A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood’s Golden Age in 1969 Los Angeles.
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From Wikipedia, the free encyclopedia. Roll Bounce is a 2005 American comedy-drama film written by Norman Vance Jr. and directed by Malcolm D. Lee. The film stars hip hop artist Bow Wow as the leader of a roller skating crew in 1970s Chicago. The film also stars Nick Cannon, Meagan Good, Brandon T. Jackson, Wesley Jonathan, Chi McBride, Kellita Smith, and Jurnee Smollett. Description above from the Wikipedia article Roll Bounce, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Maggie Chalke is torn between her journalistic integrity and helping her long time crush Mitch O’Grady when her boss orders her to write a story for the paper about the Secret Santa gifts she’s been sending Mitch to help him relearn his love for Christmas.
Marie is a Toronto police officer. One evening, her husband Joshua and their son Nicky are brutally murdered in their car. Marie quickly links Pablo Molina, an Argentinian drug trafficker who she’d arrested a few months earlier, with the crime. In despair, Marie heads to Argentina on the tracks of the killer. A journey of revenge and a journey to come to terms with her loss.
Lush scenery and gorgeous photography highlight this bio of Princess Ka’iulani (Q’Orianka Kilcher), a 19th-century Hawaiian princess raised in England but determined to maintain her people’s independence from aggressive American businessmen. After being sent to England as a child by her Scottish father, Ka’iulani returns to Hawaii and becomes a political activist who fights to retain her throne, even though she must leave her English paramour.
When Jessica Parker’s former high school boyfriend, superstar baseball player Chase Taynor, returns to town, she finds the inspiration to reinvent her struggling diner… and revisits the past to find something even better for the future.
Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.
Jolana (18) is an object of her stepf-father’s desire. She is unable to cope, especially when her own mother turns a blind eye. Those events are heavily paid for when she finds herself working in a brothel. Her inability to cope raise a question: What is it she actually wants? Are her dreams of escaping really better than the reality she finds herself in?