker Zach Meiners discovered that his former conversion therapist was still practicing. Struggling with the trauma of his own experience, Zach began an endeavor to amplify and empower the voices of survivors, and expose the practices of conversion therapy. “Conversion“ takes us on the cinematic and personal journeys of 5 survivors from the US and Canada as they move through the mental and physical harms of conversion therapy, and find the hope and strength to fight against it.

Olivier award-winner Eve Best (A Moon for the Misbegotten and Hedda Gabler) and BAFTA-nominated actress Anne Reid (Last Tango in Halifax) star in this new classically staged production of Oscar Wilde’s comedy directed by Dominic Dromgoole, former Artistic Director of Shakespeare’s Globe. The first play from the Classic Spring Theatre Company’s Oscar Wilde Season, A Woman of No Importance will be captured live for cinemas from the Vaudeville Theatre in London’s West End. An earnest young American woman, a louche English lord, and an innocent young chap join a house party of fin de siècle fools and grotesques. Nearby a woman lives, cradling a long-buried secret. First performed in 1893, Oscar Wilde’s marriage of glittering wit and Ibsenite drama satirised the socially conservative world of the Victorian upper-class, creating a vivid new theatrical voice which still resonates today.

The first of two Latinas to represent Texas in Congress, Veronica Escobar, and the only African-American woman to run for city council in Austin in 2018, Natasha Harper-Madison, lead a diverse group of progressive voices across Texas as they fight decades of institutional racism and policies of discrimination along the border. The battle over immigrant rights, land seizures to build the border wall, and the troubled racial history of the state form the backdrop to a film that explores how a place once known for its reactionary politics is becoming more liberal, more diverse—and more at risk for violent conflict.

Every year, Nana Sasaki and her former classmates hold a reunion of their high school music club. This year, the reunion is being held online. However, one of them, Ayumi, doesn’t show up. When the others voice their concern, Yuki and Suzu reluctantly tell them about the Samejima Incident, an urban legend which circulated on the internet 20 years earlier. Those who find the truth about it become cursed and die. As Nana and the others start to panic, the real horror begins.

Prepare yourself for a sensory overload of epic proportions. Nothing less than the history of the universe, the formation of the stars and planets, the origins of matter, and the daunting post-human future that lies ahead are explored in this mind-bending experience. Photon is an ultra-ambitious summation of human knowledge that combines stunning phantasmagoric visuals and a dense but engaging, even dryly humorous, voiceover in what you might call an experimental science lesson—a crash course in, well, everything. How did we come to be? How are we as we are? The biggest questions are asked, and answered, with inventiveness and aplomb. Photon even delves into the biological foundations of human behaviours such as violence and alcoholism. Dazzling animation visualizes that which we could otherwise not see, ingeniously illustrating details of quantum physics. It’s a strong dose of eye and brain candy in equal measure.

Weaving blistering performance footage from Europe, Japan, and the U.S. with a sublimely restrained, intimate glimpse into a world-renowned jazz percussionist’s singular voice and complex cosmology.

A former police officer begins experiencing haunting visions and hearing voices he believes to be prayers. He does his best to drown them out, until an unexpected group of new friends helps him hear his own calling.

Let’s Play Two is a documentary film that chronicles Pearl Jam’s legendary performances at Wrigley Field during the Chicago Cubs historic 2016 season. With Chicago being a hometown to Eddie Vedder, Pearl Jam has forged a relationship with the city, the Chicago Cubs and Wrigley Field that is unparalleled in the world of sports and music. From Ten to Lightning Bolt, the documentary film shuffles through Pearl Jam’s ever-growing catalog of originals and covers – spanning the band’s 25-year career. Through the eyes of renowned director/photographer Danny Clinch and the voice of Pearl Jam, the film showcases the journey of this special relationship.

Told through the voice of former KGB agent Viktor Petrovich, whose life becomes inextricably linked with Ronald Reagan’s when Reagan first caught the Soviets’ attention as an actor in Hollywood, Reagan overcomes the odds to become the 40th president of the United States.

Marco and Anita discover they are expecting a child. Finally a ray of light in Marco’s life after his heartbreak following the loss of Leo, his first born with his former wife Clara. Suddenly, however Perla, the new owner where the couple lived until the tragic accident, bursts into Marco’s and his ex-wife’s lives. The mysterious woman claims she keeps feeling a strange presence and hearing the voice of a child that is tormenting her and her son. Marco therefore finds himself torn between the ties of the past and an unwritten future.

Musician Gabriel and dimpled dry-cleaning proprietress Gabriela live like two strangers who no longer see each other. But in humorous contrast to their staid, passionless lives, characters in a constant state of sexual arousal surround them. Their libidinous teen son, whose hilarious voiceover commentary intermittently provides important narrative information, prides himself on being the high school stud and aspires to a career in porn. Gabriela’s sexy employee switches boyfriends the way she changes clothes. And despite being married, Gabriel’s colleague is working his way through the female members of their orchestra. Ultimately, the two Gabys find their virtual affairs reconnect them with their own desires, but in a way less movie-fantasy and more satisfyingly real-life. Written by Palm Springs Internation Film Festival

Juwita, a heavily overweight girl, almost gave up on her life after being hit by the ninth times heartbreak. Hope comes when she has a chance of transforming into Angel, a super gorgeous, golden-voiced girl.

Uta — the most beloved singer in the world. Her voice, which she sings with while concealing her true identity, has been described as “otherworldly.” She will appear in public for the first time at a live concert. As the venue fills with all kinds of Uta fans — excited pirates, the Navy watching closely, and the Straw Hats led by Luffy who simply came to enjoy her sonorous performance — the voice that the whole world has been waiting for is about to resound.

Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.

Decades after her untimely death, Princess Diana continues to evoke mystery, glamour, and the quintessential modern fairy tale gone wrong. As a symbol of both the widening fissures weakening the British monarchy and the destructive machinery of the press, the Princess of Wales navigated an unparalleled rise to fame and the corrosive challenges that came alongside it. Crafted entirely from immersive archival footage and free from the distraction of retrospective voices, this hypnotic and audaciously revealing documentary takes a distinctive formal approach, allowing the story of the People’s Princess to unfold before us like never before.

Through years of never-before-seen footage, director Karam Gill follows Lil Baby’s transformational journey from local Atlanta hustler to becoming one of hip-hop’s biggest stars and pop culture’s most important voices for change.

In the extravagant whaling city of 1850s New Bedford, MA, one family is conflicted and divided by the treatment of African Americans during the height of slavery in pre-civil war America. William M. Thomas, a medical surgeon, is a man of questionable faith and principles, until he hears the audible voice of God. The near death experience and commanding voice of The Almighty shakes William to his spiritual core. What begins as a righteous quest for American freedom and human redemption, ultimately transforms the traveling doctor into the most notorious abolitionist of Ante-Bellum America. His wife, the most affluent and powerful woman in the New World, covers her husbands tracks, until one day he goes too far. Now all are left to choose between life or death; security or sacrifice; passivity or justice; faith or fear. Written by Xavier Garcia

Taped at Los Angeles’ iconic Orpheum Theatre, this staged presentation of The West Wing’s “Hartsfield’s Landing” episode stars core cast members along with special guest stars. Act Breaks feature commentary from former First Lady Michelle Obama, President Bill Clinton and Lin-Manuel Miranda who share messages about the vital importance of making our voices heard in every election.

A raw and emotionally revealing look at one of the most iconic artists of our time during a transformational period in her life as she learns to embrace her role not only as a songwriter and performer, but as a woman harnessing the full power of her voice.

Celebrity Deathmatch is a claymation television show that depicts celebrities against each other in a wrestling ring, almost always ending in the loser’s gruesome death. It was known for its excessive amount of blood used in every match and exaggerated physical injuries.

The series was created by Eric Fogel; with the pilots airing on MTV on January 1 & 25 1998. The initial series ran from May 14, 1998 to October 20, 2002, and lasted for a 75-episode run. There was one special that did not contribute to the final episode total, entitled “Celebrity Deathmatch Hits Germany”, which aired on June 21, 2001. Professional wrestler Stone Cold Steve Austin gave voice to his animated form as the guest commentator. Early in 2003, a film based on the series was announced by MTV to be in the making, but the project was canceled by the end of that year.

In 2005, MTV2 announced the revival of the show as part of their “Sic ‘Em Friday” programming block. Originally set to return in November 2005, the premiere was pushed back to June 10, 2006 as part of a new “Sic’emation” block with two other animated shows, Where My Dogs At and The Adventures of Chico and Guapo. The show’s fifth season was produced by Cuppa Coffee Studios and the premiere drew over 2.5 million viewers, becoming MTV2’s highest rated season premiere ever.

A docu-film that traces the victorious ride of Mancini’s Azzurri, from the debut match to the final against England. A troupe lived with the Azzurri for a month, to bring the spectators into the lives of the players and all the members of the staff, between training sessions, matches, travels and celebrations. An adventure told through the voices of the protagonists, who confided dreams, joys, pains and hopes to the cameras. “Blue Dream, the road to Wembley” is the completion of a project started a year ago together with the FIGC, to tell the national team’s approach to the European Championships through the 4 episodes aired in the days immediately preceding the European Championship, bringing the new television language of the docu-series to one of the most important time slots of the first generalist network. “Blue Dream, the road to Wembley” is a project of the New Formats Development Department

Theater actress Lillian Cooper’s son dies mysteriously. When the investigating officer rules the cause of death an accidental overdose, Lillian conducts her own investigation which leads her to an unlikely alliance with her son’s former drug dealer. On her quest for answers, Lillian hallucinates some of the iconic characters she’s played on stage which serve as her inner voice, urging her to avenge her son’s death.

Theater actress Lillian Cooper’s son dies mysteriously. When the investigating officer rules the cause of death an accidental overdose, Lillian conducts her own investigation which leads her to an unlikely alliance with her son’s former drug dealer. On her quest for answers, Lillian hallucinates some of the iconic characters she’s played on stage which serve as her inner voice, urging her to avenge her son’s death.

Ella Fitzgerald was a 15-year-old street kid when she won a talent contest in 1934 at the Apollo Theatre in Harlem. Within months she was a star. Over the next six decades, her sublime voice would transform the tragedies of her own life and the troubles of her times into joy. JUST ONE OF THOSE THINGS retraces this extraordinary journey.

While desperately searching for his missing daughter, Hae-kwan comes across an AI satellite robot that remembers sounds from all over the world. Rejuvenated by the robot’s abilities, Hae-kwan begins to track down his daughter’s voice. As they continue their journey, they form an unforgettable bond.

If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn

Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.

Internet songwriter Chow (Cherry Ngan) is gifted with an extraordinary retentive memory. She never forgets anything she has heard. One day, she was kidnapped by Yung (Ronald Cheng), a street punk, to a remote fish raft so desolate that an escape plan seems to be a mission impossible. In the hope to flee with the only ability she has, Chow offers to give a spiritual music therapy to the rather maniacal kidnapper. What happens next is beyond anyone’s imagination – the two who have nothing in common begin to form an intimate bond and connection through music. More than that, Chow finds immense inspirations on this “floating stage”, while discovering the incredible singing voice and vocal range in Yung – a seemingly hopeless criminal can also possess a voice as captivating as the sound of nature…

In rural Connecticut, baseball players Ben and Mickey are trying to survive a zombie plague. They are forced to form a battery: a catcher and a pitcher who work together to outwit the batter, the one who hits the ball. And the batter in this case just happens to be a zombie. Tough Ben and gentle Mickey frequently disagree on the best way to go about the situation. Then they suddenly hear a human voice through their walkie-talkies. Is salvation nearby, like Mickey thinks, or is Ben’s suspicion justified?

In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.

Tells the story of Justin Bieber, the kid from Canada with the hair, the smile and the voice: It chronicles his unprecedented rise to fame, all the way from busking in the streets of Stratford, Canada to putting videos on YouTube to selling out Madison Square Garden in New York as the headline act during the My World Tour from 2010. It features Usher, Scooter Braun, Ludacris, Sean Kingston, Antonio “L.A.” Reid, Boyz II Men, Miley Cyrus, Jaden Smith, Justin’s family members and parts of his crew and huge fanbase in a mix of interviews and guest performances. It was released in 3D in theaters all around the world and is the highest grossing concert movie of all time, beating the previous record held by Michael Jackson’s This Is It from 2009.