Barbara O’Brien, an Irish Catholic mother, has her life turned upside-down when her son, a freshman in college, is involved in a tragic hazing incident. Taking justice into her own hands, she travels across the country recording mothers who have lost sons to hazing in an effort to prove the university’s liability. When she is confronted by corruption and cover ups, she seeks revenge on the one person she finds truly responsible, proving that hell hath no fury like a mother scorned.
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Half-Chinese and half-Japanese Mari Hirakawa is the daughter of a Karate coach. Since her childhood, she was forced under her father’s training, and has resented Karate for as long as she can remember–her only wish is to sell the dojo after her father passes away. Following his death, Mari starts fantasizing about her life of freedom; however, she finds out from her lawyer that her father has only left her 49% ownership of the property, the other 51% was left to one of his worst pupils, Chan Keung. The two clash, and Chan has a proposition – if Mari is able to win a match in a legitimate martial arts competition, he will unconditionally give her his share of the property. Mari is trapped in a dilemma, and will have to make a choice that will change her life…
The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.
Based on the game, Dead Rising takes place during a large-scale zombie outbreak. When a mandatory government vaccine fails to stop the infection from spreading, the four leads must evade infection while also pursuing the root of the epidemic, with all signs pointing to a government conspiracy.
Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny’s thugs, and later meets the dead man’s sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers.
Lorenzo Vigas’ mesmerizing feature debut examines the struggles of a man petrified by the notion of human contact and intimacy. Armando, aged 50, (played by Pablo Larraín favourite Alfredo Castro in one of his most striking performances yet), cruises young men in the streets of Caracas and pays them to come back to his house. He also regularly spies on an older man with whom he seems to have ties from the past. One day he meets 17-year-old Elder, leader of a small band of thugs. Their turbulent relationship will come to mimic the violent, passionate, oppressive unpredictability of the city around them. Winner of the Golden Lion for Best Film at the Venice Film Festival in 2015.
During a bitter 1964 Massachusetts winter, young secretary Eileen becomes enchanted by Rebecca, the glamorous new counselor at the prison where she works. Their budding friendship takes a twisted turn when Rebecca reveals a dark secret — throwing Eileen onto a sinister path.
Alien ship crash-lands on Earth and the creature inside starts taking over people’s bodies.
